Tag Archives: harry morgan

The Apple Dumpling Gang (1975)

A couple of months ago, I checked out The Aristocats from the library to show our son. Before the film, there was an ad for other Disney selections and our son hooted. “I want to see that cowboy movie,” he yelled. Well, if we must, I said.

I don’t know how I’ve never seen this movie, but I guess I never did. Between HBO showing all sorts of live-action Disney movies and the public library having summers of films, I thought I must have seen this and forgotten, but I didn’t recognize a frame of it. I guess I must’ve seen the sequel!

For more than an hour, I figured I’d write something brief and possibly dismissive about this silly movie. It’s cute, but it didn’t raise much more than a chuckle. However, that wouldn’t be entirely true. Honesty compels me to report that John McGiver delivers a line about how stupid Theodore and Amos are that, a full minute later, had me gasping for air, I laughed so hard. I mean, you miss a minute of a movie from laughing, you can’t call it a bad movie.

McGiver’s just a small piece of a terrific cast. I’ll always make time for a seventies Disney live-action film because they’re full of great character actors. Everybody seems to think of this as a vehicle for Don Knotts and Tim Conway, but they’re actually providing supporting roles to a story led by Bill Bixby as a hapless gambler suddenly burdened by three orphans. He thinks that a marriage of convenience to a stagecoach driver played by Susan Clark might give the kids a home as well as a chance to nip out and play some poker, but things get complicated when the children, who own a deed to a mine everybody thinks is worthless, unearth a giant gold nugget valued at more than $87,000. Suddenly everybody wants to be part of these kids’ lives. Harry Morgan tries to keep order as the town’s sheriff, judge, and barber, with supporting roles for McGiver, David Wayne, and Slim Pickens.

But Conway and Knotts do walk away with the proceedings in one perfectly-timed slapstick scene after another. They play criminals so incompetent that the sheriff just lets them wander around freely, because bad guys who can’t afford the bullets to “throw lead” don’t present much of a danger to the public. I can imagine that, in lesser hands, stopping a movie’s narrative for a full five minutes to watch two characters steal a ladder might be an indulgence, but darned if our son didn’t spend every second of them chuckling and giggling. This is perfectly judged comedy for seven year-olds. It ends with a chase and everybody getting dunked in the river, inevitably, but our kid whooped that this was the greatest “chase montage” he’s ever seen, and the “boat fire truck” that Bixby and Pickens find themselves on in the end was his favorite part of the movie.

I’m not entirely sure I need to watch the sequel. Or Million Dollar Duck, if there’s an ad for that hiding on some other DVD at the library. Fingers crossed.

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The Cat From Outer Space (1978)

Even expecting a high degree of silliness from a live-action Disney film, this one’s really silly. I’m not even talking about the premise, in which a highly-evolved cat from a hyper-intelligent civilization who goes by the name of Zunar-J-5-Slash-9-Doric-4-7 – or just “Jake” – gets stuck on Earth for a few days. He asks an unorthodox scientist played by Ken Berry, in possibly predictable casting for a role like this in a ’70s Disney film, to help him repair his ship. Circumstances require Berry’s character to get a little help from some fellow scientists and neighbors, played by Sandy Duncan and McLean Stevenson.

No, what’s really silly and not just a little painful to suffer through is the very broad and very stupid depiction of the bumbling and ridiculous military, as led by Harry Morgan’s General Stilton (“The Big Cheese”). Making the most of his four month break between seasons on M*A*S*H, Morgan takes the sympathetic officer character that he had there and just turns off his brains, playing Stilton without any nuance at all. He’s just a dumb, shouting loudmouth who is worried about “Rooskies” and is surrounded by dingbat subordinates. When the military threat to Jake is resolved by a fairly convenient phone call with the president, it doesn’t just end the plot problem of the military, it made us breathe a sigh of relief because thank heaven that was over with.

It was a bit cute, however, to cast Stevenson and Morgan in the same film. Morgan, of course, replaced Stevenson as the base colonel on M*A*S*H three years previously.

Daniel was actively bothered by the military’s role in the film, and the more the army learned of the cat, his human help, and the cat’s super-technology, the more aggravated he became. It was kind of a weird experience, since typically with films – well, we haven’t watched all that many together so far – he gets a little restless waiting for unusual things to get started. Here, we see Jake using his psychic powers to open doors and manipulate objects very early on, which had him captivated and very amused. Jake is mischievous and not above demonstrating his powers with some slapstick bufoonery. He’s also very much a ladies’ cat and very interested in getting to know the cute white cat that lives with Sandy Duncan.

Duncan gets to shine a little during a scene in a pool hall where the heroes make some wagers to finance the purchase of some gold that Jake needs for his spaceship repairs. It’s a funny scene, but I was disappointed in the huge missed opportunity. The whole movie’s full of great name actors making a few dollars for a couple of days’ filming, including Hans Conreid, Sorrell Booke, and Alan Young, and the pool hall scene is brilliantly cast, with some recognizable faces like Ralph Manza leading a crowd of extras that look so completely perfect, a bunch of sweaty men in horrible clothes looking absolutely like who you’d expect to find in a 1978 pool hall, a bunch of hustlers eager to chomp down on marks like our heroes. But for some weird reason, the director, Norman Tokar, didn’t hire anybody who could actually do any wild trick shots, which would have made the scene much more hilarious. Even when Sarasota Slim sinks everything, it happens offscreen, and all that we do see on the tables is done with special effects.

Interestingly, there’s a secondary threat in this film. Roddy McDowall plays some sort of spy, and while it is implied that his bosses are those “Rooskies” that General Morgan fears, it turns out that he’s in the employ of a guy who’s essentially a James Bond villain called Olympus! But Olympus is only there to move the story into the air for a really good special effects sequence between Olympus’s helicopter and a crumbling, cobwebby biplane that Jake is flying. It’s a very entertaining scene with some great stunt work and flying.

In the end, we were a little disappointed with Daniel’s reaction to the movie. It’s a ’70s Disney film, so the threats are pretty tame and our heroes are never in any real danger, but he responded to every possible problem as though the world would end, when of course each problem is really the launching pad for some slapstick or special effects to get our heroes out of the jam. He’s hit another extra-talkative, extra-questioning phase, and we had to pause the movie twice to explain the small details. We might watch another live-action Disney in a few weeks’ time, and I’m pretty sure that one doesn’t have any mean army men in it to get him so worried. Stay tuned!

(Meanwhile, all this has reminded me that there’s a pool hall in Cordele GA that’s said to sell some really good chili dogs. Maybe one day…)

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