To recap: there are two ABCs at play in the story of The Avengers: the Associated British Corporation, which made the program, and the American Broadcasting Company, the US television network which had purchased the fourth season of the series. They did this as an inexpensive way to get some new midseason programming, and found themselves with an unexpected success. It wasn’t that The Avengers had turned into some Nielsen-topping juggernaut, but it more than met the network’s modest expectations and there was a definite buzz about the program.
So before The Avengers finished its 21 episode run, ABC had asked for another batch of episodes to stand as a midseason replacement in the 1966-67 calendar. The network asked for 16 episodes; the production company intended to make a further ten beyond those. Just in case 16 turned out to be all that America wanted, they still needed a package of 26 to sell to other countries. This sounds like a curious and nitpicky point, but readers who don’t know the show and who stick around will see that it will become important later on.
Even though the color Avengers was made for the American market – this season of episodes aired Friday nights at 10, coming to bat for the cancelled Quinn Martin war drama Twelve O’Clock High – we’re going to watch them in the transmission order from the UK. I’ve been so used to that sequence that I remain petulant about the StudioCanal DVDs using the much more sensible production order. So, while the DVDs lead with episode two, which was made in September 1966, we’re starting with the traditional first color episode of the show, “From Venus With Love,” written by Philip Levene and first shown in the US and the UK in January 1967.
A common complaint about this batch of episodes is that they have a certain sameness to them. There’s a bit of formula, in part because they didn’t have very much time to actually make them, and in part because ABC’s Batman had been that Nielsen-topping juggernaut mentioned above, and it immediately spread its influence all over television, including television made in other countries. So the eccentricities of the diabolical masterminds are ramped up to the point that they’re almost all comic book villains, there are celebrity cameos in most of the stories, and they’ve even added a cute “Mrs. Peel, we’re needed” bit at the beginning of each story so that each one starts with the same oddball beat. They’re stylish, witty, and wonderful, but the production break after 16 episodes was perfectly timed. Any more than this would have started to get dull.
“From Venus With Love” teases the possibility of a space invasion. It’s certainly funny – hysterically so, when Mrs. Peel meets an outrageously posh chimney sweep – and I like how there are two solid suspects to the strange deaths. It could be Barbara Shelley and Derek Newark, who run the British Venusian Society, or it could be Philip Locke, who thinks they’re dabbling with forces beyond their control. Along the way, the casualties mount, with Jeremy Lloyd and Jon Pertwee – the only Doctor Who lead to ever appear in The Avengers, unless you count Joanna Lumley and Peter Cushing, I guess – blasted by a heat ray from space. Or from the front of a sports car, anyway.
And no, our son didn’t recognize Pertwee. Darn kid. He’s had a wild day with lots of walking and two sodas and didn’t really want to pay attention to tonight’s episode. Plus we’re watching another Star Wars movie in the morning, and knowing that just killed his ability to concentrate completely. It’s almost a shame that the Star Wars movie in question will not be worth it…