Well, this was an interesting production, just not an interesting story. Philip Broadley wrote the only two-part storyline for Jason King in either this series or Department S, and King is effectively a supporting character in it. There’s a lot of location filming in Paris, and proper location filming with a real crew and most of the guest cast, although not Peter Wyngarde. Maybe he was off doing the “home movies” guerilla filming in Venice for other episodes while Clinton Greyn, Lee Patterson, Anton Rodgers, Johanna Dunham, and Michael Gwynn were in Paris for this one. Madeline Smith gets the girlfriend part in both episodes, but she didn’t get to go to Paris either.
The strangest thing about it is that the lead character is an American PI named John Mallen, played by Clinton Greyn, and he’s overdubbed. In earlier posts about ITC productions, I’ve referenced ITC’s deep bench of American and Canadian actors who they’d employ, people like Paul Maxwell, Ed Bishop, David Bauer, or Stuart Damon, but instead of using one of them, they gave this part to Greyn, who was Welsh. Perhaps Greyn tried to do the accent of a private eye from Santa Monica and the producers decided later on that they’d erred, and so they called in Shane Rimmer to overdub him. Rimmer isn’t credited. He often wasn’t in his long career – he provides a voice in the Michael Caine movie Billion Dollar Brain without a credit as well, to give another example – but it kind of makes you wish they’d have just called Rimmer in to play the part in the first place. Even the guy who plays the client is overdubbed. That sounds like Bauer, but I wouldn’t swear to it.
Anyway, the story itself is long, long, padded, and short on action. There’s a surprising twist near the end, when the story moves to a Paris-Rome express train and somebody’s going to come to a grisly and unexpected end, that I liked. But this is the sort of production where impatient men keep checking their handguns for no other reason to let the audience know they’re packing.