Well, I knew this one would be over our son’s head. Indy has made his way home only as far as Paris, and he gets distracted by a job with the US State Department working as a translator during the peace conference. If you’ve ever spent any time figuring that Georges Clemenceau, played here by the great Cyril Cusack, was an irredeemable asshole, this story isn’t going to persuade you otherwise.
The British Prime Minister, Lloyd George, as played by Michael Kitchen, isn’t much better. And while the two of them get to crawl around on the floor drawing new lines all over maps of the Middle East like the godawful colonialist greedheads they were, President Woodrow Wilson, who was probably ten times the jackass either of them were, just sighs and gets out of their way, too weak to tell them to cut the crap and get out of Arabia and Vietnam.
Our son had no idea what was happening. Pretty much like most of the planet in May 1919, actually.
Anyway, this was the third and final appearance of T.E. Lawrence in the show. Douglas Henshall again plays the character, and while this is a good hour of political drama for grownups all around, Henshall dominates the story, and Sean Patrick Flanery really just gets out of his way. Which makes sense: you get out of Lawrence of Arabia’s way if you’ve got any sense. The friends have a great farewell scene at the end, considering what could have been, and what a better world they could have begun to build in 1919 if the old men hadn’t got in the way. It’s great stuff, but wow, is it ever not for seven year-olds.
Anyway, he and I had a much better time talking about MacGuffins earlier tonight. When we watched Guardians of the Galaxy the other morning, he noted Star-Lord mentioning the Ark of the Covenant and the Maltese Falcon and said “Hey! I understood that reference!”
So we talked about how the Ark and the Falcon and the Infinity Stone and the Peacock’s Eye are all examples of MacGuffins. I explained that one of the things that separates a MacGuffin plot from a plot of conflict (like, say, Buck Rogers versus a space vampire) is how the hero usually has the agency to stop searching for the MacGuffin, just like how Indy was able to give up his search for the Peacock’s Eye. However, there’s often a consequence for abandoning the search, like how Indy was left in the South Pacific with no easy way back to New Jersey. Hence him working his way back to Europe and getting a job that would pay for the passage home. That was a nice transition which he certainly enjoyed more than tonight’s story!