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What We’re Not Watching: Paul Temple

We’re not watching Paul Temple with our son because he’s six and wouldn’t have a clue what’s going on in it, but since this series was so closely linked around the production of Doctor Who in 1969-71, swiping its producers and sharing all sorts of talent, that I thought it would be a fun little counterpart. Unfortunately, Marie didn’t enjoy the first three available episodes, so I’ll have to find time to watch the remaining thirteen installments in Acorn’s collection some other time.

The character of Paul Temple was created in 1938 by Francis Durbridge for a BBC radio series, and he’s appeared in novels and comic strips. Mostly forgotten today, Paul Temple was a novelist who specialized in writing detective fiction who became an amateur detective himself. Accompanied by his beautiful wife Steve Trent – her real name is Louise and Steve her pen name – Temple crisscrosses Europe, always on research holidays where corpses can be found, and then he assists police with their inquiries, as Golden Age detectives did. The series is set in the present day and it’s ultra-fashionable, with ascots and go-go boots and totally glam early ’70s clothes. I honestly don’t believe the character ever had any crossover success in America, but he was really well known in Germany.

The BBC made four series of Paul Temple, each with 13 episodes, and then, in that damnable BBC way, they went and wiped all but sixteen of them. To visualize just how closely this was wrapped around the initial color years of Who, the first series of Temple began in November 1969 and finished during the transmission of “The Silurians.” Series two began just seven weeks later, while “The Ambassadors of Death” was running. The third series began alongside “Terror of the Autons,” and the last one began a couple of weeks into “The Daemons.” And if you’ve paid any attention to Who‘s end credits during this period, you’ll see a pile of familiar names working on Temple, including A.A. Englander, Ron Grainer, Dudley Simpson, Trevor Ray, Michael Ferguson, Douglas Camfield, Christopher Barry, David Whitaker, and of course the producers Peter Bryant and Derrick Sherwin.

And in front of the cameras, there’s a similar “rep company” feel. The show starred Francis Matthews – Captain Scarlet himself – as Paul Temple, with Ros Drinkwater as Steve. Their approach to crimefighting is basically to dive into any villainous plots head-first and see what happens. Their guest casts are absolutely packed with recognizable faces. Now, if you enjoy older British television, you will certainly love the really entertaining Cult TV Blog. I agree with John on lots of things, but not his position on familiar faces. For him, recognizing an actor takes him out of the experience, but I absolutely love that. We were watching the second episode available and I was racking my brain to figure who that was playing the villain under the big Jason King mustache – it was Edward de Souza – when suddenly Peter Miles, who we saw in “The Silurians” literally one week previously, came in the room. You’re also sure to recognize George Baker, Frederick Jaeger, Emrys James, Moray Watson, Catherine Schell, and George Sewell, among others.

Now, about the missing episodes situation… Paul Temple is in a really unique place because, after the first series, a West German company called Taurus Films became the co-producer with the BBC. The Beeb wiped 36 of the 52 episodes. They deleted everything from series one, and all but one episode from series two. They deleted six of the next 13, and five of the last 13. Of the eight remaining from series four, five are only in black and white. These sixteen survivors are available in a six-disk Region 2 set from Acorn Media. (Buy it from Amazon UK.)

But then last year, something surprising happened. A German company, Alive, released all 39 episodes from series two, three, and four… dubbed into German. So the visuals for these all exist, just not the original English audio. Sadly, the DVDs do not have English subtitles either, and they are numbered series one, two, and three. Then their series “three” (the British series “four”) came out with a real surprise. Not only were all the episodes in color, but there was one additional installment, “A Family Affair,” with an English dialogue option. So 39 of 52 exist in German, and 17 of these in English. (Buy this set of 13 from Amazon Germany.)

A special note for fans of Douglas Camfield: only one of the seven Temple episodes that Camfield directed is available in English, and that one in black-and-white. If you get the German sets, you can get four of the seven in color. Unfortunately, the first three that he shot were in the first series – he probably went straight from these onto the Who serial “Inferno” without a break – and seem to be lost forever.

Anyway, I’ve enjoyed the Paul Temple episodes we’ve seen and think it’s a shame Marie didn’t find it as engaging. I don’t quite enjoy it enough to fork out another $30 for that German set and just one more English-language episode, but that’s mainly because our disposable income is kind of tight right now. It is the sort of silly thing that tempts completists like me. But honestly, if you enjoy seasons seven and eight of Doctor Who in a sort of big picture “this is what the BBC was doing” way and enjoy the production as much as the fiction, then this is an absolutely super companion. For real fun, add the available episodes of Doomwatch into your rotation of all things 1970 and see just how busy some of these actors and directors really were back then!

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Doctor Who: Spearhead from Space (part three)

I like how our son correctly likes and yet doesn’t like all the frightening bits. He liked/didn’t like the Auton coming to the remote cottage and terrifying Mrs. Seeley, and he liked/didn’t like the Auton facsimile of General Scobie showing up at the general’s door at the cliffhanger. That’s how it should be when you’re six. We had to pause and give him a chance to run for his security blanket.

I mentioned last time that this restoration looks amazing, but to be clear, “Spearhead from Space” has always looked great because the whole thing is – for the only time in Who‘s original run – on film. The plan, when they made it in late 1969, was to do all the relevant location work and then go into the studio and do all the interior sets on videotape as usual. But while the BBC had been slowly moving to color for a couple of years already, there was still a very tight fit to get all the drama and comedy and light entertainment in the studios with the new color equipment. When one of the unions involved called a strike, there wasn’t room to remount this serial when everything was rescheduled.

This was a very similar situation to the one that would befall the story “Shada” about a decade later. It was canceled after its location work and one of its three studio sessions. But Derrick Sherwin, who admittedly tells the story on one of the special features making himself out as quite a hero, wasn’t going to let that happen in ’69, and he got some 16mm color cameras and told the location manager to get him some facilities to get the story in the can. The result is excellent, even if it’s a little slower-paced than what our son is used to seeing. It actually is a little more deliberate than the black-and-white years of Who, but that’s going to change in a big way in tomorrow night’s installment. It’s a great serial, one of the program’s very best.

Kind of makes you wish Sherwin was still around the BBC in 1979. Reckon he’d have got “Shada” made?

Anyway, I’m jumping ahead just a touch, but this was actually Sherwin’s last Doctor Who production. While he was deep in the trenches working on season seven, he got the call to rejoin his colleague Peter Bryant on Paul Temple. The first season of this detective series began broadcast in the UK, also in color, in November 1969, but it needed some help. So Sherwin finished work on “Spearhead” and rejoined Bryant for three seasons on Temple as Barry Letts came on board to produce the rest of Who‘s seventh year. After Paul Temple ended, Sherwin went on to work on the BBC’s star-packed drama Man Outside and a ghost story called Nobody’s House for Tyne Tees Television.

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Doctor Who: The War Games (part ten)

At last this story ends, with a strange and sad coda that serves as the epilogue to the first six seasons of this series. This was the end of the black and white era of Doctor Who, with the Doctor finally explaining who he is and why he left his home. Because he was bored, really. All three of its stars were leaving, and the modified format, with the Doctor exiled to Earth in the present(ish) day, would see Peter Bryant and Derrick Sherwin’s ideas about a secondary supporting cast become the new norm, as the Doctor would defend our planet from extraterrestrial threats. The new lead actor would be Jon Pertwee, and he was announced to the press the week this episode was first shown in June 1969.

Our son was absolutely riveted by the Doctor’s sad farewells to Jamie and Zoe, returned to their own places with most of their memories cruelly wiped. But their fates aren’t as bleak as the War Lord. After giving Philip Madoc the chance for a downright frightening and bloodcurdling scream, the Time Lords wall off the Aliens’ homeworld with a time barrier, and then “dematerialize” him from time completely, as though he never existed. This depiction of the Time Lords as omniscient and all-powerful would be undone a little with pretty much every successive appearance, which is kind of why some of us think the series has used the Time Lords way, way too often.

Among the Time Lords – we only see three, plus a couple of technicians – are Bernard Horsfall, whom David Maloney had cast as Gulliver earlier in the season, and Clyde Pollitt. Both actors would later return to the show as Time Lords, Pollitt as the Chancellor in 1973’s “The Three Doctors” and Horsfall as Goth in 1976’s “Deadly Assassin.” I figure they’re the same characters in each story, myself. The other Time Lord here is played by Trevor Martin, who would later actually play the Doctor himself in a stage play that was mounted in London for four weeks in 1974.

Our boy piped up quite loudly when the War Lord was revealed, thinking we’d seen the last of him in the previous part, and gave a pleased laugh when he is removed from reality. He also clutched onto Mommy very tightly and was really sad to see Jamie and Zoe leave. Frazer Hines went on to join the initial cast of Emmerdale Farm, a soap drama produced by Yorkshire TV that kept him very busy for the next two decades. We’ll be seeing Wendy Padbury again in one of her next projects next month.

And as for the Doctor, Patrick Troughton remained one of the UK’s most beloved and respected character actors for the next eighteen years, with dozens of great appearances in film and TV, everything from heroes to second bananas to villains to creepy old guys. He died in March 1987 at a con in Columbus GA.

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Doctor Who: The War Games (part nine)

Back in the dawn of time, before the word “binge” was used to describe watching TV, “The War Games” was what we binged. Taking a break from the show after part eight just wasn’t done, never mind part nine, which is a terrific climax and huge fun, but also full of “what comes next” foreboding. I know quite well what comes next, but I’m going to be pacing the floor all day waiting to see it again.

The cliffhanger was a punch in the gut for our son, who thought the story was over – the story of the War Games is, at least – but there’s still more to come. He loved the fighting, and he certainly loved seeing the Security Chief and the War Chief each being shot down. Before he goes, incidentally, the Security Chief gets one of the all time great quotable Doctor Who lines, all together now, “What… a… styoopid… fool… YOU! ARE!”

The War Chief, you’ll note, does not regenerate. That’s because the concept of regeneration wouldn’t be introduced to the series for another five years, but that hasn’t stopped fanfic writers and novelists – including, to be fair, this episode’s co-writer Terrance Dicks – from giving the character another life or two, usually twisting logic to turn him into a previous incarnation of the Master. I love how writers always call him the War Chief as though that was his name before he left the Time Lords, and not a title given him by his Alien employers. Or maybe that was his name, and it was the best job interview ever.

The last of these baddies to go is the War Lord, who is last seen propping up a desk with his body posture suggesting that the arrival of the Time Lords is like the arrival of his luggage. Anybody who isn’t a fan of Philip Madoc’s acting isn’t a fan of acting, period. I’m going to give “The Brain of Morbius” another spin next week because I like him so much.

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Doctor Who: The War Games (part eight)

“Time Lords?!” our son exclaimed. I was very glad that he caught it. It’s in part eight of this story that it’s explicitly stated that the Doctor is a Time Lord. Then the Doctor and the War Chief get a private conversation and it’s spine-tingling. I love how the Doctor’s first words to his opponent are “I have nothing to say to you,” which is not even remotely our hero’s standard operating practice. He is really, really upset about meeting another of his kind.

Also amazing: the War Chief tells the audience for the first time that the Doctor stole his TARDIS, and he makes what may be the first reference to the look of the original Doctor in more than two years. The War Chief says “You’ve changed your appearance, but I know who you are.” It’s kind of become media lore that Sydney Newman and Innes Lloyd “saved” the show in 1966 by inventing the concept of regeneration, but that’s not true at all. As we’ll see over the next two episodes, that “cheating death” idea is still years away.

Anyway, their conversation just has me absolutely riveted because it’s so well done. Neither calls the other by name, and neither makes concessions to the audience by over-explaining. It’s incredibly well-written material. Edward Brayshaw is entertaining, but Patrick Troughton is doing something very new. The Doctor’s not acting with what we can see in hindsight is a mask for the benefit of his companions, his human adversaries, or his alien enemies. The Doctor we know and love is a little artificial. It’s fascinating to reconsider this episode in light of the conversation between Missy and Clara in the 2015 episode “The Magician’s Apprentice.”

This builds to a cliffhanger where it appears the Doctor has betrayed his friends and the trapped human soldiers by joining the Aliens. Sure, we grownups know better, but this concerned me as I wrote yesterday evening’s post. Last night, I reminded my son of the Batman episode “Not Yet He Ain’t,” which absolutely horrified him when he saw it, despite a pause to explain it and reassurances that Batman and the police were pretending that the heroes had gone bad and had to be shot dead. Adults might forget that this sense of betrayal can rock a young viewer. I didn’t want him to be so shocked by a cunning plan and a heroic double-cross that it upset him too greatly. I’m glad I took the time; he’s wondering what the Doctor has up his sleeve instead of worrying.

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Doctor Who: The War Games (parts six and seven)

Resuming this epic Doctor Who adventure with its next two episodes, we saw our son dive behind the sofa twice tonight, with each cliffhanger. Part six ends with the Aliens’ space-time capsule being fiddled with to have its internal dimensions shrink. No longer bigger on the inside, it threatens to crush our heroes. This very nearly brought our son to tears, and he stomped away and threw his beloved security blanket “Bict” at the sofa. Part seven ends with the Doctor abducted by the villains, and he didn’t see that at all, hidden as he was. He bolted as soon as he heard the sound of the SIDRAT’s engines. Man, part eight’s cliffhanger is going to have him livid.

Now there’s a word. I love how these villains are written to use words that they’d know and the audience wouldn’t and the script doesn’t stop to explain things because there aren’t any heroes present to ask what they’re talking about. That will come later. So they call their capsules SIDRATs, which is, of course, TARDIS spelled backward. A decade later, this story’s co-writer Malcolm Hulke novelized the adventure for Target Books, and explained that SIDRAT is an anagram for Space and Inter-time Dimensional Robot All-purpose Transporter.

Another thing that they say, just as casual as anything, is “Time Lord.” Right there at the beginning of part six, the Security Chief tells his scientist buddy that the War Chief is a Time Lord, a phrase that this series has never uttered before. That’s not followed up in these two episodes.

So on the villain front, the Aliens’ battlefield generals Von Weich and Smythe are both killed in these episodes, but Philip Madoc, who last appeared in this series as a character in “The Krotons” just four months previously, arrives as the Aliens’ leader the War Lord. He’s so beatnik that you expect him to tell his squabbling Security Chief and War Chief “Cool it, Daddio.” I love how these villains are constantly at each other’s throats.

One important acting note tonight: making what I believe was his TV speaking debut in the small role of Private Moore in part six was the star’s son, David Troughton. He’s had a fun and busy career with the Royal Shakespeare Company and more than a hundred television roles over nearly fifty years, and would later appear in this show opposite both Jon Pertwee and David Tennant, thirty-six years apart.

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Doctor Who: The War Games (part five)

Intrigue grows a little this week as we meet another villain, the Security Chief, played by James Bree in a high-pitched, teeth-gritted performance that most of us older Doctor Who fans have been known to imitate a time or two. Interrogating Zoe with a (no, not the) mind probe, he learns that she is from the 21st Century and travels in a TARDIS, but he deliberately withholds that information from the War Chief. Later, he confides with an underling, stating that the War Chief is not of their race, that the War Chief betrayed his own people, and that he fears he may be ready to double-cross this bunch of aliens as well.

Incidentally, this bunch never get a group name, which is really a little odd for Doctor Who. They really are just “that bunch of aliens with the eyewear fetish from The War Games,” although people often call them “the Warlords” or, magically, “the Aliens.”

Anyway, this episode ends with Jamie unwittingly leading a raiding party into an Alien ambush. I’ve looked back over our blog and really haven’t praised Frazer Hines as Jamie anywhere near enough. He’s always terrific fun, and I love the way he plays the “because you’re a girl” card with Lady Jennifer without thinking and instantly tries to get himself out of trouble. When Jamie goes down under a barrage of ray gun fire at the cliffhanger, it scared the devil out of our son, who whimpered and tried to hide behind his mommy.

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Doctor Who: The War Games (part four)

I love this scene to pieces. It’s just seconds long and it’s one of my favorite scenes in the black and white era. The Doctor and the War Chief make eye contact… and they recognize each other. Of course, we had to underline what makes this important to our son, without giving anything away. He doesn’t quite grasp the ramifications. Neither did many of the people watching, perhaps.

Four years previously, when William Hartnell was the star, the Doctor had met another of his people. Played by the popular comedian Peter Butterworth, he called himself the Monk, had his own TARDIS, and, perhaps remarkably, was the only individual villain in the show’s first six seasons to get a rematch with the Doctor. He originally appeared in a four-part serial in July 1965, and then came back in January for three weeks as an ally of the Daleks, but the character was not used again after that. That’s in part because Butterworth became very busy making Carry On movies, and in part because the constantly changing production teams of Who during these days probably wanted to do their own things. The Monk was later resurrected in comics, novels, and audio adventures. I was pleasantly surprised to learn that Graeme Garden occasionally plays the character opposite Paul McGann’s Eighth Doctor in radio/CD stories.

But for the entire tenure of Patrick Troughton’s time as the Doctor, there’s been no hint of any other time travelers at all other than the Daleks, no other TARDIS, and certainly no people from his past who might recognize him*. There’s a great bit early on in this episode where the Doctor gets a bad feeling that he knows where this technology came from, but declines to elaborate to Zoe. Suddenly it becomes very clear that he’s going to have to start elaborating before this adventure ends.

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