Fathom Events usually has three screenings of the Studio Ghibli films that they present: the first and last are dubbed and the middle one is subtitled. We always go to a dubbed showing because our son reads very slowly. But this time, they made a mistake and started the subtitled edition of 2010’s The Secret World of Arrietty. We shrugged; just have to deal with it. About eight minutes in, somebody had alerted somebody to the mistake, and after a short pause, they started over with the right print.
Our kid grinned. Within those first eight minutes, we get to see a big, fat, lazy cat chase off a pestering crow and charge, unsuccessfully, at our tiny young heroine, a teenage “borrower” who is just a couple of inches tall and lives under a house. He leaned over and quietly said “Good! I wanted to see that cat twice!”
The film is an adaptation of Mary Norton’s novel for children The Borrowers. It’s been adapted before, but live-action versions can’t linger on the beauty of gigantic green gardens that look like jungles, with rain drops forming huge crystalline globes that catch the light. It’s a world where some insects are menaces and pests, and some, like roly-poly pillbugs, are just little distractions that you bounce on your knee.
Borrowers are tiny little people who try to live by a creed to only take what they need from the world of human beans. Arrietty lives with her parents Pod and Homily inside an old house in the country with just one elderly caretaker. There have been stories about little people in the walls and under the floor for many years, but nobody really believed them. Arrietty has turned fourteen and it’s time for her to make her first borrowing expedition, but there’s a strange new complication: a teenage boy with a heart condition has come to recuperate at the house for a week, and he doesn’t seem to follow any of the borrowers’ expectations about human beans.
Arrietty was the first film directed by Hiromasa Yonebayashi, who’s since made a couple of other movies that I’d quite like to see. It was a big hit when it was released, though I confess I wasn’t paying much attention to the genre in the early 2010s and its impact missed me entirely. It’s a beautifully animated film with some fun characters and big surprises. All three of us enjoyed it very much, and I probably need to pick up a copy for the shelf sometime.
Image credits: Entropy Mag.