Into the Labyrinth 1.7 – Minotaur

I’ve got to hand it to this show. Whatever its limitations, it really succeeded in capturing our son’s imagination. Before we got started with the final part of the first serial, he had lots of questions about the time bomb that was used in part six. He remembered it much more clearly than I did; my focus had been on how the production team had redressed their cave set, and on the guest star John Abineri, growling with that sad-eyed expression of his. But our son had spent the last several days fascinated by how a character had used a small candle on the minute hand of a clock to start a fuse. I was trying to hurriedly finish my breakfast to start the story and could hardly eat for all the questions about clocks and gunpowder and when I thought the first time bomb was made.

The final part of the story was written by Anthony Read, and as the title suggests, it’s set in the original labyrinth of Knossos. A few years earlier, Read had written a pair of Doctor Who serials, “Underworld” and “The Horns of Nimon,” that also got to reflect his interest in classical myths. This minotaur was an amusing surprise. Instead of the usual half-man, half-bull, it’s an altar of a huge, blue, bull’s head that houses the Nidus between its eyes and is protected by a force field. I don’t think that the Greek myths will capture his imagination in the same way as that clock bomb – he’s more of a STEM kid than a humanities kid – but overall this story kept him thinking and guessing and ready for the next serial, later this summer.

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