In one way, this blog’s always been a race against time, showing our son classic movies before he stumbles upon them somewhere else, at a friend’s place or after school. I offered to show him Toy Story a couple of times and he always declined. Turned out he’d seen the movies a dozen times each in afterschool care already. Preserving surprises of any kind will get tougher and tougher as kids get older. Once upon a time, I was planning to one day show my older son the classic monster movie Them! and not tell him what it was about, only for him to come home from the library with a book about creature features. Eyes wide, he told me “This movie about giant ants sounds amazing!”
Roger Rabbit and Baby Herman have been forgotten and ignored by Disney for the last several years. Director Robert Zemeckis has speculated that Disney don’t like Roger’s shapely wife Jessica at all and are unlikely to approve a sequel or draw very much attention to the original. This worked in our favor; our son had never heard of the character or seen him anywhere.
So I drew him in last night by reminding him of Sam Spade in The Maltese Falcon and the days of tough guy detectives in coats and fedoras, and then this morning, the movie cued and no hints from the menus or the DVD packaging, re-explained that how, once upon a time, before you saw the main feature at the movie, you’d see a cartoon first. Who Framed Roger Rabbit begins with a short called “Somethin’s Cookin’,” which had our son guffawing, and then at a critical point in the cartoon, Roger blows a special effect, a director yells “Cut!” and the camera pulls back to blow our son’s mind.
I love surprising my son this way. If you’ve got kids of your own, try your darndest to introduce them to the movie this way.
Roger Rabbit is celebrated for its mix of live-action and animation, but it wouldn’t work if it didn’t have a clever and entertaining story underneath it. It’s a delightful throwback to hard-boiled detective fiction, starring Bob Hoskins as a down-on-his-luck PI who’s descended into alcoholism since the death of his partner five years previously. Stubby Kaye plays the industrialist who gets murdered, and poor Roger, a big hearted dimwit of a cartoon character who only has great things to say about his fellows in the business, is set up for the fall. And of course Christopher Lloyd gets to steal the show as the menacing Judge Doom, who, thanks to some odd quirk of the California municipal code, has the power of life and death over all cartoon characters.
The result is a completely delightful movie, full of sight gags, very good acting, and how-the-heck-did-they-DO-that camera tricks. I’ve always enjoyed this film and really had a ball watching it with our kid. It’s a shame there probably won’t ever be a sequel, but fifteen years later, Warner released another live-action/animation hybrid, Looney Tunes: Back in Action, which owes an astonishing amount to this film. It’s certainly not as unique or as original as Roger Rabbit, but it’s still a very fun ride and we’ll look at it one Sunday in 2020.
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