Tag Archives: barry letts

Doctor Who: Robot (part four)

If you were to ask me, the boring old Mr. Grouchy Adult that I am, I’d say that “Robot” could have been safely wrapped up in three episodes. But that would rob our son of his favorite part of the serial. The Brigadier blasts the robot with the disintegrator gun, and, thanks to a little technobabble magic, the robot grows to giant size.

From the boring light of adulthood, this doesn’t look particularly convincing, and while director Christopher Barry does as good a job as can be expected, something shows up in shot after shot that destroys a grown-up’s suspension of disbelief. At the very least, it genuinely does look better than those dinosaurs from a few stories ago.

But our kid adored it. He shouted “Whoops!” when the robot started growing and it was all as convincing to him as Hollywood’s latest bit of CGI mayhem. After that mid-serial lull, he completely loved this story, and he believed in it, because he’s six and hasn’t become jaded by special effects. The new Doctor’s off to a fine start for him, and, with Lt. Harry Sullivan joining the Doctor and Sarah in the TARDIS, it’s time for Barry Letts to leave the role of producer to the new man in charge, Philip Hinchcliffe. And we’ll see what his take on the series will be this weekend.

Advertisements

Leave a comment

Filed under doctor who

Doctor Who: Robot (part three)

Beginning with the most important thing about tonight’s episode, our son was much, much happier with it. It’s full of action and explosions, and at the end, a tank shows up, which thrilled him to no end, as he knew instinctively that the tank would be disintegrated.

It’s also full of UNIT troops not using their brains very much. The villains and the robot escape from the SRS meeting because not one of the dozen or so soldiers thinks to shoot out their truck’s tires. Honestly, this story could have ended here and been a satisfying three-parter. All the business at the bunker is less entertaining than what’s come before. It’s never more entertaining than when the Doctor agrees with the Brigadier that only Great Britain could be trusted with international secrets, because the rest are all foreigners. That’s one of my favorite lines in the whole program.

Unfortunately, there’s a conclusion that will require some visual effects trickery, something not unlike what we saw in the story “Invasion of the Dinosaurs.” To make the joins a little less visible, if you take my meaning, the production team decided to mount this entire production on videotape. That way we won’t have the tank in part three (and the robot in part four) videotaped in the studio on a blue screen, and then chromakeyed into a 16mm film picture.

Part of me is glad that they learned from their earlier work, but another, bigger, part of me just loathes the look and feel of “outside broadcast” location video. This was only used sporadically until Doctor Who‘s last four seasons in the late eighties, when the whole program was taped. I’m absolutely fine with it in the studio, but sending those sorry camcorders on location just emphasizes the robot’s unreality to me. It’s a shame they couldn’t have taken both a film camera and an OB camera on location, videotaped the necessary bits for the visual effects team and filmed all the action stuff. It would have looked so much better.

Leave a comment

Filed under doctor who

Doctor Who: Robot (part two)

I’m afraid I spoke too soon when I said last time that this is a straightforward and simple adventure for six year-olds. This episode introduces the plot complication that the villains, Miss Winters and Mister Jellico, are members of a fascist fringe group called the Scientific Reform Society, and that just left our son behind completely. The scene where Sarah puts on her journalism hat and trendy seventies clothes and gets some information from them might as well have been delivered in pig Latin, because he didn’t get what was happening at all!

Actually, what he really needs to take from this scene is that the delightful thing about watching old television is that we can time travel back to the days when outfits like that were the in thing. Once they put a stop to Winters and Jellico, Sarah’s going to wear this outfit when she interviews Elton John before his Saturday night gig at the Rainbow.

After starting well, this one’s obviously cratering a bit for him. He loved part one, was thrilled by the sight of the giant robot, and the Doctor’s oddball rudeness, including going to sleep on his lab table, is really fun for him. But then we not only got all talky with people who didn’t make sense to him, but also the Doctor has a cliffhanger confrontation with the robot that really looks like it’s going very badly for him.

It strikes me that seeing the Doctor in physical jeopardy and about to get beaten up isn’t a very common turn of events in the show. Another incident was the end of part three of “The Three Doctors.” He was also very, very aggravated when Jon Pertwee’s Doctor was getting thrown around Omega’s “mind palace” by the villain’s weird pig-faced champion. Revealing a monster or a Dalek or a giant robot is a thrill, but seeing the hero get pummeled is emphatically not.

Leave a comment

Filed under doctor who

Doctor Who: Robot (part one)

At the end of 1974, Tom Baker’s first episode of Doctor Who first aired. Writer Terrance Dicks believed that this should be a simple and straightforward adventure story for audiences to get used to the new lead actor, and he seems to have absolutely nailed how to hook any six year-olds in the crowd. Our kid loved this. There are no politics and no complicated “life in the seventies was like this” distractions about communes or meditation centers. There’s just a big stomping robot stealing the ingredients for a top secret disintegrator gun. Along the way, the Doctor checks himself out of the sick bay, frustrates UNIT’s medical officer, and tries on some new clothes. There’s not a six year-old on the planet who wouldn’t enjoy this.

Behind the scenes, this is a time of massive change. “Robot” was videotaped at the end of the same production block as Jon Pertwee’s last stories, making it the final story for Barry Letts as producer. He’ll be back in different capacities down the line, though. It’s the first story for Robert Holmes, who had written several memorable stories previously, as the script editor, but the previous script editor is still around! Terrance Dicks kind of shamelessly told the new boy that there was a BBC tradition that incoming script editors were expected to promptly commission a script from their predecessor. This way, while Dicks was no longer on the BBC payroll, he could still net some quick freelance work before his next assignment. The director is Christopher Barry, the veteran who had helmed several Who serials already, including Patrick Troughton’s first story.

Onscreen, UNIT, represented again by Nicholas Courtney and John Levene, has a new member, a naval medical officer called Harry Sullivan, played by Ian Marter. He had been up for the role of Captain Yates four years previously, and was cast because the original ideas for a new Doctor had been for an older and less active leading man. Famously, Richard Hearne and Fulton Mackay had been offered the part, but both of them turned it down – in Mackay’s case, because a sitcom pilot he’d done, Porridge, had been picked up as a series – and it went to Tom Baker, then forty years old and not getting nearly as much acting work as he should have had. His agent couldn’t find him anything after he’d filmed The Golden Voyage of Sinbad in the summer of ’73 and he was working with a construction crew in London to make ends meet while the movie was in theaters. The glamour of showbiz, folks.

And of course Elisabeth Sladen is back as Sarah Jane. This is one of the few times that we get to see her working as a journalist, and unknowingly – because, again, this is a simple story for the young viewers to easily manage – working the other end of the disintegrator gun angle. UNIT and the Doctor are looking into the thefts and she’s working on a story about the thieves, leading up to a memorable cliffhanger when the great big robot looms over her. We don’t see the robot in full just yet, which our son loved. He said that he now knows what its feet, hands, and head look like, and now he just needs to see the body and legs!

Leave a comment

Filed under doctor who

Doctor Who: Planet of the Spiders (part six)

Let’s get the unfortunate facet of this story out of the way: I’ve never been able to suspend disbelief in The Great One. The super-giant spider remarkably looks even more fake than the regular-giant ones. They’re fine when they don’t move; in fact, when they’re perched on people’s backs, they’re a little creepy. But The Great One badly, badly needed to be filmed rather than videotaped. That would have improved this critically important visual so much.

So no, I’m not going to pretend “Planet of the Spiders” is an unappreciated classic, certainly not with all the woeful acting and design on the alien planet, but it’s a lot better than I credited it. We enjoyed the heck out of this story. There’s a real sense of urgency and desperation that is almost entirely lacking in Pertwee’s final season. It’s a fabulously entertaining set of episodes, and all the actors who aren’t playing alien villagers are just great. I really liked John Dearth just completely losing his composure and yelling at the spiders.

This serial notably marks the first time that the program actually refers to that bit of casting change where a different actor plays the Doctor as “regeneration.” Interestingly, the changeover from Hartnell to Troughton was first explained as a rejuvenation that the TARDIS managed, and the next one, when Troughton became Pertwee, was something that the Time Lords did to him when they exiled him to Earth. Part six of this story is the first time that it’s stated that regeneration is what happens when a Time Lord’s body gets too old or damaged to continue living, making regeneration itself an interesting retcon. There are some more rules, and a very fascinating retcon that didn’t take, to come as the show goes on.

We learn a little about regeneration through the explanation of the Abbot K’anpo Rimpoche, another Time Lord who lives on Earth, and who is assisted by a projection of his next incarnation, a man who goes by the name Cho-Je. K’anpo/Cho-Je are never seen in the series again, which is kind of strange when you consider the Doctor’s great fondness for him; K’anpo is the old hermit who lived on the mountain that the Doctor visited when he was a child. The next Doctor is far too unsentimental to renew contact, but you’ve got to figure some of the later versions would have stopped by that meditation center for tea whenever they were on Earth.

Actually, what if during the sixties, when the twelfth was lecturing at that college in Bristol and Professor Chronotis was at St. Cedd’s in Cambridge… nah. There’s probably fanfic, though.

Anyway, some big goodbyes to note with this story. This is script editor Terrance Dicks’ last serial on the production team, though his work with Doctor Who as a freelancer would carry on for many years. It’s also the last appearance for Richard Franklin as Mike Yates, who sadly doesn’t get anything of a farewell scene after four years as a co-star. Franklin has mainly worked as a stage actor after Who, but he has occasionally turned up in small parts here and there, notably in an episode of Blake’s 7 and as an Imperial engineer in Rogue One.

And of course it’s goodbye to Jon Pertwee. He lost a lot of enthusiasm when Roger Delgado died and Katy Manning moved on; the pending departures of Franklin, Dicks, and, after the next story, producer Barry Letts left him very sad and he decided that only a very large pay increase would keep him around. He told the anecdote about the BBC Head of Drama Shaun Sutton turning down his demand about a million times, only for Letts to repeatedly come behind him with a harrumph to clarify that actors simply didn’t approach the Head of Drama that way.

Pertwee was often very open about his dissatisfaction in not landing leading roles for the rest of his career. He’d spent many years as a popular comedian on radio and in films before starring in Who for half a decade, and in the rest of the seventies he was often seen hosting the Thames game show Whodunnit before taking on the role of Worzel Gummidge in the children’s TV classic. However, casting directors seemed to see him in that “jack of all trades” school and he never got many of the meaty guest star parts where really good character actors excel. He also did lots of voice acting and was one of two Doctors to appear as guest stars in Young Indiana Jones. He returned to the part in 1983’s “The Five Doctors” and, a decade later, in a pair of radio plays written by Barry Letts. He was seen as the show’s elder statesman for all the 30th anniversary celebrations, which saw “Planet of the Daleks” repeated on BBC1.

Jon Pertwee passed away in May of 1996, but we’ve got a couple of his earlier performances coming up on the blog very soon. And while we’re taking a short break from Doctor Who for now, we will resume with Tom Baker’s first season in just a few weeks, so stay tuned!

Leave a comment

Filed under doctor who

Doctor Who: Planet of the Spiders (part five)

This is another story that’s turning out to be much better than its reputation, and much better than I remembered it, which is nice. Yes, all the two-legs on Metebelis Three are beyond awful, but everything else is very exciting and really well directed.

It’s also sinking in just how much of this story happens in its last episode. The next twenty-five minutes are going to be packed.

Leave a comment

Filed under doctor who

Doctor Who: Planet of the Spiders (part four)

Our pal Matt dropped me a line last week to ask whether our son has arachnophobia. “Not yet!” I replied. As long as they aren’t in his bedroom, he likes creepy-crawlies just fine, so I figured this one wouldn’t bother him too much. There’s an urban legend that some British group that’s incredibly concerned about the rights of television viewers to switch on their sets without having any giant talking telepathic spiders on it got incredibly upset with the BBC about this story, but come off it. The giant maggots from that coal mine in Wales in “The Green Death” looked more like real maggots than these look like real spiders.

If they are in his bedroom, all bets are off. We had ladybugs coming in his room in November and you’d have thought they were Welsh giant maggots.

As with part three, the Earth stuff is fun and charming. There’s this one guy at the meditation center who is one of the most 1974 people you’ve ever seen, second only to Patty Hearst’s then-fiancĂ© Stephen Weed. The way he walks with his shoulders hunched is the funniest thing in the world.

The rest of Lupton’s circle of spider-summoning Buddhists are arguing about what to do in the wake of Lupton’s disappearance. One makes the reasonable suggestion that there’s no reason to think the police would have any interest in this, and so they are in no danger. Then 1974-Dude clubs Mike Yates in the back of the head. “Well, it’s a police matter now,” someone notes.

This is all much more entertaining than watching Gareth Hunt and the guy playing his brother emote at each other in BBC Alien: “Do you think me a coward?” “You speak of treason!” “We must attack now!” etc. There must be some course where BBC writers went to make all the downtrodden masses on planets ruled by despotic thingumajigs sound the same.

1 Comment

Filed under doctor who

Doctor Who: Planet of the Spiders (parts two and three)

Conventional wisdom has it that part two of “Planet of the Spiders” is self-indulgent padding, a long chase scene across land, air, and sea that’s just there to give Jon Pertwee a bunch of contraptions to ride in, including his custom car, a “Little Nellie” helicopter, and a one-man hovercraft.

Conventional wisdom has clearly never watched part two of “Planet of the Spiders” with a six year-old. Throw in a comedy policeman who can’t believe everybody speeding past him, a comedy tramp sleeping on a hill, and let Terry Walsh get dunked in the river and you’re in six year-old’s heaven. Then part three ends with Pertwee – and Walsh again, doubling in a couple of shots – going all Venusian karate on a bunch of guards on the planet Metebelis Three. He absolutely loved these episodes. This story is going down in the books as one of his favorites so far.

In fact, he’s so enthralled with the story that he’s wondering what happened to Metebelis One and Metebelis Two. I told him they may be closer to that system’s sun and might not have atmospheres. There’s probably some fanfic, I suppose.

As the action moves into outer space, we picked up a bunch of new characters that nobody likes. The downtrodden population of the planet are played as stereotyped backwoods hillbillies in silly clothes, right down to the violent one and his more sensible brother. The sensible one, at least, is played by Gareth Hunt, who had some great roles in his future. Their mother is played by an actress named Jenny Laird who gives one of the all-time awful Doctor Who performances. (“I shan’t, I shan’t…”) It’s really a shame that the story goes into space, because everything on Earth has been tremendously fun.

Leave a comment

Filed under doctor who