Doctor Who: Arc of Infinity (parts three and four)

By far the most interesting thing about “Arc of Infinity” is that all the location filming was done in Amsterdam in the summer of 1982. Unfortunately, the story feels like it tries its best to have as little to do with Holland as possible in favor of deeply boring political intrigue on the Doctor’s home planet. Most of this serial’s faults could have been overcome by setting the whole story on Earth. They could have, for instance, had Michael Gough’s gone-bad Time Lord working in league with some human criminal who lived in Amsterdam to bring Omega back.

Oh yes, Omega, by far the least interesting thing about “Arc of Infinity,” or at least the way it’s presented. Not content with recasting all the characters who were seen the last time we were on Gallifrey four years before, they also recast the villain, and gave him a costume which wasn’t a patch on the iconic original that we saw in “The Three Doctors” a decade previously. I don’t think Omega’s even been mentioned in the program since 1973, but the show is working under the assumption that everybody watching the program knows exactly who he is.

In fairness, “The Three Doctors” had been repeated by the BBC a little over a year earlier, but this is part of that sense of complacency I mentioned earlier today. A little over a year is a lifetime in little kid terms; we watched that story thirteen months ago and it took a good bit of poking for our seven year-old to recall that the second Doctor teamed up with the third in the first place, let alone who the villain was. It’s here that we really start getting evidence that the people making the program are doing so for an audience that’s already completely committed, buys all the books, reads all the magazines, and can tell you who all the recurring villains and characters are when they turn up.

Mind you, I’m not opposed at all to villains and characters making return visits. Now I do think there needs to be a “ground zero” every few years, like we’re experiencing with Jodie Whittaker’s run right now, which doesn’t relive past glories for several weeks and lets a new audience in. But I like old faces and foes. However, these either need to be done as subtle winks and Easter eggs, or they need to be done properly, with an honest attempt at reintroduction. I mean, at no point in this story’s narrative do they even explain who Omega is; they just figured that all seven million who watched this on its original broadcast knew already. This will get worse before it gets better.

For what it’s worth, while our son was confused by the villain, he really did enjoy the story, and thought it was very exciting and creepy. He took the revelation of the baddie with a shrug; what really confused him was a street scene where the regenerated Omega joins a small crowd around a draaiorgel barrel organ. He’d never seen anything like that and needed to be reminded that once upon a time, we didn’t have the option of listening to music on our phones!

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