“Didn’t like that cliffhanger, did you?” I asked.
“Nope,” he said, with emphasis.
I knew our son would hate it. The last four minutes of “World Enough and Time” are a masterclass in taking a bad situation and making it exponentially worse with each new reveal. I rewatched it again recently and tried to see it through his eyes, remembering how badly and tearfully he absolutely hated the end of “The Pandorica Opens” when we watched it one year ago. Our kid’s tougher now, a tiny bit more mature, and also not as sleep-deprived as he was on that fine evening, but I knew the hopeless tone of this cliffhanger, plus the presence of the Cybermen and the Master, wouldn’t thrill him.
“But be honest,” I said, “you were kind of enjoying it until it fell off a cliff, weren’t you?”
“I was… in the middle, leaning more toward like, but it didn’t just fall off a cliff, it fell off a cliff onto a tall tree and then it got shredded in a tree shredder.” Harsh kid.
Well, never mind him. “World Enough and Time” is an amazing and dark story with a brilliant premise and an ugly, ugly vibe of body horror. It begins with the Doctor really believing he has mostly reformed Missy after talking at her for fifty or seventy years, and Missy may not be particularly enthusiastic about answering distress calls – neither are Bill and Nardole – but events overtake her in the end. It’s set on a colony ship five hundred miles long which is parked too close to a black hole. The top of the ship and its farthest point are experiencing gravity compressing time at radically different speeds. We saw this before in the Stargate SG-1 episode “A Matter of Time”. And a tip of the hat to our regular reader Ben Herman for recommending Frederik Pohl’s extremely entertaining 1977 novel Gateway, which plays with the same premise.
500 miles away from the control room, many generations have passed. Each of the 1056 floors are gigantic, and at the bottom, a whole city has risen and has begun to crumble. Spaceships weren’t meant to last this many centuries, and, choked by industrial pollution, the citizens have turned to conversion to keep themselves alive, and strong enough to move to the other floors. These become the original Cybermen, with John Simm’s Master – last seen in “The End of Time” about seven years before this – nicely and nastily involving himself in their development, and, perhaps even worse, reminding Missy of how rotten she’s meant to be.
Anyway, “World Enough and Time” was written by Steven Moffat and directed by Rachel Talalay, and we’ve been here before, haven’t we? Part one of the two-part cliffhanger is mostly amazing and then they mess up the landing, right? Will they nail it at last? Tune in tomorrow…
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