Crisis on Infinite Earths (parts four and five)

I had originally planned to watch the final two parts of “Crisis on Infinite Earths” – presented as Arrow 8.8 and Legends of Tomorrow 5.0 – over two nights, but part four was so lousy and uninspired that I decided to stampede to the end, and I’m really glad that I did, because part five was downright fun.

So the big changes to the Arrowverse are that the Superpeoples’ Earth was merged with the Arrow/Flash/Batwoman/Legends Earth and Black Lightning’s Earth, and now Supergirl’s National City is on the other side of the river from Flash’s Central City. Atop that, Diggle’s daughter is alive again, Superman and Lois have two kids, Lex Luthor has been a good guy who’s just won the Nobel Prize, and Lynda Carter’s no longer the president. A bunch of other DC shows now have their own Earths, and at the end of the story, seven of the heroes (Barry, Kara, Sara, Kate, Clark, J’onn, and Jefferson) get together to hang out in the Hall of Justice (the building was introduced in the 2016 crossover), where there’s a monkey named Gleek running around and the old Super Friends theme plays. Best ending possible, I’d say.

Otherwise, part four was a last roundup for Stephen Amell to have yet another death scene and to marvel at how months apparently passed at the Vanishing Point but Kate kept her hair perfect. Part five was what I understand is the usual Legends of Tomorrow mayhem, with enough violence and superhero action to keep our son completely riveted and enough romance novels and fifty-foot teddy bears to keep the grownups baffled. Lots of the usual Arrowverse talk about how tough it is being a hero as well, but balanced with the show’s playful and silly spirit.

So I reckon they’ve left the big impacts on the Batwoman storyline for us to learn about in a few days, so stay tuned for that. Hopefully the next time we see the Hall of Justice, Barry will have cleaned the place up. And if any of you readers happen to see any fan art with our new seven Super Friends drawn in the classic style of the Alex Toth originals, won’t you please drop me a line? I’d love to see this cover below done with the TV gang. (Bonus points if they have somebody redraw Tyler Hoechlin’s face in a Curt Swan style.)

But fun aside, did it work? Well, I honestly don’t know that they did everything that they could or should have done. The spit-n-cough cameos from Ashley Scott, Burt Ward, and Robert Wuhl were cute, but the actors could have been given more substantial roles to play somewhere in the narrative, couldn’t they? There’s a brief bit in part four where “our” Flash meets the Flash played by Ezra Miller in the current movies, which was nice. I suppose Zachary Levi or Gal Gadot or Margot Robbie are outside the TV shows’ budget, so it was nice to see somebody from the big screen show up on TV, where I think DC’s superhero stories are told better.

But speaking of Levi and Gadot, this really was a fine opportunity to introduce DC’s other big hero names into the Arrowverse, and I think I’m disappointed that they didn’t give us the chance to meet Shazam, Wonder Woman, and Green Lantern. Some footage which may have been from the Ryan Reynolds GL film is in the “new worlds” montage at least, but there should be a Green Lantern on the new combined Earth, not on his own world, because that’s precisely the problem that this story solved. And TV is long overdue a Wonder Woman. I hope some of the big names start appearing as guests on the Arrowverse shows in the future.

Anyway, wonder what they’re going to do for the November 2020 crossover? Hopefully something a shade smaller…?

Super Friends cover credit: Pencil Ink Blog

Supergirl 5.9 – Crisis on Infinite Earths (part one)

Many years ago, an acquaintance was telling a pal of mine about the great folly that was the comic book Crisis on Infinite Earths. DC Comics dotted every I and crossed every T and believed that every possible continuity “problem” within their funnybooks had been resolved by this great big cosmic reset. The whole editorial office relaxed and stretched and closed their eyes and suddenly realized, as one, that they had wiped out Superboy from their backstory and forgot about his quarter-century of appearances with the Legion of Super-Heroes. So two years later, they had to fix that. And then they were fixing something else. The fans seem to love it all, but I’ve always felt the cures are worse than the disease.

But the Crisis has been a fan favorite for decades, and its television adaptation was promised six years ago in the first episode of The Flash, so expectations for this five-part story have been pretty high. I’ve got mixed feelings about it so far. This time out, not a lot happens while pieces are put into place, but – if I counted right – eight heroes are tasked with defending a “Quantum Tower” in National City from shadow demons while the planet is evacuated. It’s Superman, Supergirl, the Flash, Green Arrow and his daughter, Batwoman, the Atom, and White Canary, and before the hour is finished, one of these heroes will be dead.

Granted, this is an episode of Supergirl, set on hers and Superman’s Earth – not the same dimension as the other Arrowverse programs – but I really wasn’t interested in all the material with the DEO and Lena Luthor from this series. On the other hand, there’s a great opening montage, which checked in on Robert Wuhl, from the 1989 Batman movie, and Burt Ward, from the 1966-68 Batman TV series, and Hawk and Robin from what I guess was the current Titans streaming series.

Several more of these winks, apparently with much more substance, are coming in the next few episodes. Other than these, the most interesting scene featured Superman and Lois, living without super powers on a distant planet, having to launch their infant son to Earth in a pod. It all turned out okay – the tyke got detoured to the year 2046 on Earth-16 and one of the cosmic gamesmasters moved our heroes before the planet blew up – but I liked how our son could spot the deliberate reminder of baby Kal-El being sent here from Krypton. A lot more of this playful levity, and a lot less of the Monitor and the Pariah and the Harbinger being portentous and melodramatic, will improve this story.

Supergirl 1.18 – World’s Finest

I wanted to dip one more time into the first season of Supergirl, and enjoy Brit Morgan’s fun portrayal of Livewire, thirteen episodes after the character’s first appearance. “World’s Finest” was the inevitable, but very welcome, crossover with all the other shows from the “Arrowverse,” establishing that the Girl of Steel and her frequently offscreen cousin from Krypton are just a simple dimensional hop away from the annual event story every November.

I really enjoyed this episode when it first aired on CBS in March 2016. At the time, they were juggling about four important ongoing plots, and the Flash, played by the amazingly likable Grant Gustin, just runs into National City and puts them all on pause for an hour. Amusingly, the Flash is able to offer some unusual insight into Kara’s problems. She needs to slow down.

Meanwhile, Livewire has teamed up with a villain from the comics called Silver Banshee. This is actually the only point of the story that doesn’t quite work for me, because while Italia Ricci is just fine as the character, she looks completely ridiculous in her weird voodoo-skull makeup. And yes, I get that she’s meant to be a cursed Irish character but she doesn’t look like a dangerous villain. She looks like Halloween on Bourbon Street.

Anyway, our son was in heaven as Supergirl and the Flash had their big battle with the villains, and Marie was really amused by some of Calista Flockhart’s unbelievably snarky comments. This program just lost so darn much when it lost Cat Grant.

But about that fight: it’s in a public park with lots of extras. I mean piles of people. Earlier, I had paused the episode to explain why Supergirl was so concerned about winning the public’s trust again. In a previous episode, she’d been poisoned with red kryptonite, which made her aggressive and selfish. Our son had never heard of red kryptonite, so I told him about how it’s completely unpredictable and has weird effects on our heroes’ minds.

There’s a great moment in a Lois & Clark story where the villain, Bruce Campbell, is ecstatic to learn that his batch of red k makes Superman apathetic. And that reminded me of how small all the fights in Lois & Clark had been. Whenever there actually was a fight – and there weren’t many – it was always in a deserted alleyway. Fair’s fair, all of the Arrowverse shows have had many scraps in abandoned warehouses and disused airport runways. In fact they have one in this very story and the Flash comments on it. But every so often, they really do something big and wonderful and really fun. I don’t watch any of the Arrowverse shows regularly anymore, but it’s got me wondering whether they’re going to have another one of those wild four-part crossover events this November…

Supergirl 1.5 – Livewire

Our son has watched most of my DVDs of the late 1990s Superman cartoon, and really enjoyed the character of Livewire. She’s a villain created by Bruce Timm for that show, a former shock jock who gets turned into a being of electricity.

I never thought much of the character myself. It’s kind of funny how us boring old people look sideways at the new characters created for silly worlds of children’s fiction once we’re adults, as though their caretakers are trying too hard, but the children who get to know these giant worlds full of characters as one lump sum just treat them all as equally interesting or cool. See also: grownups who grumbled about a face from The Phantom Menace making a cameo in Solo, while all the seven, eight, nine year-olds in the audience had their minds blown.

Anyway, I thought that since he enjoyed the cartoon Livewire, he might enjoy seeing the live-action take on her. Actress Brit Morgan has played the part in the ongoing Supergirl series that stars Melissa Benoist. Rewatching this episode this morning reminded me of how much I enjoyed this show’s first season, particularly Calista Flockhart’s fantastic performance as Kara’s boss, Cat Grant. I became increasingly bored and disillusioned with the show after it moved from CBS to the CW and they changed all the character arcs that I was enjoying so much, with the final straw being giving Jimmy Olsen a new superhero secret identity of his own.

(And sure, I’ve got all the time in the world for Elastic Lad and Turtle Boy in sixties Stupid Comics, but Mehcad Brooks was used so much interestingly in Jimmy’s first season role than after they moved networks…)

Anyway, our son has always been just a little skeptical of what he’s seen from the Arrowverse, and simply hasn’t been interested in them, so I’ve never pushed it before. This didn’t change his mind overall, but he says that he really did enjoy the action scenes, and thought that Supergirl’s rescue of a helicopter, which unwittingly results in turning shock jock Leslie Willis into Livewire, was awesome.

I think most interestingly, we paused for a quick discussion about who’s to blame for Livewire’s villainy. There’s a great scene where Cat Grant blames herself for Leslie’s transformation, and our son interrupted “She did, she made her go up in that helicopter.” He didn’t understand what Cat was getting at, though, that it was her pushing her employee to go meaner, to go nastier, to go below the belt in pursuit of radio ratings. I reminded our son of the brief bit we hear of Leslie’s talk radio show, and about how ugly she was about Supergirl. You can’t keep saying terrible things without it changing you. The more awful the words you use, the more awfully it affects your heart.

So yeah, trust a dad to come up with a moral.

There’s a lot to love about Supergirl‘s first season, including Melissa Benoist’s note-perfect performance, the family dynamics, the emphasis on the CatCo workplace, and the messages of tolerance, diversity, and acceptance, and the fight scenes are pretty great as well. Brit Morgan was terrific as Livewire, and I think he enjoyed it just enough for me to show him one more episode next month.