Well, the most important thing is that our son enjoyed the second episode more than he did the first. “I LOVED that episode,” he said, before adding “but part one was…” and he stuck out his tongue. The peanut gallery has spoken.
The second most important thing is that “Doomsday is Tomorrow” really entertained me as well. You could argue there’s a disagreeable cop-out near the end, but there are also a lot of completely unexpected twists and turns. Pretty much the whole thing is Lindsay Wagner stomping through some big industrial complex – I dunno where this was filmed, but if Disney showed up a year later to make the second Witch Mountain movie, I wouldn’t be surprised – arguing with the disembodied voice of ALEX 7000, pledging that the next round of defenses will surely kill her, so she should stop now. And yet Wagner is so good, and the plot keeps throwing surprises at us as ALEX improvises new ways to stop her, that this never feels like a low-budget way to do two episodes with a small cast. It feels like the end of the world.
Kenneth O’Brien has a whole lot less to do in the second part than I had thought, and Lew Ayres is only here briefly, having recorded his messages of doom to humanity before he died in part one. This is as close to a solo turn for a program’s protagonist as it got in the seventies, and it’s a genuine pleasure. I’m very glad that I picked this one.