Tag Archives: david healy

The Secret Service 1.9 – The Deadly Whisper

This was much, much better than the previous episode. Marie was out while we watched it, and our son yelled when she returned “You missed an amazing one!”

I wouldn’t go quite that far, but “The Deadly Whisper” is pretty entertaining. The story by Donald James has neat sonic weapons, top secret aircraft, nasty bad guys, and the Captain Black puppet pressed into service again. James was just a really good writer for these light espionage shows. By chance, two nights ago, we watched a Jason King that he did that guest-starred Roger Delgado.

There are also a few shots that rival the ones from a few episodes back where they filmed the Matthew puppet in somebody’s back garden. They don’t look anywhere as ridiculous as those, but they have the Matthew puppet hiding and observing the sonic weapon from the family’s doghouse, hanging out with a bulldog! To be clear, it looks as unreal as the sequence from “The Feathered Spies,” but not comical. The director, Leo Eaton, framed the shots much, much closer in than Ian Spurrier did in the previous story, and didn’t hold them anywhere as long as the ones that I’m still complaining about, so while they look bizarre, they’re only onscreen for brief moments.

I’m not quite sure that I believe the science of how the villains are defeated, but it did give me a chance to try and explain the speed of sound and what “Mach 3” means to my son. It may be a bit over his head, but he was intrigued and there were explosions, so we had a pretty good time with this “amazing” adventure.

(Note: I can play them, but I’m not presently able to get screencaps from Region 2 DVDs, so many of these entries will just have a photo of the set to illustrate it. Click the link to purchase it from Amazon UK.)

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Land of the Lost 3.8 – Hot-Air Artist

So I was mentioning David Healy the other day, and here’s the story. I’m not blogging about it because we’re not watching it with Daniel, but Marie and I are slowly making our way through the terrific Jason King, an ITC adventure series from 1973.

Part of the fun, for me, is spotting all the recognizable actors in the guest cast, people who also showed up on Doctor Who and The Avengers like Nicholas Courtney, Kate O’Mara, and Ronald Lacey. I try not to cheat, and wait until the episode’s over before checking out imdb.com, but when David Healy showed up as an undercover CIA agent, it drove me nuts because I knew that I remembered him from somewhere. I was pleasantly surprised to realize he had been among the voice cast of Captain Scarlet, which we’d just finished watching with Daniel, so I’d heard his voice on about twenty occasions over the previous six months. Then I read a little further over Healy’s long list of credits and realized we’d be seeing him in this episode.

So there’s your connection between Sid and Marty Krofft and Gerry Anderson. I was going to say that this may not be all that interesting, but it’s more interesting than this episode, but then Daniel got absolutely horrified by the climax, in which Healy’s character, a self-promoting aviator and adventurer from 1920 named Roscoe Post, attempts to abduct Cha-Ka. He drew up on the couch, eyes wide and hand over his mouth in shock, and was incredibly relieved when Cha-Ka escaped from the balloon’s gondola.

As is usual in season three, you sort of have to accept that however all these guest stars are getting into the Land of the Lost, they’re able to retrace their steps precisely, and rather than the manipulated time doorways of the previous seasons and the specific rules for them, there are just random cracks in time that people can access back and forth, because none of this makes any sense otherwise.

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The Secret Service 1.1 – A Case for the Bishop

Off to 1969 and one of the shows that Gerry Anderson made that people just don’t know all that well, The Secret Service is a very cute and very, very odd little spy series for kids. It doesn’t have any of the wild mayhem and crazy technology of the earlier Supermarionation shows. In fact it has a single fantastic element: a shrink ray.

By ’69, the spy craze kickstarted by the James Bond films was mostly calmed down, so this was a weird time to be making a spy adventure, but there you go. It’s set in what appears to be the present day and concerns an agency called B.I.S.H.O.P. which employs Father Stanley Unwin. The priest is played by the real Stanley Unwin, a popular comedian of the day whose shtick was talking in a nonsensical gobbledygook. Father Unwin uses a shrink ray to miniaturize his fellow agent Matthew and carry him into action, while he distracts authorities or guards by appearing as a harmless priest who babbles a lot.

The pilot, unsurprisingly, isn’t too complicated. It’s a basic little adventure about retrieving a stolen computer that takes time setting up the premise. But what no amount of backstory will prepare you for is how downright weird this show looks. See, every Gerry Anderson show has some of what Marie calls “cheat shots,” where they do closeups of human hands instead of trying to get the puppets to do intricate tasks. This takes things in the other direction entirely. It’s a live action show that just happens to have puppets in for the dialogue. All the exteriors and establishing shots and car chases are filmed by a crew with human actors, with the real Stanley Unwin driving his character’s terrific car, a 1917 Ford Model T called Gabriel. Then when anybody needs to talk, the puppets are used. So the team didn’t have to build as many puppet-scale exteriors, and they shot far less material on the small stages, and everybody at Century 21 got the practice making shows with real actors that would serve them well when they started making UFO and The Protectors.

Incidentally, both The Secret Service and its immediate predecessor, Joe 90, used several props and puppet bodies that were built for Captain Scarlet and the Mysterons two years previously – you can spot Captain Ochre in a small role here – and also many of the same voice actors. One of these is David Healy, who was often used for American generals or, here, Iron Curtain-nation diplomats. We’ll have a little bit more to say about David Healy in these pages shortly.

Daniel was honestly not completely taken by this, but he said it was pretty good and seems interested in seeing more. The car chase and gunfight certainly had his attention though, and we’ll see what happens in episode two very soon.

(Note: I can play them, but I’m not presently able to get screencaps from Region 2 DVDs, so many of these entries will just have a photo of the set to illustrate it. Click the link to purchase it from Amazon UK.)

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Filed under secret service, supermarionation