Tag Archives: stanley adams

The Twilight Zone 3.13 – Once Upon a Time

If I might risk being accused of echoing the same good-ole-days-isms that Rod Serling kept coming back to in season one of The Twilight Zone, the audiences of 1961 had one big advantage over the audiences of 2018. Just about everybody who sat down to watch Richard Matheson’s “Once Upon a Time” knew who Buster Keaton was. And it’s not as though he’s unknown today, but I think that even when I was six years old in 1977-78, I knew who Keaton was, if by stunts and not necessarily by name, and what silent films were. But since time has marched on, and since there’s simply so much more film and television being made today than in the 1970s, audiences have to make more of an effort to go back and see something old. When there were only eight channels, you’d run into older stuff without trying.

My son needed a crash course, so before we watched this morning’s episode, we spent nine minutes watching a 2015 episode of Every Frame a Painting on YouTube. He enjoyed a few good chuckles and got a quick handle on the title cards and player piano language of silent movies. I had never seen this particular episode of Zone, so I wasn’t sure what specifically to emphasize. I was right to point out the physicality of Keaton’s work. He was 65 years old when this episode was made, and still pulled pratfalls and stumbles that looked like they really could have hurt, and he ran down the streets of the backlot chasing one fellow or another with the energy of a man in his twenties.

The episode is a charming delight, and our son really got into it. He loved the slapstick and the physical humor, and got amusingly outraged when some juvenile delinquent on roller skates pilfers Keaton’s Time Helmet. His character, who’s sent on a half-hour trip seventy years into his future, even gets to do some Catweazle-like gags about the baffling technology of the modern day, and our son had definitely seen those sort of yuks before.

One final note just to praise the co-star: casting Stanley Adams was a stroke of genius, because when the episode goes from silent movie to noisy modern day, who better to cast than an actor with as deep and booming a voice as Adams? It makes the juxtaposition even funnier. And one thing I didn’t specifically point out to my son when we watched the YouTube episode was that in Keaton’s old movies, the characters within the frame could only see what the audience could see. There’s a terrific set of gags that require Keaton to hide behind Adams’ larger body, making him completely invisible to a policeman who in reality would certainly have seen him. But it works so well because everybody making this comedy is telling a classic, well-worn joke to an appreciative audience. Since our son likes silly things much more than serious things, except when there are explosions, he certainly appreciated this one.

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Batman 2.50 – Batman Displays His Knowledge

The last time we saw Catwoman in this series, I wondered whether they might have run her last two stories in the wrong order. I’m completely certain of it now. Whatever bonehead at ABC decided that they wanted to get a few viewers on the back of the latest Lesley Gore single and juggled the episode order really should have been kicked in the head. Sure, as continuity errors go, this isn’t as bad as, say, every third week watching Firefly on Fox, or that episode of Homicide: Life on the Street which mentioned one of the characters being dead before NBC showed the hour where his body was found, but it really rankles.

American television in the 1960s just didn’t have continuity like this, and what Stanley Ralph Ross wrote for Catwoman is a genuine arc with progression of her character across three stories, from December 1966 to February 1967, and ending with her tragic demise, choosing death over prison. So for this to open with her in prison and accepting Bruce Wayne, who shows no emotion over this situation after being quite openly – and surprisingly – devastated by her death, without addressing her – and let’s be blunt – attempted suicide, is a mockery of what Ross intended.

I’d strongly suggest that anybody watching these DVDs to swap the order around; watch this story in between the two three-parters in season two, and then watch the “That Darn Catwoman” two-parter in place of this one. You’ll still get the Penguin and the Joker hopping in and out of jail like the door’s a revolving one, but you’ll see the stories in the order the producers intended.

As for the content of what was meant as the second act and not the finale, it’s great fun. Daniel, who was restless and wild last night, was calm and awesome and enjoyed the show, asking me to pause only to get an explanation of what in the world Catwoman was wearing (a mink stole) in the climactic scene, which is set in a real estate agency’s model home with a staircase almost exactly like the one in the Brady Bunch house. Ah, the sixties. Stanley Adams has another scene in this episode, but the real acting surprise is having Jacques Bergerac show up as French Freddy TouchĂ©, a fencing instructor who’s also a fence. Bergerac, beloved to fans of bad old movies as the “Gaze into…The Hypnotic Eye!!!” guy, had been married to Ginger Rogers, and he’d retire from acting a couple of years after this to take a job as a high-ranking executive at Revlon, which is an awfully strange career arc.

So, this was Julie Newmar’s last appearance in the show. When Catwoman returns in season three, she’ll be played by Eartha Kitt. One note on that point: the story that everybody repeats is that Newmar was not available for the three weeks in November 1967 that they filmed those three Catwoman half-hours because she was filming the Western MacKenna’s Gold, which has one of the most amazing casts of any film, ever: Gregory Peck, Telly Savalas, Omar Sharif, Ted Cassidy, Burgess Meredith, Edward G. Robinson, and more are in that movie. But I don’t buy that explanation. MacKenna’s Gold wasn’t released until May 1969. I figure that November in the desert might can look a lot like any other time, and they could have shot it then, but spending a couple of months shooting a Gregory Peck film and letting it sit on the shelf for seventeen months wasn’t how movies were made or distributed in the sixties, I think. Hmmmm….

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Batman 2.49 – Catwoman Goes to College

So of course, happy tender moments like the one shown here never last. Robin rushes in and spoils Batman and Catwoman’s milkshake date with the news that the police are after our hero! Stanley Adams, whom we saw a couple of months ago in a Ghost Busters episode, and who would get to have his pair of iconic guest star roles in Star Trek and in Lost in Space in the next TV season, has this very oddball guest part as Captain Courageous, an officer on exchange from Los Angeles who has never heard of Batman, and arrests him because twenty eyewitnesses saw him rob a supermarket.

This is all part of Catwoman’s plan, of course, to get him out of the way while she leads a student riot, and slips away in the confusion to steal some jewels. Things don’t go quite as planned, there’s a Batfight, and the episode ends with our heroes tied up in a giant coffee cup on a motorized billboard, with sulfuric acid about to be poured over them.

So yes, this is a suddenly silly installment for Catwoman, and it has one of the funniest moments in the series, when Bruce Wayne knows that the Batphone is about to ring, and just pauses with his hand above the receiver. I had to pause the DVD from laughing.

Daniel was in little mood for any of this tomfoolery, especially Batman and Catwoman sharing a milkshake. The boy just cannot stand the mushy stuff.

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The Ghost Busters 1.5 – The Flying Dutchman

Another big win for the family this evening. Daniel roared with laughter all through the slapstick and silliness. Of principal interest this week is Tracy’s newfound interest in cooking, including cartons, wrappers, dinosaur eggs, whatever can be dumped in a big bowl, and a recurring gag about a whale.

The ghosts this week are Cap’n Beane and Scroggs from the Flying Dutchman, and they’ve brought an offscreen whale called Moby along. Moby repeatedly blasts the cap’n with a blast of water, via the special effects magic of a seltzer bottle right beside the cameraman.

I didn’t recognize either of the guests. Scroggs was played by Philip Bruns, who was a familiar one-shot guest star in lots of 1970s TV before landing his best-known role, George Shumway in Mary Hartman, Mary Hartman. Stanley Adams is very well-known to cult TV fans: he was Cyrano in the famous Star Trek episode “The Trouble With Tribbles” and Tybo the Talking Carrot in that Lost in Space where Jonathan Harris gets turned into asparagus. Looking at their credits at IMDB, I see that we’ll be seeing both actors again in a few months…

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