Overall, the main problem with this story is that it’s one missed opportunity after another. It all climaxes with yet another very boring “time is running out to do something about the bomb” situation, and what they do about the bomb is so amazingly improbable that Dr. Science’s acid reflux started acting up again. Jack Colvin’s flunkies are operating under the delusion that their crimes on the moon will work wonders for their careers. Steve never thinks to tell them that they have already killed hundreds of people and will probably end up killing millions before they’re done. There may not be a United States to come back to, and they’ll certainly never see the money Colvin promised them.
But if we must have this nonsense of a megaton bomb that can’t be moved because of a fluid motion sensor, Marie spotted the obvious solution. They’ve gone on and on about the dark side of the moon being at absolute zero and punched a hole from the surface into the mine shaft to freeze Steve’s bionics via a long steel rod. (That’s ten shades of Dr. Science having a headache, so we won’t go into how they’re keeping their artificial underground environment stable with an open borehole to the surface…) Why didn’t they just freeze the fluid in the sensor when they had a hole to the freezing surface right there?
I’d like to not be too critical, because this is for kids, and there’s some science that children can use and bring back to school Monday morning, but the rest of this is just painfully silly! Ah, well, Colvin does a good job playing the calculating and emotionless villain… even if he is pretty blasted wrong to calculate that he’ll return to Earth a rich scientific hero, he comes pretty close to getting away with it.
Afraid it’s been an unhappy Thanksgiving around the Secret Fire-Breathing Headquarters. Our son is down with a stomach bug – on all the days! – and so he was curled up under a quilt for tonight’s episode. He didn’t enjoy it a whole lot, but we have to grade on a curve because he doesn’t feel all that well.
It’s commonly understood that Star Wars killed Six and all the super-agent shows of the seventies, but they went down fighting against the space invaders with some more overt sci-fi storylines. Wonder Woman, for example, had its celebrated and ridiculous “Mind Stealers From Outer Space” story, and then there’s John Meredyth Lucas’s two-part episode “Dark Side of the Moon” from November 1977, which blows kisses of plausibility at Dr. Science and then runs off and elopes with Dr. Whatever, Man, Anything Can Happen in Science Fiction.
The villain is played by Jack Colvin, who, like the other main guest star Simone Griffeth, was a Universal regular at the time. He’s a scientist with apparent access to many millions of dollars and he secretly redirects a mission to mine some Unobtanium from an asteroid to the dark side of the moon, where he’s convinced that it can be found in abundance. His whole plan reeks of being a cover story for something more sinister because, of course, there isn’t any unobtanium to be found and he says to keep blasting, but he never even blinks to say “that’s odd.” Colvin plays the character as though he’s looking for something else, which is very strange.
So Steve has to go to the moon to find out what’s going on, because Colvin’s blasting has knocked the moon slightly out of its orbit and the weather has gone haywire. In the universe of Six, Apollo rockets are ready to go at a moment’s notice, and the landers can fly around from asteroids to the moon and back without adaptation or detection from Earth. Sometimes when a show like this, which pretends to be “the real world” with just a few changes, goes off into fantasyland it can’t help but grate a little. Lee Majors is the best thing about this hour by miles. When he picks up a frisbee left behind on a previous moon mission and tosses it into the horizon, he looks like he’s having a blast.
I wasn’t very interested in the previous episode of Logan’s Run while our son enjoyed it, and tonight’s was one that I quite liked while he grumbled “This is the wrong episode for me.” He wasn’t interested in this at all. In it, the Sandmen use that face-change machine shown in the movie to give a Sandman the face of Hal 14, a dissident that Jessica knows, hoping that he can find Logan outside and persuade our heroes to return and become the figureheads of a (non-existent) rebellion.
But things get complicated in a very unexpected way. Logan, Jessica, and Rem are considering returning to the City of Domes when they get captured by the very first known runner to escape, a guy named Matthew. He has enslaved a small group of simple farmers who see him as their provider, and guard his complex in exchange for a daily hour of computer-controlled “joy.” It’s a complex and clever story with a couple of satisfying twists by John Meredyth Lucas, who had written a few episodes of Star Trek, Mannix, and The Six Million Dollar Man.
The most interesting bit for me, however, was the casting. The Sandman wearing Hal 14’s face is Nicholas Hammond, who was occasionally appearing in CBS’s Amazing Spider-Man specials at this time, and the lead slave, Garth, is played by Spencer Milligan, who had left Land of the Lost a couple of years before. So here’s a rare picture of three seventies sci-fi leading men all in the same TV episode!