This season is flawed in many ways, but one that irks me is that we keep hearing about plots and subplots that are far more interesting than what we actually see. The story of some people from the Andromeda Galaxy stealing secrets from [REDACTED], the greatest information source in recorded history, and being forced into hundreds of years of cryosleep is much, much more interesting than the Doctor’s latest adventure. Though I really do love how the Doctor talks and talks and talks and completely fails to convince the robot to see his point of view, and Sabalom Glitz stumbles in, sizes up the situation, and instantly cons the robot into falling for his scheme.
Our son mainly liked the robot stuff, but he got a great laugh out of Joan Sims yelling at everybody when they can’t decide which way down a corridor to stampede. Older fans, for whom this show is very often such SRS BSNSS, have always hated a tiny bit where a supporting player gets a face full of slime like a contestant on an ’80s Nickelodeon game show. I always figured that was for the kids, but ours was completely indifferent to it.
I have a very odd little memory about “Trial” that I feel like sharing. In the summer of 1986, the letters page of Doctor Who Magazine printed several notes from readers speculating and passing along rumors of the new season. There was one which stood out, and this isn’t an exact quote as I don’t have the issue anymore, but one part of the letter went something like:
I have heard it is to be totally modernised, whatever that means. (Theme music by Frankie Goes to Hollywood?)
I’m sure the writer didn’t intend to start a rumor that Frankie Goes to Hollywood was doing the theme music to Doctor Who, but he offered that as an example of what “totally modernised” could mean.
So come August, and I was in a fan club in Atlanta called Terminus TARDIS that met at Emory University’s White Hall and showed old episodes and had a monthly newsletter. And just before the season started, whoever wrote the season 23 preview column ran that example as fact: the new theme music is by Frankie Goes to Hollywood. In actuality, it was by Dominic Glynn and I like it a lot more than the previous “starfield” music.