I’ve said a hundred times that one of the joys of Worzel Gummidge is that anything human-shaped can come to life. Episode eleven is set at a convent where the sisters are in need of a scarecrow to get the pigeons off their roof. The camera briefly shows us a statue of the Virgin Mary. Okay, so not that. They wouldn’t dare. Almost anything.
Anyway, these final twelve episodes were made in two batches of six a year apart. Una Stubbs was not available for the second block, so the episodes were shuffled around when shown so that Aunt Sally would not vanish halfway through. Episode ten is her final appearance, and episode eleven introduces a new female foil, a scarecrow named Wattle Hearthbrush played by Ellie Smith. Interestingly, the Zoo Nealand Crowman is unfamiliar with making female scarecrows and is unsure whether they can be given life. Back in the UK, of course, we’d seen several, including Worzel’s own mother.
Actually, I liked the episode with Wattle much more than what turned out to be Aunt Sally’s finale. The kid just about lost his mind laughing when Sally becomes part of a wacky modern artist’s latest canvas – this was twenty years since “Pop Goes the Joker” and teevee was still just going for the laziest possible shot in mocking modern art – but it didn’t break any new ground. Wattle Hearthbrush promises something new, and that’s much more interesting. And you can’t go wrong with Pertwee dressed as a nun and causing mayhem in a convent, even if the Virgin Mary stays right where she is.
Image: 45 Worlds.