The Flash 6.9 – Crisis on Infinite Earths (part three)

First things first: our son was furious about the month-long wait before the next episode. A whole month! I’d make a crack about the age of instant gratification, but then again, when Disney+ launched, at least three people I follow on Twitter whined about having to wait a week between episodes of The Mandalorian.

Anyway, much like episode two, this part was agonizing talk-talk-talk while all two hundred actors with speaking parts got their names onscreen, and then it got entertaining. We got a far shorter cameo from one member of the cast of Birds of Prey than I expected, and an incredibly surprising appearance by Tom Ellis from the Fox/Netflix series Lucifer. He and John Constantine share some dialogue that’s certain to please anybody familiar with Neil Gaiman’s Sandman comic.

John Wesley Shipp also shows up as the Flash from his 1990-91 series, and not only gets that great theme song, but an actual clip from his series. Cress Williams gets to cross over from Black Lightning, because it was about time he met the rest of these characters. The most dramatic moment in the story comes when Supergirl is about to do something very dangerous and stupid with the Book of Destiny and Batwoman stares her down.

So it cruises to a cliffhanger that was pretty much in line with what I was expecting, but there’s a downright brilliant twist right before we were set to go to the credits. Jon Cryer may have just overtaken John Shea as my favorite Lex Luthor, put it that way.

So since we’re pausing this story for a month, I guess my only real complaint is that they missed a serious trick in identifying the seven essential “paragon” characters. Five of them are from the regular casts of these shows. We see these characters every week. Instead of just giving playful winks with cameo appearances from Burt Ward and Ashley Scott and Tom Welling, it would have been smashing to have them play substantial parts as the paragons (maybe adding Teri Hatcher and Lynda Carter?) and let the regular cast members be tasked with protecting them. It just seems like a missed opportunity, but it’s pretty fun anyway.

Batwoman 1.9 – Crisis on Infinite Earths (part two)

The second episode of this crossover was much, much better than the first… eventually. It starts with an endless all-talk opening about the new goal to track down seven “paragons” who will save the day in the end, but things get a lot better. I particularly enjoyed how the stakes kept getting higher with each cut to what the heroes on their missions were doing. The structure was very similar to the time-heist second hour of Avengers: Endgame.

Anyway, this time we got to catch up with Tom Welling, from Smallville, as he stares down Jon Cryer’s Lex Luthor. Brandon Routh gets to play Superman again, but this time his Superman has gone down the same path as the Superman in the popular comic series Kingdom Come. There was a fine fight between the Routh and Hoechlin Supermen, and a subplot involving John Constantine (played by Matt Ryan) leading some of the other heroes to a life-restoring Lazarus Pit.

But the meat of the story came with Kate and Supergirl tracking down the Bruce Wayne of one of the Infinite Earths, finding him visually similar to the Batman from Kingdom Come who wore a steel rod exoskeleton to make up for all the bones in his body being broken in combat. But this isn’t Kingdom‘s honorable Bruce, it’s one of those gone-crazy Batmen from comics that invariably have to kill Superman with kryptonite. This Bruce is played by Kevin Conroy, who’s been the voice of Batman in hundreds of cartoons, and his appearance left me hoping that when Batwoman finally introduces us to the sane Bruce of Kate Kane’s world, they invite Conroy to play the part.

It’s mostly splendid and unpredictable and done with a lot of love for the characters, but whoever is in charge of the music is set on stealing the show. This time, we get the themes from the nineties Batman cartoon and John Williams’ legendary music from the Christopher Reeve Superman movies dropped in at key intervals. How could you not smile?