Doctor Who: Terminus (parts three and four)

In whatever time zone this is, there’s a company that accepts some kind of payment to cure the degenerative Lazar’s Disease. Doing this as cheaply as possible, they’ve learned that a certain kind of radiation works sometimes. So the company enslaves a bunch of ex-military grunts and gets them hooked on a drug. They use them as labor, along with a big wolf-dog monster that is not affected by the radiation. The old space station where this radiation can be found via an engine leak is monstrously unsafe, but the Company figures they’ve got decades before it fails, so they pay their slave labor with drug supplies that arrive on an automated drone ship with the latest batch of Lazars. They sit back and profit while the money’s still good.

If “Terminus” had been about that, it might have turned out entertaining. But all these pieces aren’t even put together until the final episode, and so this isn’t a story about the Doctor overthrowing a profit-obsessed “health care” company. “Terminus” is actually all guff about an exploding engine ending the universe, and running up and down lots of corridors that are just plastic sheeting and duct tape. Actually, because the sets are so small, the actors never even run to prevent the end of the universe, they just walk with urgency.

And I’ll tell you what sounds like the end of the universe: the drug addict guards wear these uniforms which are layers of armored plates of plastic molded to look like copper with a design of bones. Every time the actors move, you hear the constant squeaking and thumping of the plastic plates rubbing and bumping against each other. I wish the next time this story gets remastered for home video, they’d work on the sound mix and edit all that out.

“Terminus” was Sarah Sutton’s last story as Nyssa, as her character stays behind to improve conditions on the old space station. Nyssa gets a sweet final scene with the Doctor and Tegan, but she doesn’t say goodbye to the new character Turlough, who isn’t going over well with my family. Discussion after the story was centered around why the Black Guardian has drafted somebody so utterly incompetent as Turlough to kill the Doctor, and why he didn’t make an offer to an assassin or someone like Boba Fett. I think it’s because “eh, that’ll do” seems to be the mission statement of the producer and script editor this season. No wonder it was around this time that Peter Davison decided that he’d finish his three year contract and move on.

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