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Adam Adamant Lives! 1.13 – The League of Uncharitable Ladies

Our son caught a not-even-24-hours bug and went home from school yesterday. Today he’s fully recovered, but I had to take a day to stay with him before he can get back to class. So he’s rewatched both Guardians of the Galaxy movies – I didn’t write about Vol. 2 because I strangely found myself not really enjoying it the second time around – and then we popped back in time for another episode of Adam Adamant Lives!, which my boy really liked.

“The League of Uncharitable Ladies” is mildly famous for being one of the earliest professional jobs for Ridley Scott as a director. He’d worked at the BBC for a few years, and unsurprisingly the corporation managed to wipe several of his TV episodes, including the other Adamant installments that he did in season two.

There’s a massive hole in this one’s plot, which ended up bothering me for most of the hour. There have been a number of mysterious deaths of important diplomats, and nobody can find the connection. It’s that all of the ones who were married have wives who are members of the same club, devoted to peace.

This is perhaps a little predictably male of me, but just as the story subverts the possibilities of an all-woman crew bent on evil by having a man running things from behind the scenes (an Avengers episode from earlier that year had much the same problem), I was more interested in the few male guest stars. The only woman in the cast that I recognized was Geraldine Moffat, but I spotted both John Carson and Gerald Sim. Carson’s role as the master villain hiding in plain sight as a servant is obvious from space, but there is a neat twist about the motive that I didn’t see coming.

But is there anything here that predicts Ridley Scott’s later cinematic success? I wouldn’t say so, but some of the film work in the opening, which sees the camera following a man across St. James’s Park, is first-rate, and he did coax some very good performances from his actors. I really enjoyed the somewhat dark flirtation between Moffat’s character and Adam, which, in a first, doesn’t end with Adam getting conked on the head. In fact, he sees the betrayal coming and avoids it! Good, our hero is learning! He doesn’t get to slay the criminal this time, either. It’s always nice to break from the traditional tropes.

(Note: I can play them, but I’m not presently able to get screencaps from Region 4 DVDs, so many of these entries will just have a photo of the set to illustrate it. Click the link to purchase it from Amazon UK.)

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