Gorgo (1961)

Back in March, we went to Atlanta for the Silver Scream Spook Show’s presentation of Paramount’s 1931 Dr. Jekyll & Mr. Hyde, but neither the kid nor I actually enjoyed the movie all that much, so it passed without comment here. I figured that 1961’s Gorgo would go over better, and it did. It’s actually a much more entertaining film than I remembered, too.

Obviously, Gorgo is a Godzilla cash-in, which I saw once when I was in middle school on whatever UHF channel that was showing Sunday morning monster movies. I remember liking it a lot at the time, but eventually I started figuring that it was a cash-in, and therefore just an also-ran, and who needs a pale imitation when, honestly, most of those Godzilla movies aren’t all that good to start with. Refamilarizing myself with the movie by looking it up online, I was pleased to see that actor Martin Benson, one of those fellows who had a long and enviable career of being “oh yeah, that guy” in dozens and dozens of things you’ve seen, is in this, and that one of the lead characters is named Sam Slade.

Anyway, if you live within driving distance of Atlanta and you’ve never seen a Silver Scream Spook Show performance, you’re really missing out. Professor Morte and his gang of ghouls and weirdos put on a goofy comedy set before the show, with props, surprises, things going haywire, missed cues, Martians, and, this time out, magic. The Professor gives these classic sci-fi and monster movies a good introduction, and then our kid was in popcorn heaven.

Wonderfully, Gorgo turns out to have aged far, far better than I thought it would. True, the stock footage of battleships and jet fighters is obvious, and the movie suffers from not really using England’s deep bench of strong and identifiable character actors the way it should. Failing to find even a single woman to deliver a single line of dialogue is woefully unfortunate. But there’s lovely location work, greedy protagonists, very good special effects for the time, and some incredibly impressive footage of panicking crowds rushing to evacuate as London is menaced by a 200-foot tall indestructible monster.

The print was pretty poor, but this is a movie that was made with a really keen eye for detail and pleasantly surprised me with many of its story and visual choices, and I’d much rather watch it again than most of Toho’s output. And that’s with the cast it has; imagine how much more rewatchable this would have been with people like Peter Sallis or Ralph Bates or Barbara Shelley or Ingrid Pitt in it.

But the kid was even more pleased than me. This had the right amount of destruction and buildings-being-knocked-down shenanigans and was never really scary. In the lobby afterward, Professor Morte suggested that a little baby powder on a cardboard building makes for a great cloud of dust when an eight year-old boy becomes a monster in the stories he can create in the driveway or the garage. That got him thinking, and really the only thing that derailed his thoughts was when we bought a T-shirt from the merch table and the lovely ghoul assistant gave him a free whoopie cushion with our purchase.

Photo credit: Cool Ass Cinema

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