They did a really good job in this serial foreshadowing Victoria’s decision to leave at the end of it. Perhaps Peter Bryant, who had taken over as producer, looked back at what a raw deal Michael Craze and Anneke Wills were given when his predecessors wrote out Ben and Polly at the end of “The Faceless Ones” and decided that they needed to do better. So Victoria gets plenty of opportunities to express that she is very tired of this life and sick of being terrified by monsters everywhere they go. The Doctor and Jamie are not entirely empathetic to her position on this. They’re having too much fun.
We switched to the black and white presentations of parts three and four in the new set, and our son quasi-complained that it just made it even more frightening. It really is something else; he went behind the sofa for the eerie cliffhanger to part three, and spent most of the following half hour behind it. It’s a shame that any television is lost – it should all be available for people who wish to enjoy it – but I wonder whether the loss of part four isn’t one of the greatest losses in all of Doctor Who. The audio and the animation is darker and creepier than our son was ready for, and incredibly effective. The recovery of most of “The Web of Fear” proved that Who was on fire that season telling scary, effective stories about monsters in dark tunnels with incredibly good visuals. I wish very badly that this episode still existed to see how it compares. If I could pick which of the 97 that are still lost could come back next, I think it would have to be this one.
There are some small flaws with the original production, like Robson being obnoxiously obstinate and unreasonable even before the seaweed gets him, but overall I’m incredibly pleased with this. I know how it ends – even if I have forgotten everything about Victor Pemberton’s novelization of the story for Target Books, I remember how they save the day – but I’m really looking forward to seeing it tomorrow night.
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