Tag Archives: henry gibson

Eerie, Indiana 1.4 – The Losers

I have to say… as wonderful as it is to have this fun show on DVD, I’m less than thrilled by the quality of the prints they used. I remember the series being much more vibrant and colorful when it was shown, and the prints, at least the ones of episodes three and four, have been cut by about thirty seconds. They lack the “Elvis / Bigfoot / man’s best friend” spoken section of the title sequence*. Perhaps these were copies prepared for syndication? Hopefully if some company ever decides to reissue this on Blu-ray, they can find the original masters and work from those.

Anyway, our son cheered when we told him we were watching another episode tonight. He really enjoys the young protagonists, but he simply sums it up by saying “It’s just so weird!” Joe Dante was back to direct episode four, and he brought along a pair of fabulous character actors: Henry Gibson and Dick Miller. Astonishingly, we’ve been doing this blog almost daily for close to four years and I don’t think that we’ve run into Miller before.

Gibson and Miller play employees of a top-secret government project called the Bureau of the Lost. They’re out to keep the economy stimulated by making sure people keep having to buy replacements for the things they misplace. But the hapless citizens of Eerie aren’t actually misplacing anything; Miller’s just creeping around swiping socks, lug nuts, pen caps, random pages from the phone book, and so on. The Tellers get selected for a run of bad luck, and Marshall’s dad’s briefcase vanishes. Dad’s in a state because it contains the formula for a petroleum-based banana flavoring, and Mom’s furious because he’s forgotten that it was an anniversary present.

Marshall and Simon’s scheme to deliberately lose something and see what happens leads them to Eerie’s bike gang, a laundromat stocked with the old Warren Eerie comic, and to the goofy bureau itself, where the word “found” causes Gibson’s character to get antsy. It reminded me of one of the lands from The Phantom Tollbooth! Our young heroes don’t quite save the day, the economy keeps ticking, and now we’ve got a very good explanation for the next time our son loses an important brick from a Lego set. Everyone wins!

*I might have got ahead of myself… the title sequence wasn’t quite formalized this early in the show, and later episodes on the set have the full version.

Advertisements

Leave a comment

Filed under eerie indiana

The New, Original Wonder Woman (1975)

Well, if Lynda Carter is untying Lyle Waggoner from another fine mess he’s gotten himself into, we must be watching Wonder Woman. Conventional wisdom has it that the first season of this show, the one on ABC that was set during World War Two, was pretty good before it devolved into yet another seventies super-agent series later on. However, this very dopey pilot movie isn’t really all that encouraging.

It could have been a lot worse. ABC had been interested in doing a Wonder Woman series for almost a decade. In 1967, with Batman beginning its tailspin, the network asked that show’s producer, William Dozier, for a very short test film. The result, with Linda Harrison as Wonder Woman, is allegedly a comedy but is the least funny thing ever taped. In 1973, Cathy Lee Crosby starred in a pilot which is notable – if that’s the right word – for having a Steve Trevor, played by Kaz Garas, who’s more interesting than the title character.

Finally, Douglas S. Cramer’s company got the go-ahead and he picked Stanley Ralph Ross to write a script that actually acknowledged an existing comic book character. It’s actually a perfectly acceptable pilot script, and both Carter and Waggoner play their roles fabulously. Unfortunately, they’re the only actors in this misbegotten seventy-five minutes who got the memo that this was an action drama. They underplay their characters and are perfectly watchable. Everybody else in the movie thinks this is an episode of Batman and they keep mugging at the camera, and delivering their lines as if they’re jokes.

And it’s a great cast, too, which is what makes this so darn painful. Kenneth Mars is the main Nazi, with Henry Gibson as his subordinate, who’s secretly a spy for the Americans. Red Buttons, Stella Stevens, and Severn Darden are Nazi spies working in the US. Everybody’s being comedy bad guys, but the script isn’t written to be funny. On the non-villain front, Cloris Leachman plays Paradise Island’s Queen Hippolyta as though there are one or two people in Burbank who couldn’t see or hear her. Both the roles of Hippolyta and General Blankenship, played here by John Randolph, would be recast when the series began a few months later.

Our son was mostly interested in the fight scenes, of course. We gave him a quick history lesson last night to get him prepped for the wartime setting, and explained that this was a time where everybody was spying on each other, and there were lots of bad guys posing as good guys. Surprisingly, though, the thing that confused him the most was a theatrical agent, played by Buttons, offering to hire Wonder Woman and do her bullets-and-bracelets trick onstage. When Buttons’ character turns out to be a spy, it feels for all the world like they already had one actor booked and didn’t want to pay a second.

Actually, I’ll tell you the strangest thing about this script: it spends the whole thing establishing Henry Gibson as the Allies’ man in Germany and he gets completely dropped after this. I cheated and looked ahead down Gibson’s insanely long list of credits, and while he did return to Wonder Woman for a week, that was once the show relocated to the present day and got lousy.

I’m really hopeful that the rest of the wartime series is better than this. It had a very odd network run; ABC ordered thirteen episodes after this pilot did well. They ran the first two as specials at the tail end of the 1975-76 season, and then the remaining eleven in 1976-77. ABC then canceled it, and CBS picked it up and brought it to the present day in a pair of 24-episode seasons.

I certainly remember enjoying the wartime Wonder Woman the most. Fingers crossed that it won’t let us down!

Leave a comment

Filed under wonder woman