A really quick-ish recap: The rarest Sid and Marty Krofft production is 1979’s Krofft Superstar Hour, which was hosted by the Bay City Rollers and co-written by a fellow I admire a great deal, Mark Evanier. The Hour comprised two shows-within-a-show, Horror Hotel and Lost Island, and unless you watched these episodes at the end of 1979, before NBC cancelled the Hour, then the only way you could have seen them is thanks to the bootlegging efforts of the Bay City Rollers’ fan base. Horror Hotel and Lost Island were never merchandised on coloring books or lunchboxes, they were never repeated, they were never syndicated. One, and only one, installment of Hotel has ever been released on home video, and we wrote about it in this post from last year.
So ten years after the Hour was axed, and with half-formed memories of the one Lost Island segment that I saw as a kid still bothering me, I often wondered what the heck that show was called, because I couldn’t remember. And one day in late 1989, I found the answer. It was called Chaka and Wolf Boy, apparently. Continue reading
We’re very sorry to hear that actor Chuck McCann has died. He was also a writer and TV presenter, and an omnipresent face in the 1970s, with appearances on everything from commercials to Columbo. I knew him best as Barney in Sid and Marty Krofft’s hilarious Far Out Space Nuts and was really sorry to hear that such a funny, popular guy has left us. Our condolences to his friends and family.
We learned yesterday that the favorite son of the great town of Sylacauga, Alabama passed away. Jim Nabors was best known for his role as the nasal-voiced Gomer Pyle, a character he played for seven seasons across two hit CBS series in the 1960s, The Andy Griffith Show and Gomer Pyle, USMC. Later on, of course, Nabors starred as the android Fum in Sid and Marty Krofft’s The Lost Saucer for ABC. Nabors was not particularly enamored by The Lost Saucer, and while it honestly isn’t one of my favorites either, every episode features he and his good friend Ruth Buzzi doing something really funny together. Our condolences to Nabors’ family and friends.
I can’t believe it’s over already! Since we don’t watch enough modern television to warrant subscribing to any streaming services before now, and since I’ve always preferred to slowly enjoy episodes over the course of several nights, I’m not really a “binge” kind of person. For anybody who stops by this post in the future, I’m writing this on the weekend that season two of Stranger Things dropped, and I’ve seen death threats levied at anybody who posts spoilers today or tomorrow. I guess I’m a little old-fashioned.
Well, we hope that’s not going to be all. These new episodes were incredibly entertaining and we laughed out loud several times during each one. These last two are also really good. Episode six, “Sigmund and the Sand Castle Contest,” sports a dual plot, with Sigmund belching up so much of his defensive “blue goo” for use as a fixative in the kids’ sand castle that he becomes ill, while Slurp adopts one of those Roomba robot vacuums as a pet, also called Slurp, and panics when the batteries run out and he needs a human pet “fixer.” In episode seven, “The Treasure of Sigmund’s Madre,” the kids all have to negotiate with the sea monsters for a huge drum of gold coins in the hopes of raising money to keep Aunt Maxine’s restaurant afloat.
I hope the show’s done well. I don’t know how Amazon measures these things, but I think it is certain to appeal to modern kids, if our six year-old’s response is anything to go by. He loved this completely and I hope we’ll get some good news about a renewal soon. The series does end on a small cliffhanger, which is really the only complaint I have about the whole shebang; I really wish that producers would not do that unless they’re certain they’ve been picked up for another run. So renew ’em, Amazon, and ask for ten or thirteen new episodes next time!
So in this delightful episode, Maxine and some of the community’s grownups attempt to stage an intervention for Barnabas and his sea monster obsession. At the same time, the kids are making a camcorder monster movie that starts as a giant monster spectacle but the lead actor is uncomfortable in the role and would rather be a detective. It shouldn’t have surprised me that Sigmund, as “Ace Coolstone,” would wander into the intervention while all the grownups were distracted, but it did, and it was hilarious.
This is a great little series. I confess that I kind of miss Blurp and Slurp’s nastiness and malevolence, but they remain engaging because they’re so stupid. And Kyle Breitkopf is hysterical in this one as a school-age acting coach, helping Sigmund into character. Great stuff all around.
Well, the grouch in me has to complain that this episode is a little more treacly than I’d prefer. At its core, it’s about Robyn not feeling as though she fits in or is good at anything, and needing some reassurance from her mother that she’s special regardless. Modern day children’s television tends to hammer these lessons in without any kind of subtlety. I’m not complaining “Oh no, a moral,” I’m saying “Don’t stop the mayhem for a moral; we’ll figure it out.”
And that’s a particular shame this week, because otherwise this is really, really funny. Again, the grouch in me wishes we could have enjoyed the chaos that could have erupted in an art gallery, because that’s where the plot is going before Robyn saves the day. Otherwise, this episode is a real joy. I absolutely loved Robyn drafting Blurp and Slurp to help with her project, and Sweet Mama’s failed attempt to apply some passive-aggressive guilt on her idiot offspring is hilarious. I really loved Robyn ripping off the monsters when they demand higher payment, and the monsters being stupid enough to think they got the upper hand.
But while the opportunity for chaos never completely forms, the appearance of several massive sand centipedes is fantastically funny, and leads to a brilliant bit of comedy when Sigmund very casually explains the difference between poisonous and venomous. I do adore the way Sigmund is so casual about weird things in this show. At one point, he explains that if the tips of his tentacles are ever sore, he just bites them off and waits for them to grow back. It’s a funny detail made hysterical by Drew Massey’s delivery of the line. I didn’t realize Massey had played Sid the Science Kid. I suddenly hear the similarities!
I wasn’t quite as taken with this episode as I was the previous two. The story’s about Sigmund misunderstanding the concept of “dibs,” thanks to Johnny’s incompetent explanation of the rule, leading to a rash of petty thefts of very silly items around Dead Man’s Cove. But this should have escalated into mayhem, and it doesn’t. Johnny’s solution to the problem is agreeably amusing, but at its core, this is a story about paying attention to little brothers. I’d appreciate a little more lunacy before giving us a heavy-handed moral.
On the other hand, while David Arquette’s Captain Barnabas is the lone note of lunacy in this story, it does lead to a climax that our son enjoyed, in which all his neighbors humor him by “agreeing” with him using “air quotes.” I’m not entirely sure that Arquette’s performance is entirely in sync with his much more natural co-stars, but it can lead to some funny moments.
Last summer, I sat down with our son to watch the pilot (episode 1.1) of the remake of Sigmund and the Sea Monsters and we crossed our fingers that Amazon would pick it up. The first season of six episodes launched last week, and tonight, we bade my long-suffering spouse to watch the pilot with us (“There isn’t going to be any singing, is there?”) and then we watched the second episode.
It’s absolutely lovely. My son and I laughed all the way through both episodes, and I even caught an occasional chuckle from the grown-up who sat between us. It’s still the greatest thing in the universe when Scott asks “What’s a net?”
There’s an interesting inversion in the setup for this version of the series. In the original, the Ooze family threw Sigmund out, largely because Sigmund was unable to scare anybody, and spent the show trying to get him back. Here, it looks like Sigmund will still live with his family because these sea monsters are afraid of humans and afraid of being captured. While David Arquette’s character, Captain Barnabas, is mocked by everybody in Dead Man’s Point, the Oozes think that he’s a dangerous monster hunter.
I also found it interesting that Sweet Mama appears to be a single mother, raising all three monsters by herself. She seems to be a more generic sitcom mom, and not an impersonation of Bea Arthur like the Sweet Mama from the original show. On the other hand, I haven’t actually watched any sitcoms since Friends; she could be a direct impersonation of anybody on TV in the last (wow) fourteen years and I wouldn’t have a clue!
Anyway, click the image above to start streaming the series from Amazon Prime yourself. We’ll be watching the show over the next couple of weeks and you should definitely join us!