Something was in the air in the early seventies: David Bowie’s “Oh! You Pretty Things,” The Tomorrow People, the renewed Uncanny X-Men in 1974, and this. Evolution was coming, and the next phase would include thought transference, long hair, crazy colors, and glam rock. Much of “The Mutants” could have come at any point during the original 26 year run of Doctor Who, but its climax is remarkably 1972. Gotta make way for the homo superior.
Like most six-part Who stories, it’s one part too long. Part five has some exciting action that turns out to be filler when the Doctor just gets captured anyway after four minutes of avoiding guards, and Rick James’ terrible reputation for his allegedly poor acting really only gets justified with his hear-it-to-believe-it line delivery at the end of that episode. Part six gets an eye-rolling extension because the Earth investigator is such a poor judge of the situation that he’d later get a job with the state court of California and change his name to Lance Ito. But overall, this is a very, very good adventure, far better than fandom judges it. Gives me a lot of promise for the next story, which I already claim to like more than most people.
Our son came around a little in the end. He ranks Paul Whitsun-Jones a 7 on the just-concocted Enemies List. (The Master and the Yeti are 9s, and the Daleks, of course, are the only 10.) I really don’t think he enjoyed this much, but he did like seeing the Marshal get his nifty special effects comeuppance.
One last thing to note about “The Mutants” before moving on is the cliffhanger to part four. It’s nice to finally see this as it had been originally shown. We got this in the eighties as the two-and-a-half-hour TV movie compilation, and whoever assembled it sneezed or something and totally botched the edit between episodes. It’s not the most realistic special effect in the first place, with the actors huddling from a hull breach on the outer wall of Skybase, represented by yellow chromakey screen with a brilliant golden glow. But the American movie version has a gap of at least three seconds in this very fast-paced scene, so I honestly thought for ages that the hull breach was caused by malfunctioning rockets, not a blast from a handgun. No wonder Stubbs got killed with one shot; those bad boys pack a punch!