I think that “The Eaters of Light” is often overlooked, but I really enjoy it. It’s an episode that has so much room to breathe that the guest characters get more definition, and the leads have time to talk. And there is music and ghosts and ghost music.
It was written by Rona Munro, who had previously contributed “Survival” a ridiculously long twenty-eight years previously, and is one of many, many stories that so many people have written to solve the mystery of what happened to Rome’s Ninth Legion. Well, you and I know that they ran into a wall of extremely pissed off Picts, but it’s more fun to lose them in time or space or have a space monster eat them. It’s really nice that the Doctor and Nardole get more screen time together than they had up to now in this one, and Bill gets to show off some of the lessons she’s learned in getting people to work as a team. It’s a very, very good episode.
For the most part, our son enjoyed Doctor Who‘s final adventure in this format, but the cliffhanger at the end of part two left him both angry and creeped out. The alien planet has a pretty nasty effect on anybody trapped there who get too savage and violent. Ace, having whacked one of the Cheetah People in the head with a rock, loses control and starts to change, and she turns to the camera with bright yellow cats’ eyes, and our son was out of the room like a rocket.
In the “really nitpicky” stakes, I think that the props department made a silly error when they were dressing Midge’s apartment. Ace flips through his records and comments that U2, of all bands, were bound for the old folks’ home when she left Earth. But the LP that sparked the comment is War, the group’s third – and the only one I can stand – which came out in 1983, around the time that her thirteen year-old self was burning the house in “Ghost Light” to the ground. Wouldn’t it have made more sense to have her grumbling about a record that came out since she left Earth?
There are probably bigger things in any Who story to nitpick, but I’ve always got a kick out of that one.
Anyway, “Survival” isn’t great, but it’s a good story to end on. It’s made very well, there are lots of great directorial choices and the music’s pretty good. Anthony Ainley got to give one of his most restrained and successful performances as the Master, and McCoy and Aldred are terrific together. I wish they’d have got a few more TV stories, but I’ve got most of the novels from Virgin and really enjoyed the Doctor and Ace’s further adventures. And I enjoyed Benny and Roz and Chris, even if I choose to pretend that the business about Tobias Vaughn’s brain being downloaded into some supercomputer and thriving for centuries never happened.
We’ll look at two of the next things that happened in Doctor Who in August, and two more in September, and run away with Christopher Eccleston’s Doctor in October. Stay tuned!
We’re very nearly to the end of the original run of the series. I had thought about watching the first two parts tonight, so we could end with the original run’s final cliffhanger, but it’s been one of those days where I think the TV’s been on enough.
“Survival” was written by Rona Munro and directed really, really well by Alan Wareing. He also did the entirely studio-bound “Ghost Light” in the same block as this all-location taping – “Light” was the final story to be made – and it’s like night and day just how much better this looks. Had Who continued for another batch of stories (in 1991, they say), I’d have hoped they employed Wareing for one of the all-location ones. Episode one sees the Doctor bringing Ace home to Perivale a few years after she left, for a dreary greased-tea, silent-but-not-gray Sunday to find that many of her old friends have moved away, but at least three of them have vanished in the last couple of months.
Julian Holloway guest stars as a neighborhood watch “sergeant” who clearly isn’t doing a particularly good job, and he reminds – slash – chastises Ace that her mum had listed her as missing, and that it only costs 10p to phone home and let someone know you’re alive. The Doctor overhears this, and I choose to believe that’s why, when he started carrying a sonic screwdriver again, he learned how to make cellphones phone home from anywhere in time and space.
Not surprisingly, our son liked this much, much more than the previous two adventures. The Cheetah People on horseback gave him a pleasant surprise, and he loved the scene where Ace uses playground equipment as obstacles to keep the one from getting her. His favorite bits were the mild comedy scenes of the Doctor trying to catch the smelly-looking black stray, only to attract first the wrong cat, and then a small dog.
He also figured the mystery villain was the Master almost immediately. I remember that being a big surprise when I first got hold of a copy!