It’s not much of a downside, I’ll grant you, but one downside to planning ahead a couple of weeks for this blog is that I start overthinking about certain episodes, or I get the title stuck in my head, which will often get a song with the same name stuck in my head. So I’ve had Suede’s “The Living Dead” playing in my brain for weeks. There are worse fates, I guess. Still, I’ll be glad now that we’ve moved on, and hopefully the song’s been exorcised.
Well, our son really enjoyed this one. “The Living Dead” is a Brian Clemens script from a story by Anthony Marriott. This is the second time this season that somebody who’d worked with Gerry Anderson’s team got an idea going and Clemens finished it. Marriott was at the time working on the hugely successful detective series Public Eye for the Associated British Corporation. It does have a very off-kilter climax, though. He loved the tension as Steed stoically faces a firing squad while Mrs. Peel is beating the daylights out of three different people and rushing to the rescue. Then she mows nine people down with a machine gun! You certainly didn’t see very many women on TV in the sixties doing that!
“The Living Dead” is a good story, but not one of my favorites. There’s not quite enough wit and fun in it for my liking, but the only real flaw in the production is the same one that stood out in “The Hour That Never Was”. We’re shown a photo of a man who’s been dead for five years, and it’s a photo of actor Edward Underdown. If you guess that the character isn’t actually dead, you’re right! Other famous faces in the story include Pamela Ann Davy, Julian Glover, and Howard Marion-Crawford.