My abiding memory of Terence Dudley’s “Four to Doomsday” is that it’s incredibly slow. This time around, though, that’s revealed to be a good thing. There’s not an immediate threat or menace in this exploration of a giant spaceship four days from Earth, at least in the first half, anyway. It plays out in almost real time, as the Doctor and his companions explore the ship, which is controlled by Monarch of the planet Urbanka. Two other of his kind are on board, along with several representatives of ancient Earth cultures, and everybody’s lips are sealed about the past or the immediate future.
So it’s great television for a seven year-old who wants to chew on this for a bit. He says that he really likes this one, although the revelation that the friendly fellow from ancient Athens is a robot was a big surprise to him. I like how it plays out in a really enormous and believable space. The spaceship looks and feels completely gigantic, with lots of corridors and chambers.
Joining the regulars this time, there’s Philip Locke and Burt Kwouk as two of the old Earth refugees, but the guest cast is led by – of all people – Stratford Johns as Monarch, resplendent in his green, mottled skin. I reminded our son before we started that Johns had appeared in the great Avengers episode “Legacy of Death” doing a Sidney Greenstreet impression, and that our son certainly wouldn’t recognize him unless I pointed him out. Johns had played DI, and later Superintendent Charles Barlow in more than 200 episodes of four or five different, related series, for more than a decade, and even though he’d stayed real busy since the last of those shows ended and was always in demand, he still strikes me as unlikely for the role of a bipedal frog with a God complex. I mean, Johns is great, but imagine Karl Malden as Monarch. Like that.
Meanwhile, because this was actually the first story in production for season nineteen, everybody remembered that Tegan did not sign on to be a companion and wants to get to Heathrow Airport so she won’t lose her job on her first day. I really like the characterization. She doesn’t want to be here, she is terrified of getting fired. That’s how it should be. Except… while it’s been a few days for her, in Earth time, her aunt was just murdered a couple of hours ago. She even mentions this, but she’s only thinking about her job. Who’s she working with, Qantas? I don’t think that they’ve got the worst HR department on the planet. They will understand that the new girl’s aunt was murdered on the way to Heathrow. They’ll hold the job.
They maybe won’t quite understand that she was murdered by a space alien with a shrink ray, of course…
3 thoughts on “Doctor Who: Four To Doomsday (parts one and two)”
I can understand your son’s reaction to the robot at the end of part two. Alas, I cannot finish my point until y’all finish the serial outright. Still, this is one of my favorite Fifth Doctor stories.
I really like the effect of “wiping” Philip Locke’s face from the skin of the robot when he reveals himself. It looks so odd, but it’s effective.