I owe “Death to the Daleks” an apology. This one’s worse.
The kid really enjoyed it, though. He got a little frustrated during episode three, because he couldn’t understand what the Nimon was planning. I think it’s more that he thought the show had explained all the details and he missed them. Reassured that none of us knew what the silly minotaur-dude was planning, he settled back in and had a ball. He thought it was very exciting and loved the gunfights in episode four. Of course, it ends with a big explosion, and those are always satisfying for him. And there, I think, is where I will leave it. I’ll let you know in 2038 whether it’s improved any.
Hoo, boy. “The Horns of Nimon” really is a mess. The story goes that with Douglas Adams working hard on writing the final six episodes of the season himself, he turned to his predecessor as script editor, Anthony Read, to give him four workable episodes which wouldn’t require very much of his attention. Apparently, Adams had less involvement with “Nimon” than any of the other serials that year, although I’ve always thought that the character of the co-pilot, with his catchphrase “Weakling scum!”, is a close cousin of that Vogon guard in Hitch-Hiker’s Guide who enjoys shouting “Resistance is useless!”
The co-pilot also gets to shout “Don’t play the fool with me!” That’s the second time in two stories. Somebody should really pay attention to letting the bad guys speak in those silly cliches.
Honestly, it’s bad, but it’s not as bad as either its reputation or as bad as I remember it. (Note: I’m wrong.) The stars are having fun, and so’s the famous actor playing the main villain, Graham Crowden. As with the other “middle” shows of this season, they’re having fun at the expense of the drama, but it’s the sort of fun that kids eat up. This one has a monster so ridiculous that it didn’t give Mr. Timid here even a hint of a fright. He thinks all these villains are being “too mean,” but he says it’s entertaining.
Plus, Lalla Ward just plain looks amazing in that fox hunt outfit. I know you can barely notice her in that picture above, what with that extra behind her stealing the frame by looking hypnotized, but it really is a terrific costume.
Tonight’s episode featured just about the best setup for any Catzweazle episode. The Collingfords have left a TV set on to warm up while the picture clears before the match of the day, giving us the chance to explain to our son how oddly fragile TV sets used to be. Catweazle happens by as the set finally rights itself during the pre-match kiddie show, in which a storyteller host, played by Peter Bayliss, reads the latest installment of a story about a king cursed by an evil wizard and turned to stone. Catweazle thinks that this is a demon in his demon box speaking directly to him, and since, in that television way, there’s actually a sculptor in the house a few doors down talking to the Collingfords about turning them into stone…
Our son absolutely loved this episode. It’s pretty terrific even before the slapstick, because this demon box just blows Catweazle’s mind. I’m amazed by Geoffrey Bayldon’s ability to keep making the same gag – surprise at something new and modern – incredibly funny. But before long, Bayldon, Peter Butterworth, and guest star Graham Crowden, as the sculptor, are throwing plaster at each other in a studio, which had our kid howling with laughter. Then there’s another very funny scuffle at the unveiling of a statue, and a delightful coda which suggests that the tomfoolery might have been a rag week prank by students. That gave me the chance to remind him of the Avengers episode that we saw last month which introduced him to the concept of rag week!
Oh, here’s a funny coincidence. Last night, we watched a MacGyver episode that guest starred Christopher Neame, who was the main guest star in the well-known Doctor Who adventure “Shada.” Graham Crowden, in tonight’s episode, was the main guest star in the Who adventure “The Horns of Nimon,” which was the one made immediately before they started work on “Shada.” And the co-writer of tomorrow night’s Who wrote the one right before “Nimon.” If I can find a connection between the MacGyver we’re watching after that and “The Creature From the Pit,” I’ll think somebody’s trying to tell me something.
(And yes, I know Geoffrey Bayldon himself is actually in “Creature.” It’s very close, but you can’t force coincidence.)