It’s kind of the nature of action-adventure television that the hero needs to have a really good challenge in each story, against villains as resourceful as the protagonist. So in a weird way, it’s kind of refreshing to see the Doctor pitted against some adversaries who are way, way out of their league. The Chameleons did not think this thing through. The Doctor’s able to exploit a massive, massive flaw in their science and technology, and hold all but two of them hostage because these bad guys’ tech is flatly not up to the challenge of interstellar invasion. A more polished script would show these villains as desperate and pitiful rather than malevolent. It’s a missed opportunity, but I did enjoy the tables turning in parts five and six.
In fact, “The Faceless Ones” belongs to a very rare group of original Who stories – “Mawdryn Undead” and “Time and the Rani” are others – that end much more satisfactorily than they began. It’s still very unhurried, but the end of this adventure sees all the humans acting decisively and intelligently, and I like the way the Chameleons know when the jig is up. The fellow that they capture spills the beans on the operation with very little pressure, and Donald Pickering’s character, who’s been playing his main villain part as a posh airline pilot calmly ordering his subordinates around, is intelligent enough to see this is not going to end well for him, and immediately begins negotiating. It’s a shame part six is missing; Pickering and Patrick Troughton have a very interesting face-off toward the end. The animation’s as good as we can hope for, but I’d love to see those actors playing that scene.
Incidentally, while I wish that I could be only positive about the animation, I do think they missed a huge opportunity. When all two dozen of the humans who are connected to their duplicates are located, I’d love to have seen an overhead shot, from an angle much higher than the original director could actually have managed, of all twenty-five bodies laid out in the parking lot. I wish the camera moved around more in general. Why limit themselves to just what the BBC could have done in 1967?
“The Faceless Ones” is a little infamous because of the poor way that they wrote out the Doctor’s companions Ben and Polly. The producer at the time didn’t want to continue with the actors Michael Craze and Anneke Wills, so they only appear in parts one, two, and six, and only on location in the last episode, so the BBC could dispense with them as quickly as possible. The story is set literally the day after the previous season’s “The War Machines,” which means that Ben and Polly could pick back up with their old lives as though they’d never been away. It also means that WOTAN, the Chameleons, and the Daleks in the next story were all operating in London in the third week of July, 1966. The World Cup was happening in London at the same time, and Gemini X returned to Earth. Wish I could read a Who-universe newspaper from that week. The Swinging Sixties, man.
We’ll return to the David Tennant days of Doctor Who in May. Stay tuned!