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Mary Poppins Returns (2018)

How nice, it seemed, in a world of dreary and utterly unnecessary remakes, for Disney to actually make a sequel to an old film. Except this isn’t a sequel. Mary Poppins Returns is actually a remake of the original, every plot beat completely familiar and done with modern gloss. It follows the template and order of the original’s moments so precisely that the only thing that’s different is the casting and subtle changes to professions. Here we meet the oddball relative who was played by Ed Wynn last time and by Meryl Streep this time, and then we’ll visit the bank, and then we’ll have the great showstopping dance routine that was performed by chimney sweeps last time and by lamplighters this time. Even the mother figure is the same. Last time, she was a suffragette and this time, she’s organizing labor.

That said, while I wished desperately for some moments that would veer wildly away from the original’s format, it certainly succeeded with our favorite seven year-old critic, who remembers the original, but not particularly well. And if I hadn’t seen the original eight or nine times previously, I suppose the only real complaint I’d have is that the villain has no reason whatever to be a villain. Seriously, why is Colin Firth being villainous in this movie? Why does he compound his villainy by pretending to be sympathetic? Is there buried treasure under the Banks house or something and the movie just forgot to tell us?

But in its favor, Emily Blunt and Lin-Manuel Miranda are practically magical, if not quite perfect, and the songs are nice, and the cameos by Nackvid Keyd and Angela Lansbury, so many years since the last time these actors danced with cartoon animals, certainly made me smile. David Warner takes over as a character from the original movie, and he’s always fun to watch as he bellows and shouts.

And in the category of really big wins for this movie, I have to say that the fantastic musical hall scene built around “The Cover is Not the Book” should go down as one of the absolute best musical numbers in any Disney film, ever. Also, if this film doesn’t win an Oscar for best costumes, something is downright wrong with the world, because the strange pastel-on-porcelain garb that the characters wear on their trip into the cartoon world is like nothing I’ve ever seen before.

In other words, all the elements were in place for a truly fine movie. Everything but an original story. Should Mary Poppins one day return to assist the next generation of Banks children, I hope that family is having a completely different problem for Mary to tackle in a completely different way.

Photo credit: Time.com

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