You know, I just didn’t enjoy this as much as I thought I was going to. I do enjoy the way that I’ve found lots more to like about some Who adventures, especially “The Mutants” and “The Time Monster,” than I thought that I would, so I guess the flip side is that naturally there would be one or two that drop down a couple of pegs from my remembrance to reality.
“Image of the Fendahl” is a really flawed story, particularly when everything starts to revolve around the Satanic coven that one of the four scientists has been leading in his spare time. It’s something that should have been developed and explored, but because there was such a huge money crunch during this period of the program, it’s even less convincing than the coven in the broadly similar Jon Pertwee-era adventure “The Daemons.” I particularly “like” the way that the only member of Stahl’s coven with a speaking part is also the only character in the village that we meet other than the two characters who help our heroes. Devil’s End felt like a real place because we saw it and all the dozens of people who live there. This place just exists in a TV studio.
So it fails at a lot of important things, but I still appreciate it because the tone is just right. This is prime “scaring children” Who, from an era where the horror is largely going to be swept aside for light sci-fi action like we saw in the previous adventure. In this, it succeeds, because our son tells us that this was really scary and “totally creepy.” This and “Fang Rock” both feel like holdovers from the three seasons of the show that Philip Hinchcliffe produced. The way forward is going to be much breezier.
I think that Tom Baker and Louise Jameson are both really good in this adventure, even if the guest cast all seem under-rehearsed. Dennis Lill and Wanda Ventham would be back in stories in the 1980s and I think they did better and more convincing jobs as their characters in those, and there’s a guy named Edward Arthur who seems to be doing a very good impersonation of Ian Ogilvy rather than making me believe that he’s a scientist who’s in over his head. So there’s a lot that boring old people like me can grumble about, but any story that gives seven year-olds the creeps can’t be called a complete failure, and while our son didn’t have a lot to say about this one, he seemed to enjoy it.
1977’s “Image of the Fendahl” was the last Who TV story written by Chris Boucher, and the last one script-edited by Robert Holmes, although happily, we still have a few more stories from his typewriter to come. It seems to be set a short time after “The Invisible Enemy,” since the Doctor’s had cause to dismantle K9 for repairs, and Leela has found a new, white outfit somewhere. I wonder whether people from her tribe sew their own garments. Maybe the Doctor bought her a few yards of leather, or imitation leather, somewhere.
This is a good, creepy story, although it’s one I’ve always had trouble embracing because all of the guest actors, including Dennis Lill and Wanda Ventham, manage to seem a lot more like actors in a TV studio than scientists in an old priory. The reason for their research is all mcguffins, the point is to get everybody in one place for something weird and creepy that deliberately evokes Quatermass and the Pit as much as possible. There are mysterious deaths, twelve million year-old human skulls with pentacles in them, and a local grandmother who practices “the old ways.” We catch a glimpse of eerie slug-like things that the Doctor calls embryos, and it’s going to build to something very memorable the next time we sit down to watch TV…
This morning, I enjoyed explaining to our son that The Avengers features quite a few very eccentric old fellows with very odd hobbies. I also enjoyed explaining what the word eccentric meant; he’d never heard it before. The Avengers is set in a world where dozens of old military men and industrialists trapped in the memory of a glorious past of Empire have retired with buckets of money to indulge their peculiar whims. Often, they’re either exploited or killed by the villains-of-the-week, who frequently use the cover of the eccentrics’ hobby to hide in plain sight.
So this week, we meet Sir Horace Winslip, the first of the eccentric old oddballs in the film series. He’s played by Ronald Fraser and he’s obsessed with old railway lines and hates motor cars. He lives in a railway-themed house with an imitation dining car with sound effects and scrolling scenery, and has his own private mini-train, which our son adored almost as much as Patrick Macnee, who got to ride it. He’s been manipulated by the baddies into funding a jamming system. But Sir Horace thinks its meant to jam the engines of automobiles, when it’s actually jamming early-warning radar installations, just like in “The Deadly Missiles,” an episode of The Bionic Woman that we watched last month.
This episode was written by Malcolm Hulke and it features Wanda Ventham in a small role. It memorably climaxes with Mrs. Peel tied to the lines of the miniature railway with old-fashioned player piano music like an old “Perils of Pauline” chapter. This really did frighten our son a little, but the very fun fight between Steed and a couple of hoodlums on the runaway train kept him riveted. I told him that they used to have a mini-train like that at Zoo Atlanta that I enjoyed riding. Sadly, they replaced it with a boring old full-size train ten or more years ago.