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Young Indiana Jones 3.6 – South Pacific, 1919

There is so much to love about the second half of “Treasure of the Peacock’s Eye.” It gets the rollercoaster treasure hunt over and done with surprisingly quickly, and our son absolutely loved it when our heroes get chased off one island and escape with their lives. It then settles into a long, almost meditative groove as this kid we’ve been watching becomes Indiana Jones. It’s a fantastic performance by Sean Patrick Flanery.

I feel this is a good companion piece to the “Congo” story, where Indy met Albert Schweitzer. I like the way that Indy occasionally meets these thoughtful father figures who quietly show him the love and the heart that his own father never did. Here, Indy and Remy spend a few days in the company of a tribe in the South Seas, and go with them on an important cultural exchange to another island. There, they meet Bronislaw Malinowski, the father of participant observation anthropology, who is living with the second tribe. Malinowski is played by Tom Courtenay, who has a huge part in Indy’s life. He’s the one who simply and logically convinces Indy it’s time to go home and pursue his own dreams at last.

Remy doesn’t take this very well. They have another clue to the location of the diamond, and Remy is perfectly content to spend the rest of his life searching for it. This brings their story to a bittersweet end. But that’s not quite the last we’ll see or hear of the Peacock’s Eye…

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Young Indiana Jones 3.5 – Egypt & Java, 1918-19

The “Treasure of the Peacock’s Eye” TV movie, which was shown in 1995 on the old Family Channel, answers the question of what Indiana Jones did for the six months between the Armistice in November 1918 and the Paris peace talks the following May. Reunited with Remy in the closing days of the war, they pull a treasure map off the body of a traitor right as the “stop shooting each other” whistles are blown, and then gallivant off in search of a whacking huge diamond.

Jule Selbo’s story is a real delight. It’s one crazy problem after another, with Adrian Edmondson playing it straight as a one-eyed villain named Zyke who’s also on the trail of the diamond. Zyke has several other fortune hunters financing his quest, and when he turns up dead in Batavia, with something important missing from his hotel room, Indy and Remy have several dangerous suspects. They’re all on a steamship bound for the South China Sea…

Our son was really pleased with this one, because it’s almost non-stop intrigue and translations and working out the meanings of ancient Greek clues that lead treasure hunters to remote Indonesian temples filled with monkeys and snakes. It starts with explosions in the trenches and it’s got a pair of terrific brawls before ending with our heroes chasing after their treasure, which some pirates have unknowingly swiped. Our kid didn’t even mind the cute flirting between Indy and guest star Jayne Ashbourne, who might be the only production letdown in this great story. Her acting is just fine, but she looks remarkably 1995 for a character who’s supposed to be around in 1919.

And speaking of acting, a round of applause for Sean Patrick Flanery for his work in this one. I’ve always enjoyed watching him in this show, but the note-perfect impersonation of Harrison Ford he pulls off here is amazing. The way he speaks more quietly, muttering a little as he stops blinking while he figures out some old translation… he still needs some courses and some instruction to go along with his field work – I don’t think he’s actually met Abner Ravenwood quite yet – but those character scenes in the Hotel du Nil, with his “Henri Defense” identity discarded and back to being Henry Jones Junior, are just fabulous.

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Young Indiana Jones 2.9 – France and Austria, 1917

We rejoin Young Indiana Jones in the first half of the Attack of the Hawkmen TV movie. This was one of the four films made for the old Family Channel in 1995 and it’s really fun. Our son enjoyed all the World War One flying ace stuff. I was very impressed with the production. If you squint hard, you can tell where they cut in some CGI material, but they also wrecked a couple of prop planes in fields. I’d like to think that the stunt pilots enjoyed the challenge!

In the episode, Indy and Remy have returned to Belgium after their months in Africa and have been reassigned to intelligence work. But Belgian intelligence is hopelessly, laughably, behind the French and the British, so Indy forges a transfer for the two of them to Paris. Remy gets a sweet job working with the resistance in Brussels, but Indy gets sent to work as an aerial reconnaissance photographer, and, on his first day out, his pilot gets shot down by “Baron” Manfred von Richthofen, who invites the young American back to his aerodrome for lunch.

We enjoyed the heck out of this one. The script for both hours within Hawkmen is credited to Matthew Jacobs, Rosemary Anne Sisson, and director Ben Burtt, but I’m not sure whether Jacobs wrote the first hour and Sisson the second, or if it was a true collaboration. Marc Warren, who would later play the amazingly creepy Man with Thistledown Hair – one of television’s greatest villains – in Jonathan Strange & Mr. Norrell, is the Red Baron, and while he doesn’t get a lot of screen time or opportunity to dominate things, he does get some pretty choice moments, especially when he makes eye contact with Indy in the air to let him know what he thinks of a photograph that had been taken a few days previously.

I mean, really, how could you not love an hour of TV where it’s revealed that Indiana Jones came up with the idea for Manfred von Richthofen painting his airplanes red?

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Young Indiana Jones 2.8 – Congo, 1917

Indiana Jones’ adventures in Africa reach an end, for now, as this incredibly literate story wraps up with one horrible frustration after another. Everything about war is pointless and awful, but the price that they have to pay for those stupid guns will just make anybody’s heart sink. And thanks to Indy’s habit of meeting everyone of import in the 20th Century, it really gets driven home this time.

Indy’s garrison, dying on the river as malaria and fevers consume them, run aground near Albert Schweitzer’s first hospital on the shore of the Ogooué River. An Austrian actor, Friedrich von Thun, appears as Schweitzer. The following year, von Thun would appear in Steven Spielberg’s film Schindler’s List. As the survivors slowly regain their health, Indy’s conversations with Schweitzer lead him to question the futility of war in a new way, and he comes to some painful realizations about society.

There’s a very striking scene where a local chief cannot imagine as many as ten men dying in a war, because the cost of compensation for that many lives would be more than any tribe could afford to pay. Indy’s first, quick reaction is that putting a price on human life is barbaric, before Schweitzer gently challenges him, asking whether it isn’t worse to afford no price whatever on life. And as the pointlessness of this mission becomes clear… well, it’s always tough for a seventeen or eighteen year-old to realize their world view is skewed. It’s far from the most action-packed thing you’ve ever watched, but TV is very rarely as intelligent as this.

We’re going to take a few weeks’ break from Young Indiana Jones, but we’ll resume watching “The War Years” in September. Stay tuned!

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Young Indiana Jones 2.7 – Africa, 1916

We’re back, in time for one of the most bleak and thought-provoking stories that they did for Young Indiana Jones. This time, Indy gets a promotion to captain and then a horrible assignment. Under the command of Major Boucher, they have to lead a company across about two thousand miles to retrieve some badly needed machine guns after the boat ran aground on Africa’s west coast. Yellow fever and smallpox are rampant, and many, many people die.

An actor from Côte d’Ivoire, Isaach de Bankolé, has the key guest part of Sergeant Barthélèmy. Indy is spouting the lines about how once Germany gets kicked off the continent, then the Africans can begin their own rule, but Barthélèmy’s not buying it. This is a white man’s war. Things reach boiling point when the sergeant disobeys orders and brings along a small child, the lone survivor from a village where everyone has died of plague. The major can’t quell the brewing mutiny, and when Indy actually puts a gun to his superior officer’s head, you can cut the tension with a knife.

This and the next episode were written by Frank Darabont, and they were chosen to close the original six-week run of The Young Indiana Jones Chronicles on ABC. I remember watching this part of the story in my dorm room just amazed that something so good, and so bleak, was on TV. It also probably explained to about nine million people what that line about “Belgians in the Congo” in that aggravating Billy Joel song meant. The spread of this war, the white man’s war, to Africa just isn’t known very widely here. This is why so many people have reacted so strongly and so positively to the depiction of Wakanda in Black Panther, which, incidentally, also featured de Bankolé in a very small role. When you see in stories as vivid as this just how monstrous and how pointless the history of colonizing was, it’s no wonder Panther found such acclaim. We certainly had a lot to talk about with our son tonight.

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Young Indiana Jones 2.6 – German East Africa, 1916 (part two)

This is such a fun story! “The Phantom Train of Doom” might just be the best of all the Young Indy adventures. There are still some very good ones coming up, but this just runs rings around almost every other story that they made. It’s just a classic Indiana Jones adventure, with our hero getting caught up in escalating nonsense and a story that requires fast thinking, improvisation, and, of course, a blatant disregard for the laws of physics.

It follows the first part of the story quite closely, with all of the same cast. The “Old and the Bold” gang returns to the British lines and are immediately given a new assignment: to kidnap a German colonel. They agree to escort Indy and Remy back to the Belgian lines with a formal explanation for their absence and an apology from the British general. They just don’t tell Indy and Remy about their new mission. Everything that can possibly go wrong does, hilariously, and before long, Indy, Remy, and their prisoner are making their way across the veldt on foot.

The colonel is played by Tom Bell, who I remember seeing in Prime Suspect as DS Otley. I spent all of the nineties hoping that when Doctor Who ever did get resurrected, they’d cast Bell as the Master. There’s a parallel universe where he enjoyed some good scraps with Paul McGann’s Doctor, I’m sure.

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Young Indiana Jones 2.5 – German East Africa, 1916 (part one)

This one’s absolutely delightful. We all chuckled our way through the whole thing. Indy and Remy have been transferred to Africa, but because neither of them can read train timetables all that well, they end up hopelessly lost, at least three hundred miles from their unit in Victoria, and bump into a “battalion” of in-the-way old codgers and geezers played by character actors like Freddie Jones and Ronald Fraser.

They call themselves the 25th Frontiersman Battalion, Royal Fusiliers, and before he knows what’s hit him, the summers that Indy spent shoveling coal on a New Jersey train, and his fluent German, have him “volunteering” for an oddball mission to track down a mysterious German train with a massive cannon mounted on a flatbed car. The British general who’s asked for the group’s help promises to send a nice commendation to Indy and Remy’s commander, if they can ever get out of this mess…

This two-part story was first shown on ABC in the summer of 1993 under the title “The Phantom Train of Doom,” which is a silly and pulpy name, but this is a silly and fun story. Our son was in heaven. It’s full of explosions and secret bases and fights, and Indy doesn’t smooch even one silly girl. The first “part” doesn’t end with a cliffhanger. It’s really two separate stories with most of the same cast, including Julian Firth in his other 1916 role, as a British military intelligence officer who’s grateful for this company of the “Old and the Bold” to pull them out of the fire.

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Young Indiana Jones 2.4 – Paris, 1916

The episode where Indy has a brief romance with Mata Hari was one of my favorites from the show’s original run. ABC originally screened it in July of 1993, one of the eight they burned off that summer after canceling the program. The hour was written by Carrie Fisher and directed by Nicholas Roeg, and guest stars the unbelievably beautiful Italian actress Domiziana Giordano as Mata Hari.

Our son was largely indifferent to the episode, when he wasn’t hiding his eyes from all the smooching. Indy handles this affair very, very badly, which is not unexpected. A seventeen year-old boy isn’t going to have his first physical relationship with a woman who is twenty-three years his senior and it end well. So we found some amusing common ground in discussing how Indy’s jealousy and envy led him to act stupidly and rashly. Not that Mata treats him all that well. After all, she’s romancing various old politicians and generals when she’s not with him.

Somewhat lost in the main story is the interesting casting of the Levis, old friends of Indy’s father, who pull strings and arrange Indy and Remy’s leave. I wouldn’t say that I’m really a fan of either Ian McDiarmid or Jacqueline Pearce, but it is kind of neat to have Senator Palpatine and Supreme Commander Servalan at the same table. (Perhaps even more interesting, there’s an episode of The Zoo Gang where Pearce’s husband is played by Peter Cushing. I guess she likes the Empire…)

And also overshadowed is the interesting note that Indy’s father has sent, suggesting that he will abandon his insistence that Indy study at Princeton if he’ll just come home. This is a little quandary. There’s absolutely nothing keeping Indy from going AWOL. “Corporal Henri Defense” doesn’t exist. As soon as he takes off the uniform and the dogtags, he could just be the American Henry Jones Jr. again and catch the next steamship for New York. But he doesn’t. He has a duty and an obligation. Home is still a long way away.

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