“The Mutants” is a six-part Who serial from 1972. It’s the second story for the series to be written by Bob Baker and Dave Martin, and it’s directed by old hand Christopher Barry. It’s nobody’s favorite story, and it has a pretty terrible reputation in fandom as among the worst. Apart from clips, I probably haven’t seen it in about twenty-five years, and was pleased to find that the first two episodes were much, much better than I expected.
On the other hand, we had to pause this a couple of times to help explain some context to our son, and he didn’t like this one at all. Not a bit. The story is set in the 30th Century, during the dying days of the Earth Empire, and concerns a planet called Solos getting its independence. As a six year-old, he knows a little – more the mythology than the history – about the thirteen colonies declaring independence from Britain, but this was written for older kids in an age where the ranks of Britain’s civil service were swelled by former colonial administrators from countries like India or Nigeria. We met one in the previous story; Colonel Trenchard in “The Sea Devils” was a former governor of some island nation or other. So certainly the audience in 1972 understood the political implications a lot better than he can.
This story follows the previous season’s “Colony in Space” as depicting a lousy and corrupt future Earth. Because he’s naturally in tune with more a good guys vs. bad guys scenario, he wasn’t pleased to learn that the Marshal, played by guest-starred-in-everything-ITC-made Paul Whitsun-Jones, is the villain, and forces one of his soldiers to lie to the Doctor about Jo being safely in a hospital on Solos. This might have been more his speed had it been a story where the earth soldiers are trying to save the Solonians from a bizarre and frightening mutation, but the story is instead strongly hinting that the mutations are caused by the humans…
But I thought this was much more interesting than he did. I was pleased to see a couple of good actors who’d done Who before and would be back again in the future. Geoffrey Palmer is in part one, and then his character seems to gets assassinated just so the budget could extend to another guest star, George Pravda. The real surprise, though, and it’s a very pleasant one, is that Rick James, seen in the picture above as a guard named Cotton, is nowhere near as bad as his reputation holds. I’m not saying the man’s an Olivier or anything, but he used to show up on those lists that Who fans used to obsess in making when the show was off the air, about the worst performances in the show. Since there honestly weren’t very many actors of color hired for British television during the early seventies – a topic addressed in a very good feature included on this DVD – it was always unfortunate that James got singled out for brickbats when just about every guest actor in “The Claws of Axos” was a hundred times more annoying.