In late 1987, as I recounted previously, I did a swap for three, and only three, episodes of The New Avengers with a guy who had most of the series, or maybe all of them. I sent him my list and there were only three hours that he wanted, so I needed to send him two tapes. I don’t remember what he wanted, but I know I filled the rest of tape two with other things, samples of other programs he may not have known about. And I got back “The Last of the Cybernauts…??” and “Gnaws” on one tape, because I wanted to see the famous villain’s third appearance and the infamous one everybody talked about, and I got “Forward Base” by itself on the second.
I think I picked “Forward Base” because it was listed as the final episode in one of Dave Rogers’ many books about The Avengers, and it was shown last in maybe his ITV region and in Australia. I like watching them in the order presented by Dave Rogers and by A&E’s old DVDs. There’s no real continuity to speak of in this series, except that in both “Complex” and this one, our heroes arrive in Canada, and in the other two, they’re having a “working holiday.” Maybe they went back to Avengerland after “Emily” for a while and came back for this last adventure.
In 1987-89, I rewatched television much, much more than I do these days. “Forward Base” is about a hidden Soviet base somewhere in North America that turns out to be closer than anyone predicted, but any wit is hidden underneath bland cinematography, disinterested direction, and very, very poor performances from the guest stars. But even though it was really dry and dull, I watched it nine or ten times. Its visuals were burned enough in my brain that on one trip to visit my good friends in Canada, we went to the Centreville Amusement Park on Centre Island and I recognized the famous swan boats and the view of the city from the island’s north shore from this episode.
And that was that for The New Avengers. The money had run out, it wouldn’t get sold to an American network for more than a year – and then at CBS’s much lower offer for repeats – and the executive producers, Brian Clemens and Albert Fennell, were already working on their next series, The Professionals, at the same time that the last four New Avengers were being produced in Canada by Hugh Harlow and Jim Hanley.
Rewatching these really reinforced my opinion that these four were such a massive missed opportunity. There’s nothing about any of them that stands out in any visual way, and nothing in the scripts that provide any feeling of cultural identity or sense of place. Put another way, if Universal or somebody had offered up some money to make and set the last four episodes of the show in Los Angeles instead, then a New Avengers in Hollywood could easily have felt as much like southern California as say, The Rockford Files or Columbo did at the time. The New Avengers in Toronto might as well have been in Buffalo or Cleveland or Indianapolis.
Or possibly not. CBS didn’t like The New Avengers enough to air it in their prime-time lineup, but they liked it enough to commission Brian Clemens to write a pilot for an American version of the show for Quinn Martin’s company to produce. The show would have been called Escapade, starring Granville van Dusen as the American Steed-equivalent and Morgan Fairchild as his partner, and they burned off the unsold pilot in May 1978, four months before The New Avengers debuted in late night. If you’ve never had the misfortune of watching this garish and badly dated turkey, just struggle through the title sequence on YouTube sometime. We might have dodged a bullet, and wished the show had been made in someplace like Toronto instead!