Our son noticed that in the first Sapphire & Steel serial, we met Lead, and in the third, we met Silver, and wondered whether there would be a new agent in this odd-numbered story. There is, kind of. Sapphire and Steel take Felix into their confidence and allow him the power of telepathic communication. He gives himself the code name Brass and thinks this is jolly good fun. Unfortunately for Brass, he remains all too human.
I think that some people consider this the weakest adventure because our heroes’ characterization is slightly off, and their powers aren’t quite “right,” somehow (evidence that writers Don Houghton and Anthony Read weren’t 100% certain of how everything should be), but I love it. It’s like fringe theater, especially when the seventy-some year-old actors return to the original track of the events in 1930 and are playing the roles as they would have as twentysomethings. I asked our son if he had figured out whodunnit, but in this case the mystery is who made some deal with Time to change the events in 1930.
I like how, despite all the weird trappings of this series, and the extremely weird characterizations as some of the players are aware that something is wrong with time and people are dying and some are not, it all comes down to very human and very real motives. Sure, it could have used another minute or so on the climax to give the actors more time to chew on their dilemma, but this was also the first Sapphire & Steel serial that our son admitted to enjoying a little bit, so I think it’s a win.
I really enjoy how this turns into a demented and malevolent game of Clue. Was it Miss Blaney in the hall with a knife? Mr. Parnell in the dining room with a revolver? Mr. McDee in the dining room with poisoned port? How about all three? They’re the victims, of course.
The unusual highlight for our son, however, was Sapphire identifying the knife as having been manufactured in Sheffield in the 1920s. He recognized the name of the city from the most recent run of Doctor Who!
The fifth Sapphire & Steel serial is definitely the odd one out. It’s got by far the largest cast, it’s not even remotely frightening, and nor does it try to be, and it’s the only one not written by the show’s creator PJ Hammond. It was co-written by Don Houghton and Anthony Read, who, unlike Hammond, both had long experience working on Doctor Who, and this is a more traditional-styled adventure, set around a dinner party that is pretending to take place fifty years earlier, in the summer of 1930.
Of course, you can’t have a country house full of guests in dinner dress in 1930 without somebody turning up dead. That just wouldn’t be cricket. But with Wimsey, Campion, Poirot, and the Beresfords unavailable, our amateur investigators are Sapphire and Steel, who have arrived in the form of the Honourable Miles Cavendish and his wife Virginia. But before somebody turns up dead, somebody else turns up alive: George McDee, a brilliant researcher who died fifty years earlier.
Surprisingly – to me, anyway – for a production from this time with this many speaking parts, the only actor that I recognized in it is Peter Laird, who had a recurring role in the excellent spy drama The Sandbaggers around this time. I also recognized the unmistakable voice of Valentine Dyall doing a little radio commentary, keeping listeners up to date with the score in England’s Test Match against Australia. Of course, since the match was played half a century ago, the score should be known to everyone who follows the sport, but as time starts getting distorted, memories and actions become a little… unpredictable.