Our son has grasped the existential horror behind Barbara Clegg’s “Enlightenment” quite well, I think. “They scoop out the memories of the people on the ship the same way we scoop ice cream out of a bowl and eat it!” He’s really enjoying the story. Part one ends with a terrific cliffhanger revelation, and the whole story is built around mystery, so it’s got his brain working overtime.
“Enlightenment” is the first story in the Doctor Who canon to be written and directed by women. It was Clegg’s only script for the program, but one of several serials in the early eighties that Fiona Cumming helmed. Familiar faces in the cast include Tony Caunter as one of the crew of this strange Edwardian-era racing yacht and Keith Barron as its captain.
I’ve always thought this was a good story, but not an especially gripping or thrilling one, so I’m glad that our son’s enjoying it, and giving the Black Guardian an appropriate level of evil eye action. But as much as he enjoyed the first cliffhanger, the second one fell flat. It should have been a memorable one – Turlough leaps to his apparent death rather than being stranded for all eternity on a spaceship he can never leave – but our son remembered that a character had literally just explained there’s an energy screen keeping them safe. “He’ll just land on the screen,” he interjected. As it will turn out, he doesn’t, but I’ve watched this a dozen times and never caught that.