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Doctor Who: The Time Monster (part six)

Well, there certainly was a lot that could have been done better in this last half hour, but I enjoyed that a lot. Spending the middle two episodes on what might best be called whimsy means that this story has a heck of a lot to tie up in a hurry. It’s rushed and, when Kronos unconvincingly destroys Atlantis, it really looks and feels like the director just said “that’s good enough,” because they had quite a lot more to tape.

But that scene in the dungeon! Jon Pertwee and Katy Manning are just magical together. It’s a beautiful little scene where the Doctor tells a story about an old hermit who lived on the mountain behind his boyhood home, and it’s just perfect. I love the Doctor becoming a storyteller instead of just dropping goofy anecdotes about Venusians. I love the way he seems to slip and refer to the story as “the first time I heard it,” as though it might not really have happened to him, it’s just an old, old story that’s taken on special meaning as he got older. We’ll never know, and that’s just fine.

Meanwhile, in short attention span theater, we asked our son what his favorite and least favorite parts of the whole adventure were, and they were apparently both in the final part. He loved the Doctor dueling with the minotaur – that’s future Darth Vader Dave Prowse under the mask – and hated the Master briefly becoming king of Atlantis. Overall, he said this story was “kind of a yes,” and I don’t agree. To my considerable surprise, the flaws don’t dampen the hugely entertaining adventure. It’s my favorite story of season nine, and it’s absolutely a yes.


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Doctor Who: The Time Monster (part five)

All right, so finally we get to Atlantis, and some juicy material with meat on it. It’s still very flawed – they gave George Cormack all the best lines and then let him deliver them like an old stage ham playing to the cheap seats, for starters – but still huge fun.

In one of the most interesting casting choices of the era, Queen Galleia is played by Ingrid Pitt. In the two years prior to making “The Time Monster,” she had starred in a pair of phenomenally entertaining Hammer films, The Vampire Lovers and Countess Dracula. Jon Pertwee apparently suggested her for the part. In between seasons seven and eight, he and Pitt appeared together in one of the segments of an anthology horror film from Amicus, The House That Dripped Blood, which I really do need to get a copy of one of these days. Galleia’s handmaiden Lakis is played by a young Susan Penhaligon, who had a long and very successful acting career ahead of her.

And speaking of what’s ahead for the actors, about five months after they made this story, Ingrid Pitt and Donald Eccles, who plays the High Priest, would work together in another phenomenally entertaining horror movie, The Wicker Man.

Anyway, Pertwee and Pitt don’t share any screen time in this episode, but Galleia’s alliance with the Master takes center stage. He’s criminally smooth, taking advantage of her lust for sex and power, and Delgado and Pitt are very, very fun to watch together. That said, there’s enough onscreen evidence both in previous and future stories for us to know that this cannot possibly end well for Galleia even if the Master’s suggestion of ruling Atlantis together was honest. I don’t mind; it’s so fun to watch Pitt and Delgado work together.

Meanwhile, our son didn’t have quite as much to giggle about in this episode, but he certainly caught the reference to the minotaur. It led to a surprisingly effective cliffhanger when it appears that Jo is in danger and the bull-headed beast will attack her. He watched with attention, needing a little clarity about which unfamiliar Greek name goes to which character, before getting wide-eyed with worry at the end. A very satisfying half-hour!

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Doctor Who: The Time Monster (part four)

Okay, so on the one hand, this can be accused very fairly of being padding padding padding. If you’re wanting your Doctor Who to be lean and mean and tightly plotted, I can see why this story maddens you. There’s literally not one minute of story here that’s essential to the plot of the Master going to Atlantis to get control of Kronos. If that’s the only reason that “The Time Monster” exists, then it could have been a three-parter. I understand that the low-budgeted series, throughout the Pertwee years, mainly adopted its format of two four-parters and three six-parters to make the best out of the resources available, but they honestly could have used three parts from this and one apiece from “The Mutants” and “The Sea Devils” and made an additional five-part adventure this year.

But I’m in the other camp. This is fun. The Doctor is being the stodgy old killjoy and the Master is having a ball. Benton gets turned into a baby, the TARDISes are materialized inside each other, and the Master uses his machine’s telepathic circuits to fiddle with the Doctor’s speech and have the words come out of his mouth backwards. If you’re bothered by the Brigadier turning into the Doctor’s straight man, only there to feed the star lines, he gets to stand in place for about the whole episode, frozen in time, so even he can’t annoy you. How could anybody not like this? It’s so fun.

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Doctor Who: The Time Monster (part three)

I think I see one reason fandom doesn’t care for this story. Everybody’s waiting for Ingrid Pitt and she isn’t in the first half of the serial! But seriously, there really aren’t six episodes of plot here. I mean, when the characters are specifying that everything you’re seeing are delaying tactics, that’s a bit of a clue.

On the other hand, I’m loving it. It may be stretching a slow four-parter, at best, into six, but it’s all so entertaining! The scene where the Doctor builds some “modern art” for its sort-of crystalline structure to interfere with the Master’s time experiments is padding, but it’s funny. You also read people complaining that the Brigadier is getting increasingly stupid as the series goes on, but our son guffawed at the Doctor and Jo roaring past his jeep in the super-speed-boosted Bessie. This may not be essential, but it’s fun.

And so the cliffhanger sees Captain Yates, bringing the TARDIS to Cambridge in a military convoy, plagued by more delays as the Master dumps various foes from other times into 1973 via his interstitial time machine. It ends with a massive explosion as a thirty year-old Doodlebug flying bomb comes down in the tree line. That’s a hugely effective cliffhanger; our son was very worried for Captain Yates!

Also, our son was quite frightened by that most ridiculous of Doctor Who monsters: Kronos finally makes its weird appearance, all white costume and colorful visual effects sparkling off the vision mixer, the actor’s arms flapping like an angry canary while swaying in the lab on a kirby wire. No, nothing about Kronos is really successful at all… unless you’re six, in which case this furious caged beast who absorbs Dr. Percival in a puff of nothing really is a surprisingly weird and troubling enemy.

Speaking of Dr. Percival, I’d mentioned that John Wyse would later appear in the BBC’s Dorothy L. Sayers adaptations of the 1970s. He was joined last time by Donald Eccles, playing the Atlantean high priest who the Master zaps into the present. Eccles would also have a big supporting role in one of those Sayers serials. He played the Reverend Venables, the campanology-obsessed vicar in The Nine Tailors, a couple of years after this.

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Doctor Who: The Time Monster (part two)

Very, very little happens in part two of this adventure. It’s all talk and setup, as the Doctor explains that the Master is trying to use the power of Kronos, the most dangerous of a species called Chronovores. These beings exist outside of time and, as their delightful name implies, eat time itself, swallowing life.

It all seems fairly innocuous, and until a scene where Benton comes very close to capturing the Master, slow, but our son takes the Doctor’s warnings very, very seriously. Without even materializing, Kronos swallowed about sixty years from a lab assistant, leaving him an old man. That, and the grim and always-end-of-the-world tone that the Doctor employs, is enough to really convince our boy that this is deadly serious business. He’s very, very worried about Kronos.

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Doctor Who: The Time Monster (part one)

So at last we’re at the much-maligned “The Time Monster,” a story that fandom tends to dismiss, but there’s nothing in the first episode that warrants its low reputation. There very rarely is, of course. Most Doctor Who tends to start strong and peter out. This one starts with the Master up to no good at a research institute, under the guise of a Greek scientist called Professor Thascales, and he’s apparently working on a teleportation device – transmitting matter through “interstitial time” – but, in an admittedly poor cliffhanger, it seems he’s really doing this as a side to his real plan, which is contacting something called Kronos.

The story was written by Barry Letts and Roger Sloman, and directed by Paul Bernard, and is notably the last UNIT vs. the Master adventure, after the four in the previous season. The notable guest star in part one is John Wyse, who didn’t have a long career in TV or film. It looks like this may have been his second-to-last credited part. His final role was as Mr. Murbles, solicitor to the Wimsey family in the first of the BBC’s 1970s adaptations of Dorothy Sayers novels. I really like the guy.

Other than a general unease that the Master’s never up to any good, our son was neither really pleased nor displeased with this one. It’s really all setup, including the delightful and understated business about Professor Thascales’s credentials. Since he escaped from prison in “The Sea Devils” (perhaps three months previously?), he established the Thascales identity and got this position near Cambridge, but neglected to publish anything for peer review, which nearly trips him up.

(Actually, I’ll tell you the big thing they neglected. Since this is set near Cambridge, they really should have asked Caroline John to come back and play Liz Shaw as a member of the institute’s grants committee.)

Three months works within the best UNIT timeline, but it really is a heck of a rush for all the work that the Master needed to do. I like this idea: the Master escaped from prison, got in his TARDIS, figured out a new plan involving the Greek trident crystal, and started setting everything up years before he first showed up in “Terror of the Autons.” Over the same months that the earlier Master was dueling with UNIT and working with Autons, Axons, Daemons, and Sea Devils in Britain, “Professor Thascales” was in Greece, having obtained the crystal and finding an institute or university where he could get the necessary equipment and funding. Playing the long game’s easy when you’ve got a time machine, as long as you don’t meet yourself, I suppose.

Why not? After all, the most recent series of Doctor Who has shown us that at the precise time that the Doctor and the Master are having this adventure in Cambridge, a much later Doctor has been quietly teaching at St. Luke’s University in Bristol, with a much later Master locked in a vault under the college. I really love the idea that every few months in the 1970s, Nardole would get a morning paper with a story about, say, promotional plastic daffodils being recalled as a health hazard, and pop it on the Doctor’s desk, saying “This is you, isn’t it? Must be. You had something to do with this.”

And the Doctor, never wanting to talk much about the past, would say “That was three thousand years ago, Nardole. I really don’t remember…”

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Doctor Who: The Sea Devils (part six)

Our son impressed me by talking earlier this evening about part five of the story, and the disappointing cliffhanger to part four. He’s really thinking constructively and creatively about the show, which makes me very happy. He was much happier with this installment, except, of course, for the ending, which sees the Master getting away again. It’s difficult to say just how effective an exit that would be in the real world. Surely the British Navy wouldn’t have a great deal of trouble tracking down a stolen hovercraft?

Honestly, parts five and six could have been compacted into one installment. There’s a lot of padding, and a lot of Jo being very loudly worried about the Doctor, and a lot of repetition. The civil servant of the month is just as gluttonous and cowardly, the talk about a lasting peace between humans and Sea Devils isn’t going to go anywhere, and there’s more stomping around the echoey underwater base.

But Pertwee and Delgado continue their beautiful, twinkling chemistry (the Doctor gets to say “reverse the polarity of the neutron flow” for the first time), and there’s a lot of well-directed action and explosions. “The Sea Devils” isn’t anybody’s favorite third Doctor story, but it certainly is entertaining, and I’m glad our son enjoyed it!

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Doctor Who: The Sea Devils (part five)

As the Pertwee years continued, they got away from one of the things that defined the series in 1970: the civil servant of the month. With the speaking part played by Clive Morton freed, one of the all-time “best” of this misbegotten bunch shows up, a Parliamentary Permanent Secretary played by Martin Boddey in one of his final roles. He’s supremely vulgar and stupid, and I love the way the director emphasizes his obsession with breakfast and coffee by lingering on his mouth.

Our son says that this story is more scary than exciting. We asked whether it wasn’t exciting when the navy launched (stock footage of) depth charges into the sea, and he said it wasn’t. “That was not exciting because they could have killed the Doctor!” He’s taking everything that Jo Grant says very, very seriously.

For me, this story’s only disappointment is the Sea Devils’ base. It’s a black “limbo” set like we saw in the third season of Batman, with lots of black tablecloths over everything to give it some kind of depth and shape. The designer came up with some interesting ideas for the props within their base, things like alarms and cages, but it’s all undermined by the lack of walls.

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