In any fandom, there are myths and there is received wisdom, and it often turns out to be incorrect. An example that many of you might know comes from Doctor Who. The story, for years, went that the first episode of 1974’s “Invasion of the Dinosaurs” was mistakenly junked by the BBC because that episode was titled just “Invasion” and was confused with the 1968 story “The Invasion.” That isn’t true at all. It’s a fan myth, but everybody heard it from somewhere or other.
The strange finger of coincidence visited this blog last month. See, there’s a similar bit of received wisdom about these eight Mrs. Peel episodes. Four of them aren’t fantasy-oriented in any way. “Dead Man’s Treasure,” like “The £50,000 Breakfast” and the next one, “You Have Just Been Murdered,” could just as easily play as an episode of an ITC action show like The Saint or The Baron. The story went that ABC (the network) in America had asked ABC (the production company) in Britain to bring things back down to Earth and make the series a little more realistic. I remember hearing this in the eighties, either from some know-it-all at a convention or in one of the zines from the era (maybe something that John Peel wrote?), but when I glanced back at the claim years later, I couldn’t find any real evidence of it. Did ABC actually ask for the show to get more realistic, or did fans just assume that they did because that’s a safe explanation for why Steed and Mrs. Peel were suddenly investigating plots that either McGill or Simon Templar could have handled?
It’s not quite definitive, but just last month, blogger Mitchell Hadley posted some evidence that somebody in America actually was complaining about how fanciful and odd The Avengers could be. TV Guide‘s influential columnist Cleveland Amory devoted a story to moaning that the color episodes were not as “genuinely engrossing” as the black and white ones. I wouldn’t connect all the dots with permanent ink yet, but there might be a through-line here: in April 1967, America’s biggest TV critic argues the show needs to be more realistic, when the show resumes production in June and July, Associated British Corporation asks Albert Fennell and Brian Clemens to tone things down, and in September, Fennell and Clemens are taken off the show and an earlier producer, John Bryce, is reinstated.
But that’s getting ahead of things.
Well, it may not be Steed and Mrs. Peel’s wildest case, but Michael Winder’s “Dead Man’s Treasure” is certainly one of our son’s favorites. He absolutely loved this one, which should come as no surprise. All seven year-olds like fast-moving car racing stories, which is why Wacky Races will be popular with kids until the end of time. And this one even has a pair of cheaters a lot like Dick Dastardly. Familiar-to-us faces Neil McCarthy and Edwin Richfield appear as enemy agents, shown above. Arthur Lowe, Ivor Dean, and Valerie van Ost are also in this episode.
There’s not a lot of meat to this story about an auto rally with clues all around the countryside to bring the drivers to a hidden treasure. Our heroes get involved because a dying agent hid some important documents in the box before the race started. It’s just a madcap, fun, and very breezy little excuse to get some cars out on the roads around Hertfordshire and drive them past the camera really fast.
I thought it was a shame that the budget didn’t extend to a few more speaking parts so we could see more of the competitors instead of promptly paring the field down to three teams, but that’s quibbling. “Dead Man’s Treasure” is just plain fun, even if it might have been made with John Mannering and Cordelia instead of Steed and Mrs. Peel!