Watch closely, unlike our son, or you’ll miss a thing or two, just like he did. So Jason is laid up in Paris with a broken leg, and somebody who claims to be him shows up in Istanbul. He’s been summoned by the local police to assist with their inquiries. The real Jason has already turned down this assignment after the slimy Rowland tried to get him to help. But we’ve seen this guy before, haven’t we? Well, if we just blank out on faces like our kid does, we haven’t, but those of us who pay a little attention have seen him. He drove Jason to the airport in London*, and he posed as a telephone repairman in Paris, and he actually arranged for Jason’s accident. So who is this guy?
Unfortunately, the kid was lost, but I thought this was terrific. I was starting to question it a little in the middle. We’ve seen a few cases where Ronald Lacey’s character whines and prods and tries to get Jason to help, but this episode appeared to be all prodding until the big switcheroo in Istanbul. The story’s by Donald James, and it won me over completely once things got moving. Lance Percival plays the fake Jason, and Juliet Harmer seems to be in on the scam as well. I like a story that keeps you guessing.
*After this sequence, I wound back and watched it again, pausing a couple of times and tried pointing out a little of how TV is made to the kid. The Heathrow sequence was a good opportunity to show how one film crew would film Percival and Peter Wyngarde in a mocked-up cab with the familiar brown brickwork of the Elstree Studios behind them, and mixed it in with footage of a black cab arriving at Heathrow. There’s not much of it, but there’s a little bit here of interest to people curious how Heathrow’s terminals looked in the late 1960s or whenever it was originally shot, with the old names of the Oceanic and Europa Terminals on the buildings.