The Bugaloos 1.5 – The Love Bugaloos

To put this into perspective for readers in the future, this was the weekend we were meant to go to Atlanta, but the trip’s been postponed. And next weekend’s trip to Memphis has been cancelled. This was the first disruption weekend of the coronavirus, so we stayed home and read books and watched TV.

With a Saturday morning free, we watched another episode of The Bugaloos from Rhino’s blurry collection, and our son enjoyed it a lot more than the previous one. This time, Sparky gets a celebrity crush on that famous firefly Gina Lolawattage, who’s scheduled to sing live on Peter Platter’s evening show. Benita sends her henchrat to kidnap her so that she can get called up as a last-minute replacement. Our kid really liked this one because of all of Sparky’s nervous stumbling, and the rather funny conceit that when fireflies in this world get all a-flutter, their tail lights turn red and they blast out smoke. Turns out the mating habits of big fireflies makes for good, silly kidvid, especially when you’re eight and really love fart jokes in the first place.

The Bugaloos 1.4 – Courage, Come Home

Proving that I never had much connection with the sort of people who waited impatiently for a new Harry Potter book and rampaged through it in a single night, having tracked down a reasonably-priced copy of Rhino’s out-of-print Bugaloos set, my son and I are watching the episodes at the rate of about one a month. And proving that my head might not be screwed on straight, here we go watching the episode where Caroline Ellis dresses up in a maid costume, a sight which has probably been making lustful teenagers spontaneously combust since 1970, and I give you a picture of John Philpott with some silly glasses on instead. Well, it is his episode.

Our son honestly runs a little hot and cold with this show. He enjoyed the absolute daylights out of “Our Home is Our Hassle,” which we rewatched last month, and guffawed all the way through it. “Courage, Come Home,” written by John Fenton Murray, is an amnesia story, and I guess my boy has reached the age where he’s seen one amnesia story and has realized that he’s consequently seen all amnesia stories. Another factor might be that instead of starting with some gags and silliness and taking a break for a musical interlude, this episode begins with our heroes singing their lovely bubblegum song “Come Away With Us.” I think it’s a pleasantly sunny piece of period pop that easily stands up alongside hits of the day by the Archies or the Cowsills, but he was ready for the show to get moving already.

So eventually Courage loses his memory thanks to a whack on the head in a storm, and Benita convinces him that he’s her nephew Melvin and can do all the cooking and cleaning now that she’s fired her incompetent henchmen. It’s really amnesia-by-numbers, although it has a few fun gags like the henchmen forming a picket line and the Bugaloos dressing up like her new staff – a maid, a cook, and a “gentleman’s gentleman,” though what Benita would need with a “gentleman’s gentleman,” we probably don’t want to guess – and it raised a smile or two, but overall this was nowhere close to being as funny as the previous episode.

The Bugaloos 1.1 – Firefly, Light My Fire (take two)

Proving that good things come to those who wait, and that four years is an eternity in a kid’s development, we sat down this morning to watch the first episode of The Bugaloos this morning. Four years ago (!), we showed our son bootlegs of the first three episodes on YouTube. He liked Sparky the Firefly, but he hated, hated, hated Martha Raye’s villain, Benita Bizarre. This morning, he could not believe that he ever found her dopey character frightening. He had one good laugh and several chuckles. He wouldn’t say that he really liked it, but it was an acceptable and silly Saturday morning distraction.

As for me finally obtaining a legit copy, I wouldn’t say that I’ve been hunting high and low for one, but I have kept an eye open. Second-hand copies of Rhino’s old DVD set are typically offered for between $120 and $250 on eBay, although I don’t believe very many are actually being sold for that price. There’s a lot of Crazy Grandma Price Guide action on eBay. I bet some algorithm pushed one that high and now everybody with a copy thinks that’s what the set is “worth.” I finally landed one in extremely good condition for $30, which feels much more reasonable.

Sadly, the only real disappointment in looking at this noisy, silly, and incredibly lovable show is realizing that it isn’t just the YouTube bootlegs: like the rest of Sid and Marty Krofft’s ’70s videotape productions, the master tapes of The Bugaloos are in terrible shape. The colors are badly faded and there are several places with some picture interference. It’s a real shame that these weren’t kept in better condition. The high cost of restoring these to their original, incredibly colorful presentation would probably be far more than the return.

Chaka and Wolf Boy (1979) (allegedly)

A really quick-ish recap: The rarest Sid and Marty Krofft production is 1979’s Krofft Superstar Hour, which was hosted by the Bay City Rollers and co-written by a fellow I admire a great deal, Mark Evanier. The Hour comprised two shows-within-a-show, Horror Hotel and Lost Island, and unless you watched these episodes at the end of 1979, before NBC cancelled the Hour, then the only way you could have seen them is thanks to the bootlegging efforts of the Bay City Rollers’ fan base. Horror Hotel and Lost Island were never merchandised on coloring books or lunchboxes, they were never repeated, they were never syndicated. One, and only one, installment of Hotel has ever been released on home video, and we wrote about it in this post from last year.

So ten years after the Hour was axed, and with half-formed memories of the one Lost Island segment that I saw as a kid still bothering me, I often wondered what the heck that show was called, because I couldn’t remember. And one day in late 1989, I found the answer. It was called Chaka and Wolf Boy, apparently. Continue reading “Chaka and Wolf Boy (1979) (allegedly)”

RIP Chuck McCann, 1934-2018

We’re very sorry to hear that actor Chuck McCann has died. He was also a writer and TV presenter, and an omnipresent face in the 1970s, with appearances on everything from commercials to Columbo. I knew him best as Barney in Sid and Marty Krofft’s hilarious Far Out Space Nuts and was really sorry to hear that such a funny, popular guy has left us. Our condolences to his friends and family.

RIP Jim Nabors, 1930-2017

We learned yesterday that the favorite son of the great town of Sylacauga, Alabama passed away. Jim Nabors was best known for his role as the nasal-voiced Gomer Pyle, a character he played for seven seasons across two hit CBS series in the 1960s, The Andy Griffith Show and Gomer Pyle, USMC. Later on, of course, Nabors starred as the android Fum in Sid and Marty Krofft’s The Lost Saucer for ABC. Nabors was not particularly enamored by The Lost Saucer, and while it honestly isn’t one of my favorites either, every episode features he and his good friend Ruth Buzzi doing something really funny together. Our condolences to Nabors’ family and friends.

Sigmund and the Sea Monsters – 1.6 and 1.7

I can’t believe it’s over already! Since we don’t watch enough modern television to warrant subscribing to any streaming services before now, and since I’ve always preferred to slowly enjoy episodes over the course of several nights, I’m not really a “binge” kind of person. For anybody who stops by this post in the future, I’m writing this on the weekend that season two of Stranger Things dropped, and I’ve seen death threats levied at anybody who posts spoilers today or tomorrow. I guess I’m a little old-fashioned.

Well, we hope that’s not going to be all. These new episodes were incredibly entertaining and we laughed out loud several times during each one. These last two are also really good. Episode six, “Sigmund and the Sand Castle Contest,” sports a dual plot, with Sigmund belching up so much of his defensive “blue goo” for use as a fixative in the kids’ sand castle that he becomes ill, while Slurp adopts one of those Roomba robot vacuums as a pet, also called Slurp, and panics when the batteries run out and he needs a human pet “fixer.” In episode seven, “The Treasure of Sigmund’s Madre,” the kids all have to negotiate with the sea monsters for a huge drum of gold coins in the hopes of raising money to keep Aunt Maxine’s restaurant afloat.

I hope the show’s done well. I don’t know how Amazon measures these things, but I think it is certain to appeal to modern kids, if our six year-old’s response is anything to go by. He loved this completely and I hope we’ll get some good news about a renewal soon. The series does end on a small cliffhanger, which is really the only complaint I have about the whole shebang; I really wish that producers would not do that unless they’re certain they’ve been picked up for another run. So renew ’em, Amazon, and ask for ten or thirteen new episodes next time!

Sigmund and the Sea Monsters 1.5 – The Squid Stays in the Picture

So in this delightful episode, Maxine and some of the community’s grownups attempt to stage an intervention for Barnabas and his sea monster obsession. At the same time, the kids are making a camcorder monster movie that starts as a giant monster spectacle but the lead actor is uncomfortable in the role and would rather be a detective. It shouldn’t have surprised me that Sigmund, as “Ace Coolstone,” would wander into the intervention while all the grownups were distracted, but it did, and it was hilarious.

This is a great little series. I confess that I kind of miss Blurp and Slurp’s nastiness and malevolence, but they remain engaging because they’re so stupid. And Kyle Breitkopf is hysterical in this one as a school-age acting coach, helping Sigmund into character. Great stuff all around.

Sigmund and the Sea Monsters 1.4 – Robyn Has a Gift

Well, the grouch in me has to complain that this episode is a little more treacly than I’d prefer. At its core, it’s about Robyn not feeling as though she fits in or is good at anything, and needing some reassurance from her mother that she’s special regardless. Modern day children’s television tends to hammer these lessons in without any kind of subtlety. I’m not complaining “Oh no, a moral,” I’m saying “Don’t stop the mayhem for a moral; we’ll figure it out.”

And that’s a particular shame this week, because otherwise this is really, really funny. Again, the grouch in me wishes we could have enjoyed the chaos that could have erupted in an art gallery, because that’s where the plot is going before Robyn saves the day. Otherwise, this episode is a real joy. I absolutely loved Robyn drafting Blurp and Slurp to help with her project, and Sweet Mama’s failed attempt to apply some passive-aggressive guilt on her idiot offspring is hilarious. I really loved Robyn ripping off the monsters when they demand higher payment, and the monsters being stupid enough to think they got the upper hand.

But while the opportunity for chaos never completely forms, the appearance of several massive sand centipedes is fantastically funny, and leads to a brilliant bit of comedy when Sigmund very casually explains the difference between poisonous and venomous. I do adore the way Sigmund is so casual about weird things in this show. At one point, he explains that if the tips of his tentacles are ever sore, he just bites them off and waits for them to grow back. It’s a funny detail made hysterical by Drew Massey’s delivery of the line. I didn’t realize Massey had played Sid the Science Kid. I suddenly hear the similarities!

Sigmund and the Sea Monsters 1.3 – Dibs

I wasn’t quite as taken with this episode as I was the previous two. The story’s about Sigmund misunderstanding the concept of “dibs,” thanks to Johnny’s incompetent explanation of the rule, leading to a rash of petty thefts of very silly items around Dead Man’s Cove. But this should have escalated into mayhem, and it doesn’t. Johnny’s solution to the problem is agreeably amusing, but at its core, this is a story about paying attention to little brothers. I’d appreciate a little more lunacy before giving us a heavy-handed moral.

On the other hand, while David Arquette’s Captain Barnabas is the lone note of lunacy in this story, it does lead to a climax that our son enjoyed, in which all his neighbors humor him by “agreeing” with him using “air quotes.” I’m not entirely sure that Arquette’s performance is entirely in sync with his much more natural co-stars, but it can lead to some funny moments.