Doctor Who: The Macra Terror (parts three and four)

As I mentioned last time, I’ve kept “The Macra Terror” on the shelf for decades, never reading the novelisation or watching a telesnap reconstruction or listening to the BBC’s cassette release. I have, of course, wondered how in the world the production team could have managed a story about giant crabs with the meager resources afforded to them, and when the “Lost in Time” collection of orphaned episodes and clips was released fifteen-odd years ago, the clips suggested “not all that believably.”

In point of fact, for the eight year-old in this audience, “The Macra Terror” moved from being a behind-the-sofa nightmare of a cartoon into a laughing stock when we switched over to disk two to see the surviving footage. There are a few seconds of fragments from a home camera recording of some random moments along with some screams and shocks that the censors in Australia deemed too horrifying for audiences. The cartoon Macra is a swiftly-moving horror, but the real thing was a mostly stationary prop, kept to the shadows with arms and claws waving at the actors. While we would all prefer to have the original, at least the animation doesn’t result in the kids at home guffawing over the production.

In other words, dear Australia: thank you for censoring the story and keeping what you cut in an archive, but I promise, it really, really wasn’t necessary.

Anyway, I’m very glad this story was animated. The DVD package – and there’s an even more packed Blu-ray – contains the story in both black and white and color, along with commentary featuring the serial’s original director, actor Frazer Hines, and three of the guest cast. It’s got telesnap reconstructions of the episodes, the audiotape version that was released in 1992, and the fragments of original footage along with lots of other bonus material. I thought the story was kind of slow and lacked urgency, but the animation was fine and I’m very impressed with the presentation. I hope they have a new cartoon reconstruction in the works for 2020.

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