Doctor Who: The Masque of Mandragora (parts three and four)

Our son says that he really enjoyed this story, which is a relief because it did leave him a little more confused than usual. In part three, the villains Federico and Hieronymous betray each other, and he didn’t get that at all. It’s not like he’s never seen bad guys turn on each other before, but we had to pause the story to help him through it.

We also had to pause it to underline exactly how serious this threat is: the Mandragora Helix’s plan is to conquer Earth during the Age of Enlightenment to keep the people superstitious and stupid. There’s a running gag that Leonardo da Vinci is around somewhere in the palace, but never in the same place as the Doctor. I have to say that the BBC’s resources never really convinced me that this was a palace at all, much less a great big shindig thrown for the coronation of the new ruler of a city-state, but the costumes certainly looked nice.

“The Masque of Mandragora” was the final Who serial written by Louis Marks, but he had a lot more work for the BBC ahead of him. For the next thirty years, he produced several prestigious series and serials for the BBC, several of which were shown in America on PBS’s Masterpiece Theatre. He oversaw two George Eliot adaptations, Silas Marner and Middlemarch. That one was probably one of the biggest hits for Masterpiece in the 1990s, though it seems to be forgotten today. Marks died in 2010.

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