Doctor Who: The Armageddon Factor (parts five and six)

We finished up the Key to Time storyline/season this morning with what our son really believed is one of the most epic Doctor Who adventures ever. He completely loved this one, despite a few hissing villain roadblocks along the way. I also enjoyed this a lot more than I remembered, despite the interior of Shadow’s planet – slash – space station looking… well, it’s not so much that it’s fake, because lots of Doctor Who environments look fake. It’s that I kept expecting a bunch of kids to run in and start playing laser tag in it. It’s that kind of fake.

The best thing about it, though, is the introduction of Barry Jackson as a failed Time Lord called Drax. The character is just incredibly entertaining, and he and Tom Baker seem to have a great rapport. The Doctor, who apparently went by the name/designation “Theta Sigma” at the Time Lord academy and does not want to be reminded of it, asks Drax where he got the remarkable Souf Lundun accent and slang that he uses. Apparently, Drax was arrested (“got done”) in London some time back and spent ten years in stir. There’s absolutely no reason to nail this decade down to any given time period – I mean, Drax could be getting arrested right now in 2018 for all we know – but it amuses me to imagine that at the same time that the Doctor was exiled to Earth and fighting the Master, Drax was cooling his heels in HM Prison Brixton. Best moment of the whole story: Drax, on his way back to his TARDIS, telling the Doctor and Romana that he’s “done” a deal with the marshal of Atrios to provide reconstruction services for his planet, half an hour from now.

While Drax was sadly never seen again in the show, we do meet a new villain that will come back down the line: the Black Guardian. Valentine Dyall had a film career as long as your arm but was best known for his role hosting and narrating a radio series called Appointment with Fear. This anthology of horror stories ran for more than a decade on the BBC, and Dyall’s downright evil voice was known to pretty much every parent who sat down to watch this story in 1979, recognizing something terrifying from their own childhood.

So a couple of weeks ago, our son speculated that the third segment of the Key to Time could be a person. Today, we learned that the sixth segment was indeed a human being, which is how the Doctor unmasks the Black Guardian. At the end of the story, the Key is split into six parts again, hopefully leaving the poor Princess Astra to live her life in peace. Marie asked whether they’d ever need to turn a person into a Key segment again, and our son suggested that instead, one of the segments should disguise itself as “the worst tasting hot dog ever.” Well, if it sits around for decades waiting for somebody to come collect it, it probably would taste a little lousy.

So a couple of goodbyes to note this time. I’ve already noted that this was Dave Martin’s final script contribution. He did some more work in television but mainly wrote novels after this. He passed away in 2007. This was also Anthony Read’s final story as script editor. Douglas Adams had already been hired to replace him in the role, and apparently he worked on some of the rewrites of this adventure with Read. In that BBC way, we’ll see Adams commission Read to write a story in the next season.

Sadly, Mary Tamm decided to bow out with this story, and didn’t return to tape a farewell scene, which led to a pretty fun decision about what to do with the character of Romana. I don’t see that Tamm had any really major roles after this one, but she was regularly seen in guest parts on British television for the next thirty years and “gave good anecdote,” as they say, on the convention circuit. My older son met her in 2009 at a show in Atlanta that I didn’t attend, and came back with stars in his eyes. She died from cancer three years later at the horribly young age of 62.

We’ll take a short break from Doctor Who, but we’ll start season seventeen in August. Stay tuned!

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Doctor Who: The Armageddon Factor (parts three and four)

I’m enjoying this one much, much more than I did the last time I watched it. The Doctor’s first confrontation with his mysterious opponent, the Shadow, is full of great dialogue, and there’s a real sense that our heroes have an absurd amount of things to do, with one genuine obstacle after another. None of it feels like padding, and after the writers’ last two stories for the show the previous year (“The Invisible Enemy” and “Underworld”), neither of which I enjoyed, this feels like they’re back on form. This was Bob Baker and Dave Martin’s last Who serial as a team, although Baker would write a solo adventure in the next season, and Dave Martin would write a few of the tie-in books in the 1980s.

In fact, the only scenes in this story that are at all long-winded are the ones where K9 communicates with the Evil Supercomputer that runs the planet Zeos. There are lots of long pauses, sped-up tape computer noises, and sound effects. It kind of gets in the way of the slapstick. Tom Baker and guest star Davyd Harries get to hide from each other in weird corridors and be silly, which delighted our son and probably kept Baker amused at a point where he was losing interest and yelling at everybody. Good thing one of the other guest stars, Lalla Ward, was around to keep him smiling.

Our son really thought these two parts were incredibly exciting, especially when Atrios’s marshal launches his attack on Zeos, which will trigger a doomsday device in retaliation, like Dr. Strangelove. He was completely thrilled by this, but incredibly aggravated by the cliffhanger revelation that the Shadow has abducted K9 and put one of his little black control boxes on him. K9 now calls the Shadow his master! He was incensed, and refused to agree that this is a good adventure at all, just because that ending had him so riled.

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Doctor Who: The Armageddon Factor (parts one and two)

The Key to Time story makes its way to the finish line with this story written by veterans Bob Baker and Dave Martin. It’s got John Woodvine as the main villain – so far – and guest stars Lalla Ward as the mysterious Princess Astra.

The story’s kind of “Genesis of the Daleks”-lite, and it shares that story’s problem with creating a believably large environment. Lots of Doctor Who stories have this issue, but the heavily radiated K section of Atrios looks to be about one corridor away from the main control room. It’s a story where I have more than a little trouble suspending belief, but I do like the way that the Doctor pretends quite deliberately that he’s really dumb enough to fall into the marshal’s traps. Tom Baker seems to be having more fun in this story than usual. Maybe he really likes a guest star or something.

Our son was initially pretty restless with the situation but calmed down and started worrying as we learn more about the marshal’s strange controller. He’s talking to a skull that’s perched on a pedestal on the other side of a mirror, and he knows that the Doctor is a Time Lord. Our kid says that this one started out a little scary, but that it is really, really creepy overall. Then again, he was also being distracted by the promise of new (old) video games to play tonight!

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Young Indiana Jones 2.2 – Germany, 1916

Picking up from the previous episode’s cliffhanger ending, tonight’s installment is the big prison break episode. Both parts were originally shown in the US on ABC during The Young Indiana Jones Chronicles‘ truncated run on Monday nights in the fall of 1992. It’s really entertaining. Indy and another member of his Belgian company, who had been captured at the Somme, take the identities and uniforms of two French officers who didn’t survive the transportation behind the lines. Unfortunately for Indy, the man he’s pretending to be has made one too many escape attempts, so they ship him to a maximum security prison for “incorrigibles.” Fortunately, if there’s one man who can break out of any prison, it’s Indiana Jones. Unfortunately, he’s only seventeen at this point…

Among the guest cast this week, a famous French actor called HervĂ© Pauchon plays one of Indy’s fellow captives, Charles de Gaulle. Sean Pertwee plays a German officer, and we’ll see another member of the Pertwee family in the show a little while down the line. Julian Firth plays an imprisoned British officer, which is interesting because Firth has a completely different part in a couple of other episodes later on!

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Agent Carter 1.4 – The Blitzkrieg Button

“The magic typewriter types again!” That’s what our son shouted at a key moment in this very, very fun episode. It’s got some completely delicious twists concerning one of Howard Stark’s inventions that is said to be able to permanently shut down New York’s power grid, and concerning one of Peggy’s neighbors. Peggy gets targeted for death, again, by one of the city’s strange and powerful criminals. His fate, I think, is one that absolutely nobody saw coming. The episode was as wild and unpredictable as any hour of any show I’ve seen lately.

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Doctor Who: The Power of Kroll (parts three and four)

I have rarely returned to rewatch “The Power of Kroll” because the script has next to none of Robert Holmes’ trademark wit and energy. It’s also got these green-skinned squid-worshipers. The other characters tell us that they are primitives and savages, but they’ve all taken courses in BBC Villain. Every other line out of John Abineri’s mouth is something awful like “Have a care, Doctor!” or my favorite, “Let not thy wrath fall upon thy true servants!”

Happily, our son was much, much more thrilled than I was. He loved the giant monster stuff so much he was yelling at the screen. At one point, the Doctor is outside on a gantry at the refinery and a tentacle appears behind his head. Our kid shouted “Look out, Doctor!” before hiding his face. He’s enjoying the Key to Time stories so much that he somehow convinced himself there are seven segments, not just six. I guess he just didn’t want the fun of chasing them down to end in a few days.

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Doctor Who: The Power of Kroll (parts one and two)

When you’re watching Doctor Who, there should ideally be more interesting things about the adventure than who was cast to appear in it. “The Power of Kroll” is a dreary, boring slog and the best thing about it is the guest actors. Above, here’s our hero along with familiar faces Neil McCarthy and Philip Madoc.

Weirdly, this would be Robert Holmes’ last story for the series for about six years. If he hadn’t come back in the mid-eighties for more, then not only would his Who career be topped and tailed by his two weakest adventures, starting with “The Krotons” in 1969, but Philip Madoc would have been in both of them.

John Abineri, a good character actor who everybody remembers fondly as General Carrington in “The Ambassadors of Death”, is also in this one, only he has the indignity of being painted green from head to toe and cast as the leader of a superstitious ooga-booga tribe of men with green dreadlocks.

Outside of these actors, the story is just boring and not at all engaging. Too much of the drama is built around people in space uniforms sitting in plastic chairs looking at computer readouts saying this just can’t be happening, and debating whether to use depth charges or poison to kill the mighty Kroll, a squid that’s about a mile across and has awakened just in time to join all the other parties as they squabble about guns, native rights, and methane. Our son says that Kroll is too big and too scary. I say that every Doctor Who producer has to learn the hard way that if you try to realize a giant monster on a BBC budget, you are more likely to fail than to thrill.

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Young Indiana Jones 2.1 – The Somme, 1916

A quick little recap: since the adventures of Young Indiana Jones were shown very haphazardly in this country, with some episodes never shown on American television and others made especially for the home video releases, the numbering you see in the titles for these stories doesn’t correspond to any TV season. “2.1” doesn’t mean “first episode of season two,” it means “the first hour of the second DVD set.”

So, I had promised our son that Young Indiana Jones would be much more exciting once Indy got to the front, and if you can get past Sean Patrick Flanery’s incredibly long hair for 1916, this is a breathtakingly wild hour of ugliness and carnage on the front lines. Previously, Indy had enrolled in the Belgian army under the name Henri Defense, and his company was decimated at Flanders shortly before this episode begins. All of their officers are dead, leaving Corporal Defense in charge, barely.

So they get shipped to a different set of trenches and get new French officers. Indy has a troublemaker in the ranks, played by Jonny Phillips, who may have murdered their old captain, and from there it’s forty-five minutes of machine guns, mustard gas, flamethrowers, and hand grenades, with two days’ leave in the middle to break up the bloodshed and let the Belgians play the British in tennis. A couple of familiar faces are in the cast this week, including Stevan Rimkus as the poet Siegfried Sassoon and Edward Petherbridge as a French major. Petherbridge had played Lord Peter Wimsey for the BBC a few years earlier. (Wimsey had also been a major in the war, and was probably stationed a few miles down the trenches from his French counterpart.)

Our son was much, much happier with this installment than the ones we’ve watched. It’s a terrific hour, with some unbelievable production values as mobs of extras get gunned down between the trenches and explosions are going off all over the place. It’s true that some of the visuals are pepped up a little bit with colorized stock footage, and you can tell every time, but it’s still remarkable that they put this much huge effort into an episode of a TV show.

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