I’ve often said that lots of children’s entertainment really requires the eyes of a child to appreciate. Show a grownup Far Out Space Nuts for the first time without a kid adding to the laugh track and they may question your sanity. I’m incredibly glad I waited for Into the Labyrinth and didn’t swap for this years ago. This needs a child’s eye or nostalgia to understand. Mind you, it’s pretty tedious and repetitive even with the kid, but he is having a blast, and he doesn’t mind the really woeful visual effects, in much the same way I dismiss the woeful visuals of Space Nuts and the like.
There was one part in episode four where the children, summoned to the astral plane for another one of Rothgo and Belor’s magic duels in front of a blue screen, where he got a genuine laugh, but he confused me for a second. In her present-day incarnation, Pamela Salem has got a real 1980 Kate Bush look going on. I’ll have to get a picture of her next time. Anyway, I talked about the video/film divide of the 1980s a few months ago, and how music videos were one place you could see the change, as the videotape that was expected of most British media in the 1970s started losing favor. And so suddenly you’ve got Pamela Salem dressed all in black and using all the hairspray, waving her hands and looking melodramatic on a blue screen set, with flat photos of caves keyed into the picture behind her, and suddenly the children in their monk robes dance around her, and it looks exactly like one of Kate Bush’s dire videos from Lionheart or The Dreaming, before EMI started spending money on her promotional clips and hiring Donald Sutherland.
So I snorted because it looked ridiculous, but the kid burst a lung laughing because it was genuinely hilarious to him. Now, fair’s fair, he did snort in part three when Belor conjures a magical beast for about two seconds and it’s a small wood carving of a Chinese dragon like you’d find in a tatty gift shop, but otherwise, he’s completely caught up in this and enjoying it enormously. It’s TV made for eight year-olds and it succeeds amazingly well.
Anyway, episode three was written by Anthony Read and it’s a Robin Hood story that actually uses two other sets. Episode four, sadly, was back to the cave sets because it’s an Ali Baba and the One Thief adventure. The budget required that the other thirty-nine lost hope and went home.