Do you know why ITC started planning to shoot Danger Man‘s fourth season in color? It wasn’t because CBS told them that they were going all-color in September 1966. It was because of costumes like this dress.
But seriously, “The Man on the Beach” is a very good adventure, and I’m glad that the kid liked it more than the previous two. It was first shown in December 1965 in the UK and February 1966 in the US. Happily, it’s another winner from the pen of Philip Broadley. I mentioned last week that some of his later scripts for ITC left me a little cold, but he seems to have excelled in this series’ world of espionage and double agents. Our son was a little confused by a couple of things in the story, but he came around. It’s a great opportunity to see Drake cut off from any support. He’s been framed while allegedly working one assignment, but some much-higher-up had him secretly working another one. But suddenly the much-higher-up cannot be located, and the person with whom he has been staying denies all knowledge of him. This many lies required a little recap for our boy.
Anyway, if you’ve been following along, you’ll be disappointed to learn that this installment, unlike the previous two, does not feature any performers who were later in Moon Zero Two. Although, had I picked “Have a Glass of Wine” or “The Colonel’s Daughter,” we would have seen Warren Mitchell. No, this one features Juliet Harmer, who would star in Adam Adamant Lives! the following summer, and the great Glyn Houston. There’s one bit right at the end where Houston’s left eye starts twitching. Normally I can recognize an actor and it not take me out of the story at all, but just for a moment there, I was so amazed by Houston’s control of his facial muscles that I had no idea how the episode actually ended.