It’s almost trendy to write little revisionist think pieces about Ghostbusters, wondering how in the world Sigourney Weaver’s character affords that penthouse, or noting that it’s so sadly wrapped up in the viewpoint of Reagan-era anti-government feeling that the EPA dude is depicted as the villain, when honestly, our private-enterprise heroes really should have been storing their specters with a little regulation. Our heroes are probably correct, however, in noting that this man has no dick.
So let me say this instead: I don’t know that our son has ever enjoyed a film more. He told us that it’s one of his top three movies of all time, although he demurred when pressed what the other two might be. Perhaps sadly, I couldn’t slide the experience in under his pop culture radar before the Stay-Puft Marshmallow Man was known to him. Longtime readers know that getting the movie in before he learns all its secrets is one of those silly things I love to do, but Mr. Stay-Puft remains culturally omnipresent almost forty years later. In the scene in Dana’s apartment where the eggs start frying on her counter, our son spotted the bag of marshmallows. “Stay-Puft!” he said with glee. “Chekhov’s Gun,” I replied.
I think this might have been the first time our son’s seen Bill Murray in a film. Definitely Harold Ramis as well, although I’ve seen few of his movies myself. He has seen Dan Aykroyd in It Came From Hollywood. Think I’ll give him a Saturday Night Live primer over lunch.
You often hear people get nostalgic for the eighties. I don’t buy it if you’re talking about music in this country, in part because in any given week in that decade, 39 songs of the American Top 40 should have been buried at sea, and in part because I don’t know where it came from, but freaking “Almost Paradise” from Footloose has been stuck in my head for a week and I’m about to start longing for the sweet embrace of death to dislodge the damn thing.
But quite a few of the popular movies of the eighties have absolutely stood the test of time. There’s an obvious reason why the biggest crowd-pleasers of the day still have such incredibly loyal fandoms: Raiders of the Lost Ark, Back to the Future, The Goonies, even many of the ones that found their afterlife in home video and HBO like Big Trouble in Little China remain just remarkably entertaining. You look at the five stinkfests nominated for Best Picture the year that Ghostbusters was released and it’s like a murderer’s row of the most boring movies ever. Maybe they should wait a couple of decades before deciding what a year’s best picture really was. I just scrolled down Wikipedia’s list of films released in 1984. Full of stinkers and things I don’t remember, but also nine or ten real winners. And none of them were better than Ghostbusters.
Because I’m too lazy to fight with my external drive, the image comes from Geek Soup, whose even lazier article contains at least three errors. James? 1960s? “I need a different kind of drug”? Don’t believe anything you read on the internet, kids!
3 thoughts on “Ghostbusters (1984)”
You look at the five stinkfests nominated for Best Picture the year that Ghostbusters was released and it’s like a murderer’s row of the most boring movies ever.
I have to agree with almost everything about that statement. However, I found that Amadeus plays much, much better on the big screen than it does on TV, regardless of the size of your TV. Milos Forman has that effect, I think. But Man on the Moon plays just fine on TV, though. Maybe it’s the setting. Still, we are still talking about Ghostbusters over 37 years later and not Gremlins, The Karate Kid, or even Footloose…
Aren’t we, though? I mean, I’m not, because I don’t like any of those movies myself, but I think Gremlins and Footloose still have a huge amount of nostalgic love from many people our age, and there’s been that Karate Kid TV series on Netflix for years now.