The previous episode of Barbary Coast took an uncharacteristically serious tone, but this one was back to its lighthearted and silly and very busy self. Judy Strangis guest stars as the daughter of one of Cash’s oldest friends, in town ostensibly looking for a new home and a job. Actually, she’s got a rough boyfriend in tow, played by Kaz Garas. Their basic plan, after Strangis shows off her card-shuffling skills, is for her to identify marks leaving her table for Garas to mug outside.
But this plan goes up in smoke when the corrupt police chief, noting the increase in street crimes and people getting clobbered outside the Golden Gate, figures that Cash is himself in on it. This leads Jeff Cable to do a little snooping and not only does he identify the secret boyfriend, but following him in one of his disguises, he stumbles upon a much more meticulous and careful crime than a hotheaded tough like him could possibly plan…
I thought this one was terrific, but it required quite a few pauses for explanations. Our son was very attentive and inquisitive, starting with the opening scene. The camera breezes past a map on the wall of the Transpacific Shipping Company showing North America in the center. He’d never seen a map like that before and asked me to wind it back and explain it because “it looks backward!” (Of course, it makes perfect sense that a shipping company in San Francisco would want to show direct routes to Asia, which you can’t easily do on a map with North America on the far left.) But this is a very visual episode, with quite a lot of information provided through knowing glances and nods, and the camera tracking what characters see without spoken explanations. And Cable’s two disguises were so convincing that he had absolutely no idea who either character was!
Interestingly, this is the very last credit that IMDB shows for the veteran writer Winston Miller, who’d been working for films and television since the 1920s. He co-wrote the original Dick Tracy serial for Republic in 1937, contributed dozens of scripts for westerns and cop shows, and worked as a producer on The Virginian for a couple of years. Heck of a good script to retire on, I’d say. He died about twenty years later.