The story moves back to England for its middle parts, making this kind of unique in the seventies Earth stories in that it’s an actual globetrotter. Most alien invasions of the planet head straight for the UK. This one came to Antarctica tens of thousands of years ago.
And once the show comes back to familiar ground, the horror quotient just skyrockets. Our son absolutely hated the cliffhanger to part three, when it looks like the Krynoid pod is going to infect Sarah, and part four is just wall-to-wall terror. The big composting machine had him running upstairs to his own room. He came back down just in time to see the infected man, Keeler, lose every trace of his humanity. It’s a terrific shock moment, with the butler dropping his tray at the sight of a huge, angry, green monster in the room. He bolted upstairs again.
“Yeah, I’m not surprised. That really was a scary scene,” his mother said.
Conventional wisdom has it that the larger size Krynoid, which is a throbbing green mass about twelve feet high, isn’t the most convincing monster, but our son swears that’s the scariest moment yet. This is a great story, even if our son’s fear factor meant that we were a little bit distracted.
In lighter news, Sylvia Coleridge joins the cast as a daffy old lady, because that’s what she specialized in playing. There’s a repeat of the “And the music’s terrible” gag that was used in the previous story. Then, the Doctor was sick of the Sisterhood singing their hit “Sacred Fire, Sacred Flame.” This time, Tony Beckley’s character is playing Chick Corea’s keyboard parts from Miles Davis’s 1970 Fillmore West show because he thinks it will help his plants grow. Don’t believe me? Compare Beckley’s noise in that scene to “Masqualero” on Black Beauty. He’s lucky his plants don’t strangle him to death.