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Doctor Who: The Robots of Death (parts three and four)

The one thing that I don’t like about “The Robots of Death” is that the plot required David Collings’ character, Poul, to completely flip out and become practically catatonic when he learns that these robots have indeed been programmed against their first law and can kill. The character suffers from robophobia, which many people in this future society battle against, because robots don’t have body language and people get uneasy around them. This is a really interesting detail that makes this society feel more alive than a typical Doctor Who society, but sidelining Poul masks the fun that we could have had with him and his robot partner. They are detectives, a tip of the hat to Isaac Asimov’s characters Elijah Bailey and R. Daneel Olivaw.

Even more fun, David Collings had played Olivaw when one of the novels that featured the duo, The Naked Sun, was adapted for a 1969 episode of the BBC’s Out of the Unknown. Sadly, the episode was destroyed, but there’s a partial reconstruction with stills on the BFI’s Unknown DVD set. I think it’s delightful that Collings played the robot character in 1969 and, eight years later, got to play the human half of a very similar team on Doctor Who. Except Lije Bailey never suffered from any foolishness like robophobia!

The robot detective in this story is D84, and he’s wonderful, taking everything literally and deducting with solid logic in his quiet singsong voice. The writer, Chris Boucher, gave him all of the best dialogue. I was reading about the spinoff audio plays that were made in the continuity of this story and Boucher’s novel sequel Corpse Marker. They’re called Kaldor City and also tie in to the TV series Blake’s 7. Collings got to play his character Poul in some of these. I’d like to think that Poul got over his robophobia and he and a rebuilt D84 had a successful career in Kaldor busting heads and solving crimes.

Our son took a little while to come around to this one. He was more bothered by the robots than many other Who enemies, not so much frightened as aggravated on our heroes’ behalf that they were not behaving according to their programming! He was unclear that the villain was actually a human disguised as a robot. He liked the climax, in which the silver robot SV7 turns on him, but the conclusion was so fast-paced that I’m not surprised that some of the details eluded him. Still, it’s a great story, and like I said last time, one of my favorites from the era.

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Doctor Who: The Robots of Death (parts one and two)

“The Robots of Death” is a badly named but otherwise fantastic story from 1977. It’s one of my favorites from the Tom Baker years. It’s written by Chris Boucher and was the final Who serial to be directed by Michael E. Briant. The great guest cast includes David Collings, Russell Hunter, and Pamela Salem. I absolutely love it. It perfectly places an Agatha Christie plot in an Isaac Asimov world, with tips of the hat to Frank Herbert and Poul Anderson along the way, and then designs the costumes and rooms of this huge, moving mine with a lush jazz age sheen. Our suspects and victims are all idle rich, with fancy clothes and gaudy makeup, and the robots who do the work are built to be more beautiful than functional.

Our son is being incredibly observant but his deduction skills need a little tuning. He didn’t see what we were meant to infer from the over-the-top headdresses and lush common rooms of the mine, but he did catch that there are three color schemes for the robots: black, silver, and emerald. The second episode explains that the black robots are mute D-class and the lone silver robot is the controlling SV-class, but it also gives us a black robot who talks a great deal to Leela when none of the crew is present to hear his voice. Wonder what’s up with that?

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